Today is May 2, 2024, and I ate a little too much breakfast today, that is, I was full, and I wrote an article titled "Three Abnormal Things Foreshadow: There may be big news in the cross talk circle recently".
The third subheading reads:
For reasons of space, my original article is not specific enough on this point. Therefore, I personally decided to expand this topic and express my personal opinion in more detail:
As a melon-eating crowd, or as a quyi lover, for those of us who care about quyi and cross talk, whether there are good works or not, I think it is the most important criterion for a cross talk actor and cross talk group.
Taking Mr. Jiang Kun as an example, I still think that his "Reverie from the Tiger's Mouth" is the top chapter of modern times, contemporary times, and modern times. At least in my mind, ranking is number one.
But at the same time, it is undeniable that in addition to this classic, Mr. Jiang Kun's other excellent and popular works are actually not many, including the early years of "Taking Pictures Like This", I personally think that his classics should be in single digits.
It is precisely for this reason that I affirm Mr. Jiang Kun's artistic height, and at the same time, I don't want to defend him for his lack of fine products in the past twenty or thirty years.
And this is the most basic understanding of an audience about a cross talk actor, that is, seeking truth from facts and being impartial.
But it's a pity that today's cross talk circle is seriously divided, for example, around Guo Degang, there are two camps of so-called Gangsi and Ganghei.
But what I want to talk about today is actually another topic, that is, in the cross talk world, who is the person everyone hates the most?
From my personal point of view, no matter whether Mr. Jiang Kun and Mr. Guo Degang have contradictions, they are not the people we hate the most. It can even be said that we have no reason to hate these two artists, because the most basic point is that they have their own works, masterpieces, and classics.
And what is really hated is the parasites in the system.
What needs to be explained here is that the actors in the system are not all parasites, there are some actors who have strong creative or acting ability, and there are also those who have both, they are all good actors, and it is natural for them to receive salaries and subsidies in the system.
What we really hate are those who have the compilation of opera actors, but they can't create or perform. Although these people may also clock in and out of work every day, they have no performance, which can be said to be a disguised empty salary, and the people who eat empty pay are undoubtedly parasites.
Two years ago, most of these people were relatively stable, and at most they were secretly happy when they received their wages every month. However, in recent times, they have begun to sell cheaply and make all kinds of moths.
For example, they have no works or performances of their own, but they often use the Internet to criticize those who engage in commercial performances.
Today I will say this three customs, tomorrow I will say that indecent, dress myself up as a righteous gentleman, and pick up the stick of morality from time to time. Everyone is very angry about this.
How to evaluate this kind of person, I have only one word: phew!