This Saturday (May 18) is the "International Museum Day", and social organizations in the cultural field such as Beijing Minsheng Art Museum and Guanfu Museum continue to let citizens enter the museum and experience culture and art through rich exhibitions and artistic innovations. At present, there are more than 800 social organizations in the cultural field in the city, jointly contributing to the construction of Beijing's "cultural center".
Camel bells ringing - Silk Road Art Exhibition/Photographed by reporters
At Beijing Minsheng Art Museum, the "Camel Bell Rings - Silk Road Art Exhibition" is ongoing, exhibiting more than 500 components of works from 5 countries, 14 provinces, municipalities and autonomous regions, 35 cities and more than 60 institutions of various types in China, the United States, Germany, Japan, Norway.
A felt hat from 4,000 years ago, a volume from the Analects of Zheng Xuan, copied by 12 schoolchildren more than 1,900 years ago, and a seated statue of Baoguan Rulai about 1,600 years ago, all tell the story of the Silk Road. "After visiting today, our impression of the Silk Road has changed from some more abstract concepts to a very specific route, which makes people feel immersive." "The quality of the exhibition is still very good, and the cultural relics are also very detailed, especially the explanation is in place, and I feel the thick accumulation of Chinese culture." Citizens who came to visit the exhibition said.
Felt hat from 4000 years ago/photographed by journalists
This exhibition is composed of five chapters, including "Preface", "Earth", "World", "Sky" and "Conclusion", and tells the story of living cultural relics with firm self-confidence and open cultural stance, broad international vision, and contemporary techniques. Li Feng, director of the Beijing Minsheng Art Museum, said that the ancient art should be re-planned and sorted out with today's concepts, and the restrictions of regions, regions and ages should be disrupted, so as to achieve the integration of ancient and modern. This exhibition wants to bring you not only precious cultural relics, but also hope that you can see the inspiration of great civilization to today, make the future more creative, and let cultural self-confidence continue to be superimposed.
"Notes on the Analects of Zheng Xuan" copied by 12 schoolchildren more than 1900 years ago / photographed by reporters
Statue of Bao Guan Rulai / Photographed by reporters
Guanfu Museum launched the "Clay Fire Illusion - Ancient Chinese Ceramic Art Exhibition", displaying a total of 238 pieces of collections, including Chenghua Doucai Tianzi jar, Qianlong enamel color small plate, etc. Li Xuan, executive deputy director of Guanfu Museum, said that as a 5A-level social organization, Guanfu Museum is committed to building a museum with temperature, so that the collection is open, such as the furniture museum, everyone likes to take a closer look at its mortise and tenon structure, workmanship and decoration, etc., are fully believed in the audience, so many years have also had feedback from the audience, there has been no damage to the exhibits, and slowly from the miniaturization, cordialization into a warm museum.
Clay Fire Illusion - Ancient Chinese Ceramic Art Exhibition/Photographed by reporters
At present, there are more than 800 social organizations in the cultural field in Beijing, which have played an active role in excavating and sorting out folk cultural heritage and enriching the supply of public cultural services, helping to build a "cultural center" in Beijing. Guo Weiliang, deputy secretary of the party committee and director of the Beijing Municipal Center for the Management of Social Organizations, said that in the next step, we will work with relevant departments to jointly strengthen the publicity and promotion of social organizations in the cultural field, build some platforms, carry out some activities, and guide social organizations to give full play to their professional and resource advantages, promote more diversified cultural resources, better serve the lives of the masses, and contribute the strength of social organizations to Beijing's construction of a national cultural center.
Most of the collection is open to exhibitions/photographs by journalists
Reporter Su Wan Editor Zhu Yanting Chief Editor Cheng Yan