In today's era of flood of film and television culture, film and television works are not only an important way for us to enjoy leisure and entertainment, but also an important channel to convey historical, cultural and social values. However, in recent years, some so-called "bad dramas" have spread like weeds, driven by commercial interests, wantonly distorting historical facts, and irresponsibly misleading audiences. These dramas are like tumors, eroding the hearts of the audience and distorting the cognition of society.
The most distressing thing about these "bad dramas" is their wanton distortion of historical events. They have adapted the serious history of the Anti-Japanese War and the heroic anti-Japanese heroes into absurd martial arts stories, and portrayed the heroic soldiers as martial arts masters with unique skills. In "Anti-Japanese Heroes", we see that the embroidery needle has become a hidden weapon, and the fishbone sword has become a weapon to kill the enemy, and this frivolous attitude towards history is undoubtedly the desecration of the blood and tears of the heroes who fought against Japan. Such a plot not only misled the audience, but also made them misunderstand and prejudice the real history.
In addition to distorting historical events, these "bad dramas" also lack a profound embodiment of war and violence. They portray the brutal war as a light game, and interpret the battle of blood and fire into a love scene in an idol drama. In "Thunder Warrior", we see the heroes of the Eighth Route Army as if they were superhumans, while the Japanese army became vulnerable and weak. This kind of understatement of war not only conceals the cruelty of war, but also gives the audience a frivolous and childish perception of war. This kind of misdirection is undoubtedly a blasphemy of history and irresponsibility to the audience.
The emergence of these "bad dramas" not only misled the audience, but also had a bad impact on society. They distort historical facts and mislead the audience about history; They lack a profound embodiment of war and violence, giving the audience a frivolous and childish perception of war. This kind of misleading will not only make the audience misunderstand and prejudice the real history, but also distort and deviate the values of society.
To change this, we need to start on a number of fronts. First of all, strengthen the review and supervision of film and television works to ensure the quality and authenticity of the content of film and television works. For those "bad dramas" that distort history and mislead the audience, they should be ruthlessly removed from the shelves to safeguard the authenticity of history and the rights and interests of the audience. Secondly, improve the historical literacy and sense of responsibility of film and television practitioners. They should have sufficient historical knowledge and historical literacy in order to create film and television works that conform to historical facts and have profound connotations. Finally, strengthen the audience's ability to identify film and television works. The audience should have the ability to distinguish the quality of film and television works, not blindly pursue commercial interests, but choose those film and television works with profound connotation and authenticity.
Let us call together to return film and television works to reality, history, and society. Let us use real history, profound connotation, and positive values to influence and infect the hearts of every audience. Let us work together for the prosperity and development of film and television culture, and contribute our strength to the inheritance and progress of social culture.
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Dear readers, it is our responsibility for each of us to contribute to the prosperity of culture and the preservation of history. When we sit in front of the TV or mobile phone, immersed in the film and television works, we are also invisibly accepting the values and historical views they convey. Therefore, what kind of film and television works we choose is not only about our entertainment life, but also about our attitude towards history and culture.
We live in an era of information explosion, and countless film and television works are produced every day, but there are very few works that can truly stand the test of time and are worthy of our repeated taste. These works may not have gorgeous packaging or dazzling special effects, but they have a real historical background, profound ideological connotation and unique artistic charm. They can let us feel the weight of history and cultural heritage in the process of appreciation, so that we can get the enlightenment of thought and the baptism of the soul while being entertained.
Therefore, I call on everyone to be more cautious and rational when choosing film and television works, and less blind and follow the trend. We should pay attention to the quality of the work and the authenticity of the content, rather than just pursuing the superficial gorgeousness and liveliness. We must respect history, culture, and audiences, and use our choices to influence and promote the healthy development of film and television culture.
At the same time, we must also actively disseminate and promote those truly excellent film and television works. They may not have the joining of big stars, and they don't have the investment of big productions, but they have real stories, sincere emotions and deep thoughts. They deserve to be tasted, shared, and recommended by each and every one of us. Let us work together to contribute to the prosperity and development of film and television culture.
Let's move forward hand in hand, in the world of film and television, to pursue the truth, feel the history, and taste the culture. Let us use our choices and actions to paint a better and more prosperous picture for the future of film and television culture.