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Text: Watching the mountains and listening to entertainment
Edit|Watching the mountain and listening to entertainment
As soon as the drama "Old Guy" came out, it received mixed reviews.
At the beginning, I heard that the "Iron Triangle" composed of three veteran actors was going to work together again, which was really full of expectations! But who would have thought that in the end, this drama gave the audience a stomach of things to say.
Look at this drama, it is said to be an urban drama, telling the story of three old men starting a business.
But this plot setting, many viewers think it's too old-fashioned, and there is nothing new to speak of.
Everyone thought to themselves, can't we come up with something new and eye-catching? This setting is like a dish that everyone has eaten, although the taste is okay, but there are no surprises, and I feel a little greasy when I eat it.
Let's talk about the protagonists.
Wang Gang and Zhang Tielin, two old actors, have not presented new works to everyone for a long time.
This time they finally came out, but the audience didn't buy their performance.
Everyone feels that their acting skills seem to be a little rusty, and they are no longer as comfortable as before.
It's like a singer you've always liked and after a long time to release a new song, but the singing is not as good as before, then you will definitely feel a little lost and confused.
And ah, there are too few young actors in this play.
Many of today's audiences still like to watch young and energetic actors, who can bring a different feeling and atmosphere.
But if there is no one in this play, it feels like something is missing and not colorful enough.
It's like a painting, the color is too simple, and I always feel a little lacking in life.
Also, the tacit cooperation between these three old actors is indeed there.
But sometimes it's just because it's too tacit, but it seems a little deliberate.
Some performances make people feel like they are eating their old books, consuming everyone's previous love and feelings for them.
This makes the audience feel very uncomfortable, as if the treasure you have always cherished suddenly one day finds that it is overused and becomes less precious.
The acting skills of old drama bones usually have the following notable characteristics and worthy of appreciation:
Exquisite and delicate: After years of tempering and precipitation, the old drama bones can portray the emotions and inner world of the characters extremely delicately.
Their control of the details of the performance is superb, a look, a micro-expression, and a small action can convey a wealth of information, allowing the audience to deeply feel the joys, sorrows, and complex moods of the characters.
Strong character shaping ability: They have a strong ability to shape characters, whether they are positive characters or villains, they can perform well.
Whether it is emperors and generals, ordinary people or characters of various special professions, they can be interpreted vividly, giving the characters unique charm and vitality.
For example, Emperor Kangxi played by Chen Daoming is impressive in his majesty and wisdom.
Performances are real and natural: The performances of old actors often give people a real and natural feeling, as if they are the characters themselves.
They don't deliberately "act", but can fully immerse the audience in the situation they create and empathize.
Like Mr. Li Xuejian's performance in "Jiao Yulu", the simplicity and dedication are real and touchable.
Profound line skills: Lines are an important part of the performance, and the line skills of the old actors are usually very solid.
Their voices are expressive, can accurately convey the emotions and intentions of the characters through changes in intonation and rhythm, and their words are clear and infectious.
Artistically infectious: Their acting skills often have a strong artistic appeal, which can touch the hearts of the audience and resonate with the audience.
In the process of appreciating the performance, the audience can not only get visual and auditory enjoyment, but also be emotionally and spiritually touched.
can not generalize that the acting skills of the old drama bones must be flawless.
Sometimes there may be a certain degree of repetition in the interpretation of some roles because the personal style is too strong; Or there may be a certain process of adaptation when faced with some new performance forms and styles.
If you want to talk about this plot, it's actually okay, it's quite real.
But it is because of the protagonist's image, acting skills, and lack of freshness that the audience has a lot of controversy and dissatisfaction with this drama.
It's like a dish, the ingredients are good, but the chef's cooking technique is a bit problematic, resulting in the final taste is not so satisfactory.
Let's think about it, the audience was waiting to see a wonderful performance with full expectations, but they saw such a tangled work.
It feels like you're going to watch a long-awaited game with joy, and the result is a mess, can you not panic?
These three old actors have left a lot of classic roles and memories for everyone before.
But this time, their performance was a big surprise.
The audience will think, is this still the same actor I used to like? How do you feel like you've changed? In fact, the audience doesn't ask them to keep their peak condition all the time, they just hope that they can work harder and bring better performances to everyone.
The current TV drama market is really competitive.
There are all kinds of themes, and the audience has too many choices.
If a drama doesn't have its own features and highlights, it's really difficult to attract the audience's attention, let alone make the audience like it.
This "Goodfellas" is a good example.
It shows us that there are too many factors to consider for a drama to be successful and to satisfy the audience.
From the plot to the actors, from innovation to intentions, every link must not be sloppy.
We also hope that future TV drama producers can listen more to the voices of the audience and understand more about the needs and preferences of the audience.
Don't just rely on some old actors or old routines to attract the audience, but really work hard to create a good drama.
Only in this way can you stand out in this competitive market and win the love and recognition of the audience.
It's not that this show is useless, it still has some shining points.
But those deficiencies are too obvious for the audience to ignore.
I hope that future dramas can learn lessons and bring us more wonderful works! Our audience will always look forward to seeing more good dramas that are eye-catching and applauded!
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