Editor|Xiao Lu eats melons
Typesetting|September Qing Palace
Ruyi's Ulanala or Shushen's Huifa Nara, which is more in line with history?
This successor can be said to have fed a large number of novels, film and television dramas and other works, and there are too many mysteries on her.
Even who the surname is has become a major unsolved mystery in the Qing Dynasty.
In "The Legend of Ruyi", the prototype of the heroine Ruyi is the queen of the Nala clan, she is Yi Xiu's niece Wulanala clan Qingying.
And in "Yanxi Raiders", the prototype of Hou Shushen is also the queen of the Nala clan, she is from the Huifa Nala clan.
Which is more in line with the historical Queen of the Nala clan?
To this day, the mainstream of academic circles still believes that it is difficult to accurately determine the surname of the successor Nala based on the available historical data. But the successor must be a woman in the Nala clan, which is reflected in the imperial concubine's canonization edict handwritten by Qianlong.
However, the Nala clan is a large surname, and it is basically divided into four branch surnames according to regional differences, the Ulanala clan, the Huifa Nala clan, the Yeh Nala clan, and the Hadanala clan.
Don't look at the surname Nala, but not an ancestor. In the "Qing History Manuscript" compiled by Zhao Erxun during the Republic of China, it is recorded that the surname of the queen of the Nala clan is Wulanara. The influence of Qing historical manuscripts is very great, and many people follow this view.
That's how Ruyi's surname came about. But the "Qing History Manuscript" is not real-time monitoring, and it cannot be perfect, and many people are also making corrections for it. And I am still finding other information to corroborate, the possibility of following the surname Huifa Nala.
Ruyi's father was Nala Nerbu, who recorded Narbu's genealogy in the "Eight Banners Manchurian Clan Genealogy".
It is recorded from Mangku, the great-grandfather of Nerb, which mentions that "the place where the world lives in Huifa, and the commander is the commander of the envoy", and from the great-grandfather of Narbu to the sons, they all hold the position of this assistant.
There is also such a record in the "General Chronicles of the Eight Banners of the King Father". Moreover, Nerbu's grandfather, that is, the grandfather of his grandfather's grandfather, was Huifa Belle Wang Jichu, so they thought that Qianlong's successor Nala should be surnamed Huifa Nala.
However, those who dissented also pointed out that the thieves living in the Huifa tribe and the Ula tribe were getting closer, and it was impossible to say if they were mistaken.
Until now, there has been no reason for this question.
Although this matter cannot be determined, one thing can be speculated, that is, Ruyi has never seen Yi Xiu!
The prototype of Yixiu is the filial piety queen of Yongzheng, and the four masters are just this one queen, there is no Chunyuan and no peripherals!
In the ninth year of Yongzheng, Empress Xiaojingxian died, and Ruyi was married to the palace of Hongli in the seventh year of Yongzheng to be a side blessing. According to the rules, Fang Fujin is also a concubine, and he is not qualified to follow Hongli into the palace.
It's really hard to say whether there is such an aunt-nephew relationship or not.
is also the "queen of filling the house", Shushen "wears three pliers in one ear" every day, why doesn't Ruyi wear it like this?
Ruyi and Shushen are the successors of Za Long in both dramas, but there are obvious differences in how they dress.
Let's just talk about the decoration on the ears, Ruyi wears one earring on weekdays, except for wearing court clothes and wearing one ear and three pincers at the post-sealing ceremony.
And no matter what time it is, Shushen wears one ear and three pliers, who of these two people wears the right one?
This ear three clamps is an old Manchu custom, that is, three ear piercings on each of the two ears to wear earrings.
After the Qing army entered the customs, this custom was vigorously respected. At the beginning, there were four or five pliers in one ear, and there was no specific number of them.
It was not until the Qianlong period that the Manchu men and women wore clothing that it became one ear and three clamps.
This is also a sign to distinguish the Manchu people.
But after all, the Han people have a large population, and their influence is not small. The old custom of "one ear and three tongs" was also influenced by the Han people's "one ear and one tongs".
This point was shown in the first episode of "Yanxi Raiders", and Nalan Chunxue was selected for "one ear and three pincers".
Qianlong was well aware of the importance of the old customs, and specially issued a decree stipulating that the old customs could not be broken.
