The Chinese music circle, which has not seen the smoke of gunpowder, was "blown up" by the live broadcast mode of "Singer 2024" this year! The first episode of the show stirred up a thousand waves with one stone, and involved everyone in music insiders and outsiders in a big discussion.
First of all, what is "dimensionality reduction strike"? It is the audience who has strong doubts about the strength of domestic artists. Because in the first issue, Na Ying "scattered her soul" as soon as she opened her mouth, and went down the field by holding on to the wall, compared to the American aunt Shanti Mo on the same stage, she showed a high-pitched voice against the sky and an old-fashioned, free-flowing typhoon. To put it bluntly, he was swiped by Shanti Mo's performance and played a rival show.
But more people believe that this kind of skepticism reflects the "greenhouse effect" that has been pampered in the music world for a long time. Today, surrounded by "entertainment filters" for a long time, many people mistakenly regard well-retouched recording studio products as real scenes, and regard the loud technology superimposed sound as slag singing skills. But this time, the full open mic, non-sound repair and one-take-style live broadcast of "Singer 2024" have pulled out the true level of the artist.
I have to say that this live broadcast debut mode is undoubtedly a fierce "disenchantment" of the "entertainment filter". Especially with the rise of the traffic economy, more and more artists and producers are unwilling to spend time and energy on the pursuit of pure artistic ability, but blindly chase numbers and traffic, so we see the scenes of "traffic idols" and fans defending "perfect characters" for them. Therefore, the comeback of "Singer 2024" has undoubtedly become a source of authenticity, allowing artists to return to their original intention of tempering their true skills, and arousing the public's yearning and applause for real art.
Of course, some people say that this is an artist at home and abroad competing on the same battlefield, even if the audience is accustomed to the tone of domestic artists, Shanti Mo's relaxed Western typhoon will inevitably make people feel "violent". But from another point of view, it is the atmosphere of "Singer 2024", which embraces different musical styles, that allows us to pass through the narrow "information cocoon" and touch a new musical aesthetic experience.
Before we know it, the fast-paced internet life makes us all live in our own little circles. But that's not the raison d'être of music. Music was originally created to cross borders, break down boundaries, and dissolve rifts. The first lineup of "Singer 2024" embodies this concept of diversity - Shanti Mo represents the sophisticated American rhythm and blues, and Fanxia integrates the elements of the current fashionable world music, and Na Ying reinterprets the famous work "Mo...... Every stage is trying to expand the dimension of music for the audience.
In general, compared with the ups and downs of the sound, the impact of this music variety show on the Chinese pop music industry is the most thought-provoking thing. It seems to be a bombshell, which not only explodes our perception of "good singers" from the perspective of artist strength, but also ushers in a new improvement in our tolerance of music. In the future, will there be more musical talents to show themselves on this stage, so that each of our worlds will be mottled by music? Let's wait and see.
To sum up, "Singer 2024" has undoubtedly made the entire Chinese music industry experience a new baptism. It brings artists and audiences alike back to the reverence and pursuit of authentic musical talent. At the same time, it is also like a spring breeze, bringing us a new auditory experience and aesthetic enlightenment. I believe that in the future, it will continue to nurture more amazing musical talents and excellent works.
What do you think about this? Feel free to interact with me in the comment section!