On the evening of May 10th, the Huai Opera "Tinder" created and rehearsed by the Shanghai Huai Opera Troupe was successfully staged at the Grand Theater of Wanping Theater.
Huai Opera "Tinder" is an annual drama created by the Shanghai Huai Opera Troupe in 2023, and was included in the 2022 Shanghai Major Literary and Artistic Creation Funding Commissioning Creation Project. The work is based on three armed uprisings of workers in Shanghai from 1926 to 1927, and is written about the stories of low-level industrial workers.
In October 2023, after the premiere of Huaiju Opera "Tinder" at the Shanghai Oriental Art Center, three expert seminars were held, and the main creative team discussed and revised the script many times according to the opinions of experts, constantly polishing and adjusting, and striving for excellence. Regarding the revised version of the promotion, experts said: "The revision of the script after the premiere is a difficult problem, and the revision of the script of "Tinder" has truly achieved the good flow and liberation of many opinions, which can not only push and quote, but also establish their own opinions. ”
The script revision of "Tinder" starts from grasping the main line, strengthening the structure, dense needlework, and building characters, and the text has been greatly improved, highlighting the main characters' personalities, focusing on strengthening the portrayal of the background of the times, further strengthening the leading role of the Communist Party of China in the three workers' armed uprisings in Shanghai, and artistically answering the theme question of "why was the Communist Party of China born in Shanghai". At the same time, pick up the missing and fill in the gaps, remove the chaff, from modifying inaccurate lines, to tuning out inappropriate music, and then to replenishing inadequate emotions......
It is reported that the play will also appear at the closing ceremony of the 9th Jiangsu Huai Opera Art Exhibition on May 28, showing the artistic construction achievements of the Shanghai Huai Opera Troupe and the new style of Shanghai literary and art workers.
Reporter: Wang Yongjuan
Editor: Ning Pingying
Proofreader: Jiang Ling (intern)
Reviewer: Wei Li