Zhou Xun who was encircled and suppressed: A movie queen fell down

虎嗅APP

2024-04-27 10:51Posted on the official account of Beijing Tiger Sniff APP

Produced by | Tiger Sniff Youth Culture Group

Author | Cucumber soda

Title Picture | Slag County

"The first person to complain about "The Legend of Ruyi" is simply a genius. ”

The first to complain about "The Legend of Ruyi" is the child who dared to stand up and tell the truth in "The Emperor's New Clothes".

This TV series cost 300 million yuan, but it turned out to be a big one.

This is a scolding that is six years late.

"The Legend of Zhen Huan" is in the past, and reading Qing palace dramas has become an Internet phenomenon. Among the long-tail effects of other Qing court dramas, the more they smack, the more flavorful they become, only "The Legend of Ruyi" stands out: the second popularity of this drama was "scolded" by the audience's spittle.

In July last year, the up master of a game at station B @ nothing stuck fired the first shot of the "anti-Yi uprising".

In an issue of the game video, the up master complained about "The Legend of Ruyi" frame by frame, and was besieged by a large number of fans. Fans advocated that "you haven't watched the whole drama, what qualifications do you have to judge", which completely angered this up master, and since then, episode by episode has been whipped to the present.

Driven by this up master, the spark of station B immediately ignited.

Frame-by-frame whipping corpse "Ruyi Biography" has become an independent discipline "Yixue". The fire spread all the way to other social platforms such as Douyin, Weibo, and Xiaohongshu, where people eagerly interpreted the show with a microscope, and fresh learning materials are still emerging to this day.

However, it is not because of the spontaneous criticism of the audience that has led to today's situation. What really added fuel to the fire was that Zhou Xun and the copyright company reported the works of several up masters with their real names, which led to the removal of these complaining videos called "next meals" by netizens.

It doesn't matter if it's bad, but if it covers the mouths of the people and arouses rebellion, it's not easy to clean up.

Netizens rose up and occupied the Weibo comment area of Zhou Xun's studio. Even the anger over "The Legend of Ruyi" burned to the actor himself.

So, have the people wronged "The Legend of Ruyi"?

From the technical level of film and television dramas, there is really none.

As early as 2020, the 87-episode "The Legend of Ruyi" was taken off the shelves when it was broadcast, and people were still complaining about it at that time. Now it seems that it is also a blessing that it has been taken off the shelves, at least many viewers have not had time to take a closer look, and the resources are gone.

Even Liu Xiaolingtong knows that jokes are not nonsense, but all the creators of "The Legend of Ruyi" are working on Qianlong and his harem.

It is obviously an "anti-historical text", but it has to be promoted under the banner of "drama", and Master Zu Februaryhe will have blood pressure increase when he sees it.

Ruyi's word "Yi" stole the nickname of Emperor Lingyi's concubine. and the setting of the emperor's childhood sweetheart, stealing the origin of Emperor Huixian's concubine Gao. True love Bai Yueguang, what he stole was the setting of Qianlong's beloved deceased wife, Empress Xiaoxian, Fucha. This spliced and assembled character design, if it is not supported by a strong narrative, will be completely scattered.

Empress Fucha and Concubine Ling, who have been stamped by historical researchers, are Qianlong's two favorite people, and the main creator rebelled to make these two people villains, and the successor Nala clan, who was erased from history after his hair was broken, became Qianlong's favorite person.

Netizens were puzzled by this setting. According to the plot, the emperor's true love is Ruyi, and she entered the cold palace in order for her to avoid harem disputes. On the other hand, the emperor hated Concubine Ling, so he had a lot of children with her, and "hated" her every day, and finally Concubine Ling's son Jiaqing also inherited the unification.

This set of logic does not make sense at all, and the main creator does not give a convincing love story, and the audience is confused.

A good house can't be built on an unstable foundation, and the heroine's character is more like a leaky rag, full of bugs.

The reason why Ruyi is called "Da Ru" by netizens is because she always has to put on a shelf of "people are as light as chrysanthemums".

The main creator looked down on the vulgarity of the heroine of the palace fighting drama in those years, and went the opposite way, designing a Buddhist heroine who didn't hurt when her toes hit the cabinet door.

In the end, the effect was extremely fragmented: except for Ruyi, everyone was seriously fighting in the palace, only she was like a female college student who didn't wake up from class at eight in the morning.

When she was repeatedly framed, she would only stare at her eyes and say lightly: I can't argue, the emperor knows it, and I have never done it. was slapped and whipped by other concubines, she didn't even frown, and her face was full of dementia. Except for staring and pouting, he hardly made any superfluous thinking about acting.

