CCTV shouted, Yuan Yawei became a "singer" savior?
Loading...
Recently, a call from CCTV made Yuan Yawei's name the focus of hot searches again. In this era of fierce competition in music programs, CCTV also seems to be looking for new strength to support the stage. Yuan Yawei, a powerful singer, has become the "savior" in the eyes of CCTV with his unique voice and stage charm.
Netizens have said that Yuan Yawei's singing is like an audio-visual feast, which makes people intoxicated. Some netizens ridiculed: "Sister Tia, don't ride the wind and waves, come back and sing quickly!" This humorous call not only shows Yuan Yawei's status in the hearts of fans, but also reflects the audience's desire for high-quality music performances.
Yuan Yawei's "Long Moon Embers" interlude, a perfect fusion of music and emotion
Loading...
Yuan Yawei is not only radiant on stage, but her performance in film and television works is equally impressive. The interlude she sang for "Embers of the Long Moon" brought the audience into a world full of emotions with her soulful interpretation and superb singing skills. This song not only became the highlight of the series, but also allowed Yuan Yawei's musical talent to be more widely recognized.
Netizens have said that Yuan Yawei's voice is like the soul of the play, allowing people to feel the joys, sorrows and sorrows of the characters while listening to the songs. This perfect fusion of music and emotion is the embodiment of Yuan Yawei's musical charm.
Singer 2024, Yuan Yawei, Li Jiawei, Peng Jiahui's "Recall Must Return"
Loading...
With the call of CCTV, powerful singers such as Yuan Yawei, Li Jiawei, and Peng Jiahui have expressed that as long as they have the opportunity, they are willing to return to the stage of "singers" and bring more wonderful performances to the audience. This attitude of "recall, return" not only shows their love for music, but also reflects their respect for the stage.
Netizens warmly welcomed this, believing that the return of these singers will bring new vitality and highlights to the show. Some netizens even joked: "Peng Jiahui, I will go when they invite me, does this mean that we have the opportunity to hear Peng Jiahui's live version of "The Day I Walked on the Red Carpet"?" This kind of humorous anticipation undoubtedly increases the expectation of the show.
Yuan Yawei's R&B, Sister Lang is released!
Loading...
Yuan Yawei's R&B style has always been her signature feature, and many fans are looking forward to hearing her unique rendition on the stage of "The Singer". Some netizens joked: "Yuan Yawei, come and support the singer, I hope to hear Sister T's rnb, Sister Lang release her quickly!" ”
This humorous call not only shows the fans' love for Yuan Yawei's music style, but also reflects the audience's pursuit of diverse music styles. Yuan Yawei's R&B has become the focus of everyone's attention on whether it can set off a new music trend on the stage of "singer".
Na Ying's predicament, the rise of Mesozoic singers
Loading...
In the context of the older generation of singers gradually withdrawing from the stage, Mesozoic singers such as Yuan Yawei, Zhou Shen, Shang Wenjie, Zhang Liangying, Zhang Bichen, etc., have become a new force in the music industry. Their strength and popularity have brought new vitality to the music program. Some netizens commented: "The old singers may not be able to sing anymore, the Mesozoic can be on top, and it is too difficult for Yingzi to be alone." ”
This humorous comment not only expresses respect for the older generation of singers, but also shows the expectation of Mesozoic singers. In this era of diversified musical styles, the rise of Mesozoic singers has undoubtedly brought new hope to the music industry.
Loading...
With the rise of Mesozoic singers such as Yuan Yawei, the future of music programming seems to be full of uncertainties. On the one hand, audiences are looking forward to seeing more re-enactments of traditions and classics, and on the other hand, they also want the show to embrace new musical styles and performance forms. This ambivalent mentality has made the direction of the development of music programs a controversial topic. Some netizens proposed: "Then don't lip-sync when you hold a party, all open the microphone, okay?" This humorous suggestion actually reflects the audience's desire for an authentic performance.
The future of music programming, whether to stick to tradition or bravely change, is not only a question of program production, but also a question that the entire music industry needs to think about. In this age of diversity, we expect the music program to find a path that respects tradition and is innovative.