#头条创作挑战赛#
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"New Life" starring Jing Boran was supposed to be a masterpiece that explores human nature and desire, but it was defeated by the frequent appearance of plastic surgery actors.
Was such casting an unintentional mistake or an ulterior motive? What kind of social problems does the current chaos of plastic surgery in the entertainment industry reflect? Let's take a closer look.
The highlights of the plot are frequent, and the acting school joins in
Fei Ke, the "master of deception" played by Jing Boran, deceived the trust of five people in five identities, and finally swept away hundreds of millions of funds, and the story setting was novel and interesting, which successfully attracted the attention of the audience.
The joining of powerful actors such as Huang Jue and Wang Yanhui also added a lot to the play. The interlocking fraud process is breathtaking, but it also raises questions about the rationality of the plot.
However, it is a pity that the show finally failed to escape the fate of "traffic is king". The producer did not hesitate to use actors with obvious facial plastic surgery to play key roles, which backfired and seriously damaged the audience's sense of substitution.
Plastic surgery faces appear frequently, affecting the experience of watching dramas
The actor who plays the rich daughter Chen Jiajia has obviously undergone a "baptism of a knife", and her face is so full that people mistakenly think it is a mask. is not so much a rich daughter as the image spokesperson of a plastic surgery hospital.
And the actor's "fake mother" is no less impressive, with stiff facial expressions and exaggerated facial features, making it difficult to associate it with an elegant university professor. All kinds of "glamorous and cheap" plastic surgery faces not only seriously inconsistent with the identity of the characters, but also affected the audience's viewing experience, which has become a major negative for the show's reputation.
The quality of a play is due to the actors. If the actor's image is seriously inconsistent with the role, no matter how good the script is, it will be difficult to exert his strength. The eye-catching casting of "New Life" is undoubtedly the biggest failure of the show.
The content is poorly filled, and the audience is aesthetically fatigued
In addition to the poor casting of the actors, the show is equally disappointing in terms of content filling. The long and tedious recounting of the experiences of the five victims is really unacceptable. The screenwriter seems to have forgotten that the audience is here to see the play, not to listen to the commentary.
The motives for the victims' reunion are far-fetched and lack a reasonable explanation. Reporter He Shan popped up from time to time to summarize the bridge, which was even more embarrassing, like an attitude of "the audience is a fool". All kinds of unreasonable and unobtrusive plot settings undoubtedly aggravate the audience's aesthetic fatigue.
Plastic surgery faces are flooded, and the entertainment industry has been reduced to a "plastic" circle
The disappointing casting of "New Life" has triggered people's reflection on the ecology of the entertainment industry where plastic surgery is rampant. It is really an embarrassing phenomenon that the former youth idols are "reborn" on the operating table of the plastic surgery hospital, and they return to the screen to reproduce the "zombie" style.
In good conscience, the current entertainment industry has become synonymous with "plastic". What actress doesn't have a hanging eye corner, a sharpened nose bridge, and an awl chin? Which actor hasn't cut his double eyelids, pad his chin, and get Botox all over his body? With such a "thousand-faced" plastic surgery face, how can you interpret the rich heart of the character?
"Actors rely on acting skills to eat, not on face!" The shout of a senior actor spoke the hearts of countless audiences.
However, such a call does not seem to have attracted attention from the industry. Under the unspoken rule of traffic first, "plastic surgery face" seems to have become the standard configuration of the acting career, and the natural beauty cannot be compared.
The society is impetuous, and the aesthetic simplification tends to be serious
Behind the proliferation of plastic surgery in the entertainment industry, deeper social problems are reflected. The impetuous mentality of only looking forward to traffic has given birth to an industry ecology that is eager for quick success and quick profit. Blindly following the trend in pursuit of selling points makes the image and aesthetics of actors increasingly simple.
When a pointed chin and pouting mouth dominate the screen, and when all roles are in command with a "zombie face", such a cookie-cutter appearance aesthetic not only castrates the vitality of performing arts, but also shapes deformed values. A perfect face seems to have become a measure of a person's worth, which undoubtedly contributes to the misconception of the supremacy of appearance and superficial utilitarianism in the whole society.
This kind of regression of reality cannot but make people think deeply. Behind the artist's plastic surgery, it reflects the lack of recognition of beauty by the general public. It's important to look good on the outside, but it's important to be nourishing on the inside. Pursuing plastic surgery is tantamount to self-destruction of the Great Wall.
Return to the original heart and build the soul of art with ingenuity
In the face of the impetuous ecology of the entertainment industry, we need to ask ourselves, what kind of art should we pursue? Movies and TV series should not only be a market for selling faces, but also a pure land for nurturing ideas and cultivating souls.
For actors, instead of pursuing a perfect face, it is better to use sincere emotions to shape the character. A good performance never depends on the face, but on a fiery and persistent heart. Only by devoting oneself to the role can we interpret the joys and sorrows of human nature and arouse the empathy and resonance of the audience.
For the audience, we should learn to judge the merits of a work with an appreciative eye. Film and television dramas are not beauty contests, and the judging criteria should not be limited to the appearance of the actors, but should look at the depth of their connotation and the height of art.
Only by not forgetting the original intention, returning to the origin of artistic creation, and polishing each work with ingenuity, can we promote the healthy development of the film and television industry and reshape the core value of art.
Netizens are hotly discussing whether it is a mule or a horse, pulling it out for a walk
This incident quickly aroused heated discussions among netizens on the Internet.
"I have to make up for the history of plastic surgery in advance to watch a play, and I am also drunk." A netizen complained.
Some netizens also believe that there is nothing wrong with the actor's plastic surgery, and the key is to meet the needs of the role. "When a liar acts like the real thing, doesn't care if he has plastic surgery? It's over when the play comes out. "
There are also witty netizens who concluded:
"It's a mule or a horse, pull it out and walk it. It doesn't matter whether the actor has plastic surgery or not, acting skills online is the last word. The casting director is blind, so he will let the plastic surgery monster pretend to be Kochi, this is the point of scolding!"
The comments of netizens can be described as the opinions of the benevolent and the wise, but there is one thing in common: no one loves bad dramas, and good dramas have their own help. The failure of "New Life" cannot be blamed entirely on plastic surgery, and the production intention is fundamental. Only by doing a good job in every link and impressing the audience with sincerity is the secret of success.
"New Life" is flawed, but it is still a work of exploration. Jing Boran's excellent acting skills and ups and downs of the plot have won a lot of applause for this drama. The chaos in the industry exposed by the flood of plastic surgery faces is more worthy of deep thought by people in the industry. Film and television works carry the mission of leading social fashion, and only by not forgetting the original intention and striving for perfection can we reshape the industry ecology and reproduce the light of art.
In the face of the impetuous status quo of the entertainment industry, we need a rational voice more: good works rely on true feelings, not rigid faces. Let's praise the really good actors and applaud the good works with connotation. What do you think of the drama "New Life"? Feel free to leave your insights!