Text/Feng Haitao Painting/Liu Zhaohong
Brush and ink is the core of Chinese painting, whether it is the scene or object you express, brush and ink is the first criterion, and it can even be said that brush and ink is the only criterion for judging whether a work is a Chinese painting. The composition, shape, and color of the painting are all well expressed, but without brush and ink, this painting can be a good painting, but it cannot be called a Chinese painting. You must know that if the artistry of a painting is only defined by composition, modeling, and color, then there is only one expression of beauty in painting in this world, and if this phenomenon appears, painting cannot appear as art, but as a concept of craftsmanship. The reason why art is art is because it has its own art form and artistic expression and bearing. Therefore, in the expression of Chinese painting, it is based on brush and ink.
Works by Liu Zhaohong
Brush and ink is the theoretical form of Chinese painting, freehand is the executive idea of brush and ink, and freehand is the soul state of brush and ink. Therefore, the authenticity and inauthenticity of Chinese painting, the level of Chinese painting, etc., are all in the life composed of brush and ink and freehand. Therefore, no matter what the painter paints, what scene he paints, he is based on brush and ink, and he has the spirit of freehand. Let's take Liu Zhaohong's monkey painting as an example, the whole picture and the core monkey of the painting are all based on the pen as the bones, the ink as the flesh and blood, and the freehand as the spirit, and the three are condensed into a painting with a soul and body. The atmosphere, momentum, and charm of the picture, as well as the agility and agility of the monkey's personality, are all formed through the changes of brush and ink. This is also the reason why when the viewer looks at Liu Zhaohong's monkey paintings, they clearly know that the monkey paintings he creates, whether it is the form of the monkey or the auxiliary scenes, are similar but not similar, but they are all like watching the life scenes of the monkeys in them. This is also what we often say: "The charm formed by pen and ink touches the heart through vision"!
Painter Liu Zhaohong
Liu Zhaohong (Liu Zhaohong), a famous painter, taught Xu Peichen to be a disciple. He is currently an assistant professor in the Advanced Research Class of Calligraphy and Painting at the Academy of Arts and Design, Tsinghua University. He is a member of the Chinese Artists Association. Rong Bao Zhai Painting Institute studio painter. Director of China Young Artists Association. Inheritor of national quintessence culture and art.
Works by Liu Zhaohong
Works by Liu Zhaohong
Works by Liu Zhaohong
Works by Liu Zhaohong
Works by Liu Zhaohong
Works by Liu Zhaohong
Works by Liu Zhaohong
Works by Liu Zhaohong
Works by Liu Zhaohong