In the ancient literary world, there has never been a shortage of masters of love poetry and love words.
Li Shangyin in the Tang Dynasty had "this situation can be recalled, but it was already lost at that time"; Liu Yong in the Song Dynasty had "affectionate parting since ancient times, and even more so that he could snub the Qingqiu Festival"; Yuan Dynasty Yuan Hao asked "Ask the world, what is love?" Orthodox life and death";
Tang Bohu in the Ming Dynasty had "look at the sky at dawn and look at the clouds at dusk." Walking also thinks of you, sitting also thinks of you"; Nalan Xingde in the Qing Dynasty also has "If life is only as first seen, what is the autumn wind sad painting fan".
Therefore, if you really want to say that the literati who write love poems and lyrics well, there are really not a few in the thousand-year-old literary circle, and it is difficult to give people too much novelty after reading too much. But if this master of love words is a monk, it is a different matter.
After all, in everyone's impression, the monks read Zen Buddhism, and they should also write Zen poems that make people enlightened, just like "Bodhi has no tree, and the mirror is not a platform." There was nothing in the first place, where to stir up dust". Therefore, Cangyang Gyatso, who is famous for his love poems, can make people feel so maverick.
Coincidentally, in the Song Dynasty, there was also a monk who was good at writing love poems and love words, and his name was Huihong Zen Master. When Huihong was young, on a sleepless night, he once wrote a poem called "Shangyuan Su Baizhang", which has a sentence "What is the reason for the very spring thinness, and the spring heart has not yet arrived home", which gave him the title of "prodigal monk".
As he grows older, a person should be more and more stable, but this is not the case with Hui Hong, even if he becomes an "old monk", he is still uninhibited. On another sleepless night, he couldn't help but write another sensual love poem.
"Qingyu Case: Green Acacia Smoke Willow Changting Road"
Author: Monk Huihong
Green locust smoke willow Changting Road.
Hate takes the second, separates away.
The days are as difficult as the years.
Gao Cheng looked back, the twilight clouds were covered, and he saw where people were.
The day is approaching at the Saddle Inn.
暗忆丁宁千万句。
An inch of tenderness.
The thin pillow is lonely, dreaming back to the quiet, invading the dawn and the rain.
On the long pavilion road, the locust trees are green, the willows are like smoke, I hate (I) walking in a hurry, (the long road reminds me) that we have separated.
The lingering melancholy makes people feel that a day looks like a year, and they don't know how to spend it. Looking back at the high city walls, which have been cut off by twilight clouds, where is the end of sight?
When the sky was about to be dusk, I unsaddled off my saddle and stayed in the hostel, secretly remembering the thousands of whispers of my lover before parting. How much affection is hidden in an inch of tenderness?
Now only the thin quilt lonely pillow with me, midnight dream back to wake up is the dead of night, dawn, the window outside the spring rain.
The film mainly writes about the scene when the walker and the resident part. On the long pavilion road of Huai and Liujia Road, the hateful place was hastily separated. Parting is already hateful, and "this farewell is in a hurry" is even more hateful. The word "hate" is the main theme of the article. Don't say goodbye, it must be "the day is as difficult as the year".
And when this time of farewell, "Gao Cheng looks back, the twilight clouds are covered, and the eyes are judged where the people are", which is especially unbearable. These three sentences are poetic with the Tang dynasty Ouyang Zhan's "Gaocheng is gone, and the people in the city are restored" ("Sending Taiyuan Thoughts on the Way to Taiyuan at the First Departure"), and the sentence "Seeing where people are" is clear, and I feel more affectionate.
The next film turns to the traveler's thoughts about the resident, and it is mainly written from the perspective of the traveler. The first sentence is written that the traveler rests his horse and unsaddles at dusk and lives in a hostel. The cold window of the inn, in the loneliness, recalled the thousands of words of advice to the lover when he was leaving.
"Tens of thousands of sentences", the other party said a lot of words when parting, it can really be said that "there are many words, but the love is not over", and the sentences contain infinite affection.
"How much is an inch of tenderness?" The soft intestine mostly refers to the lingering affection of women, such as Li Qingzhao's "Dotting the Lips and Thinking of the Girl": "The soft intestine is an inch and a thousand wisps". "How much love?" The tone is rhetorical, but the meaning is very affirmative. How much? Love is unlimited!
The three sentences at the end of "Bo Shu", if it is understood that the traveler sleeps alone in the hostel and can't sleep all night, it is not unreasonable; But in this way, the meaning of the word is bland and bland.
Hui Hong (1071-1128), a famous poet and monk of the Northern Song Dynasty. The common surname is Peng, and later changed his name to Dehong, the word Juefan, a native of Yunzhou (now Gao'an, Jiangxi). knew Zhang Shangying with medicine, and went back and forth to Guo Tianxin's door.
In the first year of Zhenghe (1111), Zhang and Guo were offended, and Hong decided to match Zhu Ya and return to the north. Gong poetry can write, and Su Shi and Huang Tingjian are the side of diplomacy. Its small words are graceful and elegant, and they are valued by the people of the time. The words are scattered in the "Shimen Text Zen" and "Cold Fasting Night Talk", and the "Quan Song Ci" contains 21 poems.
Hui Hong is very good at writing romance words, and Xu Jie's "Poetry of Yan Zhou" of the Song Dynasty once called it "good at making small words, graceful thoughts, like (Qin) less travel, such as Zhongshu, Shen Few, although famous, can not reach".
Therefore, the last three sentences are understood to mean that the traveler misses the distant woman in the hostel, imagining that she is also missing me in the torment of lovesickness at this time. In this way, the meaning is very different.
Since she left, she has been alone in the empty boudoir, thin and half-warm, and unable to sleep alone. The spring night is steep and cold, and it is thin, which is difficult to resist the cold of nature; It's a solitary embroidery again, and my heart is full of cold. With no one to accompany me, I woke up from a good dream and couldn't sleep anymore.
In the dead of night, listening to the sound of the rain outside the window, "the rain is clear", indicating that the woman did not fall asleep again until dawn in the disturbing sound of wind and rain. In this way, the words are written from the opposite side, not only the text is tortuous and profound, but also the feelings expressed are also deepened.
In short, although this meaty love poem is beautiful from the beginning to the end, the ancients disdained to comment on it, after all, such a small word was not very popular in ancient times, and it was still written by a monk. But even so, this poem has been circulated for more than 900 years, and modern people have a very high evaluation of this poem.
Yao Heming, a literary expert at Soochow University, said in the "Dictionary of Love Words and Loose Songs Appreciation" that this poem, although it is not as famous as He Zhu's "Qingyu Case" (Yichuan Tobacco, Full City Wind Floc, Plum Yellow Rain), but the sincerity and depth of the feelings expressed are better than the congratulatory words, and it is a wonderful poem.