And according to the level of the harem concubines, the material of this earring is also different.
The queen uses the first-class East Pearl, the imperial concubine uses the second-class East Pearl, and so on to the concubine.
At the same time, one ear and three pincers are not only used to distinguish origins, but also as a status symbol in "The Biography of Ruyi".
Like Fucha Langhuan, who has a noble status in the middle palace, she will also wear one ear and three pincers on weekdays to show her identity.
Shushen is both a Manchu woman and a noble person, so she can naturally wear one ear and three pincers.
And the concubines from the Han people can't wear them like this, such as the pure concubine in "The Legend of Ruyi", she can only wear one ear and three pliers when she wears court clothes.
Then the question arises again, should "one ear and three tongs" be worn every day, or should it be worn on major festivals?
Generally speaking, one ear and three pliers will only be worn on solemn occasions, and not everyone is qualified to wear three pliers. A low-status woman can only bring one plier and two plain earrings.
Therefore, there will be no scene where everyone wears three pincers in the Yanxi Raiders. As for Ruyi, she is struggling in the harem, and if she makes a mistake, she will never recover.
Therefore, she mostly wears an earring to show her low profile, after all, she doesn't value fame, fortune and status as much as Lang Fan.
This is the same as only wearing an ordinary flag head on major occasions in the early stage, all for low-key,
So as not to attract the excessive attention of the Queen Mother and others, it is not an exaggeration to say that it is a means of saving life, right?
When Huangsang held a palace ceremony, how should the concubines' "evening dresses" be worn?
In "The Legend of Ruyi", the slag dragon will form a bureau to rub it if he has nothing to do, and the concubines who participate in the banquet can't wear clothes casually, which is a lot more exquisite.
Generally, there are three categories in the wardrobe of women: dresses, auspicious clothes and regular clothes.
Needless to say, the clothes often worn by the ladies such as horse coats, shoulders, shirts, and clothes belong to the regular clothes.
The dress includes court clothes and mourning clothes, such as the gorgeous clothes worn at the ceremony after the seal of Yi is the court dress.
It is composed of decorations such as crowns, robes, gowns, skirts and pearls, and only concubines and above can wear court clothes.
Nobles below the rank of concubine and Chang Zhai and those with low status are not qualified to participate in such grand ceremonies.
Moreover, this kind of big scene cannot be held several times a year, so court clothes are not often worn. Like Fucha Rongyin, he didn't wear court clothes from his appearance to the offline line in the play, while Wei Yingluo and Shushen both had shots of wearing court clothes.
So what about the banquet on weekdays? At this time, the auspicious clothes, which are second only to the court clothes, come in handy, and the concubines below the concubine position can also wear auspicious clothes.
This dress is definitely no stranger to friends who have watched "Yanxi Raiders", and those who have nothing to do in the play are dressed up.
Like Wei Yingluo's revenge for returning to the palace, in the fragment of the Empress Dowager Bo's happiness in the Old Summer Palace, all the concubines' auspicious clothes are of the same color.
But in Ruyi's biography, only during the Dragon Boat Festival and the southern tour with the szha dragon, everyone wore auspicious clothes of the same color, and the usual festivals wore colorful auspicious clothes, who wore it wrong?
In fact, this is distinguished by the importance of the festival, and in the Yanxi Raiders, the concubines wore stone blue auspicious gowns at the longevity celebration.
It is a little inconspicuous under the filter, such as Yi Chuanli, it is very easy to see, and it is more decent to wear a unified system in this kind of big festival.
However, there is no single color of the auspicious costume, and there are more than 20 colors recorded alone.
Even the four great masters who don't like Hu Hua in the Yongzheng period, there are sauce, blue, and snow blue.
Not to mention the auspicious clothes of the Qianlong period, fragrant colors, beige, lotus lotus colors and so on were widely used in auspicious clothes.
But there is also a saying about what color to wear, only the queen mother can wear bright yellow.
The Huixian Imperial Concubine of Zhalong was the first to wear bright yellow, and the rest of the concubines could only use the color of bright yellow and infrared.
Remember not to think about crossing the line, like Jin Yuyan has to wear a red provocation to follow, the consequences are very fatal.
The two dramas are very historical in terms of service, but some details need to be more refined~