Ink Calligraphy Network Ink Calligraphy Network
Ouyang Fu of the Qing Dynasty once commented on the "Jiucheng Palace" in the "Collection of Ancient Truths" and said: "This stele ("Jiucheng Palace Liquan Ming") is the most important in the world, and the commentators of the past dynasties are called the first in the Kaifa, so the vertebral extension is not empty, and the stone is gradually peeling off, although the stone exists, the word is like a soul shadow!" ”
As we all know, "Jiucheng Palace" is known as "the world's first regular script", and also enjoys the reputation of "the extreme rule of regular script", the font is dignified and even, the pen "Kai method" is complete, and the beginners of later generations admire its name, and most of them copy this work to get started.
But "Jiucheng Palace" is a work of forgiveness, the pen is too strict, dare not have half a point of exceedance, beginners' vision, perception is weak, it is difficult to accurately analyze the hidden penmanship changes, the ancients once said that "the difference is a thousand miles".
Such a tight structure, if not properly controlled, is easy to restrain the vitality of thinking, the sense of freedom with the pen, or produce the disease of "Dong Shi Xiao Feng", and Ouyang Fu also said that "Jiucheng Palace" is seriously damaged, which makes it more difficult to copy.
In fact, to learn "Ou Kai", there is no need to copy the "Jiucheng Palace", he wrote the "Huangfu Jun Tablet" in his early years, which is very suitable for contemporary scholars, this work is the epitaph of the Sui Dynasty courtier Huangfu's birthday, a total of more than 1,600 words.
Yang Bin once said: "The show is nothing more than the "Liquan Ming", the danger is the "Huangfu Birthday Monument", and the danger is particularly difficult, this "Huangfu Monument" is so expensive", Wang Shizhen also said: "The rate of the book "Huangfu Jun Tablet" is particularly dangerous than the monuments. ”
"Jiucheng Palace" dot painting is more beautiful, and "Ou Kai" is not in line with the fairness and danger, "Huangfu Jun Monument" is extremely dangerous beauty, more exposed edge and line, the turning point is sharp and angular, the dot painting is strong and indomitable, the backbone is sharp, and the knot is slightly sideways, giving people a sense of danger and danger.
For example, "autumn", the left and right sides are not aligned, the word "He" is downward, the word "fire" is up, and the center of gravity seems to be tilted to the left.
The same is true of the words "water" and "disease" in the volume, through the treatment of cloth white, light and heavy, virtual and real, etc., highlighting the rhythm of the pen, as well as the dangerous interest, as the most standard "Ou Kai", far more rare than "Jiucheng Palace".
Weng Fanggang also highly praised this monument and praised it: "Because of the danger and just square, it is the most brilliant to write more ,...... If you don't start from this first, then why does the frame structure enter the "Ninety" and "Huadu"? ”
He thinks that this work is spontaneous and natural, and the spirit is super easy, if you can learn this work, and then copy the "Jiucheng Palace", "Huadu Temple Tablet" is not a problem, now the original stone is broken, and the handwriting of the "Qing Tuoben" is clear, and the whole text is complete, which is a rare "no missing word".
Copying from time to time, you can learn the precise "Ou Kai" technique, both normative and artistic beauty, and even look at this character, you will know what is the beauty of regular script, those dull "prints" can no longer enter the eye, so as to develop a correct aesthetic.