There is no justification, no action, no self-help, because she believes that "her husband will definitely believe in herself unconditionally".

It's a pity that her indifference does not raise her character, it only shows that she is lazy and dull.

repeatedly mentioning Qingying and Hongli's "love", it is like Ah Q trapped in the deep palace using the spiritual victory method to declare his legitimacy. This kind of plot of an old lady wrapping her feet made netizens complain that this drama is like "a fantasy of an old lady in a cold palace before she dies".

After careful reading, the audience also found that Ruyi herself is an extremely selfish heroine, and the most common thing in the play is the "boomerang slap in the face".

Her principle of life is "be strict with others and lenient with yourself". On the surface, the hidden psychological motivation is elitist egoism.

She expressed her helplessness and powerlessness in the face of all suffering. When her sister suffered, she said that she could not help herself, and that her loyal servant had her leg broken for her innocence, and she had no mercy or even mercy. When others suffered and asked for help, she only responded lightly: "Qixiang Palace loves to torture Yinwan, and she will not be too seriously injured or dead."

But when it comes to her own interests, she is anxious again. Ruyi persuaded the princess of Empress Fucha to go to harmony, and the moral kidnapping of the other party to sacrifice her life for the country; when it comes to her brother's son, she only needs to be a "noble prince" in the future.

Ruyi in the play naturally let all the sisters and servants suffer with herself, but she never took any responsibility for the mess she made, and only put on the appearance of an old monk without subjective initiative: I don't know, I don't understand, and I'm not responsible.

What makes the audience most angry is that the character of Ruyi maintains a set of magical laws - everyone above the self is equal, and there is a clear hierarchy below the self.

She possessed a set of Schrödinger's moral standards.

Sometimes he was a liberal warrior and broke the feudal system of the Qing Dynasty. She and the guard Ling Yunche already maintained a mentally cheating "soul mate" relationship, either strolling on the long streets of the Forbidden City, or sitting alone with the guards at the palace gate chatting, or making shoes and pillows for people.

Even so, Ruyi still firmly believes that the two are innocent. If the audience disagrees, it is the old idea of feudal decay.

But when it comes to other characters, Ruyi's moral standards are suddenly raised by a few hundred meters.

For example, the first villain of this drama, Concubine Ling "Wei Yanwan", Ruyi and her bullying group had the malice of slut-humiliation from the beginning. A palace maid said two words to the emperor, that is, "restless and self-guarding", and "wanting to climb the dragon bed".

This makes the overall logic of "The Legend of Ruyi" humorous. On the one hand, the heroine Ruyi is required to have a noble moral character, and she stands on the moral high ground to teach everyone, including the emperor, a lesson, and on the other hand, she is played by Zhou Xun to sympathize with a guard.

Netizens used a picture to summarize Ruyi's "light" and "thick": even if she is framed and her children's friends and relatives die, she is indifferent. However, as soon as she heard that the emperor had castrated Ling Yunche's roots, she finally had the most intense expression in the whole play.

In order to set off Ruyi's beautiful bloom alone, other characters also forcibly became crooked.

The plot setting has to let Ruyi be a white lotus with her hands not muddy, her key words are warmth, kindness and pattern, so the bad things and dirty things inside the palace can only be arranged for other concubines to do. This is a huge disaster for characterization.

This drama was even called the first martial arts drama in the national costume by netizens. Qianlong is like a domestic violence husband with superhero syndrome, often kicking his son and punching his concubine. The harem concubines are more like a group of vocational high school girls who gather in the toilet to bully the weak, and beat and scold the weak palace maids at every turn.

Ruyi's personal palace maid Rong Pei was like a mad dog, slapping the concubine in front of the public, and was called "the first Baturu of the Manchu Dynasty" by netizens. This kind of behavior of "nine clans dissipating music" is even more jaw-dropping. Even if the protagonist group has an aura, it can't violate the laws of history.

Ruyi washed her hands and sat on the Buddha platform, leaving only ugly-looking enemies and black gloves who did all the bad things for Ruyi.

The reason why Zhen Huan's biography has been studied for 10 years is because Zheng Xiaolong, as a director, even if he is filming a palace fight drama, he must treat every character equally, there is no absolute good or bad, and the characters can have a long life (this is also the most basic principle of all film and television dramas).

And the heroes and heroines in "The Legend of Ruyi", the emotional drama is a mess, sitting together is like a partner cleaning up the scene after the end of "News Network" and preparing to get off work, Huo Jianhua's speechlessness and impatience are not like acting.

In addition to the beautiful cinematic empty shots, the filming of this drama is also quite difficult to evaluate.

A large number of shots are directed directly on the physically tortured concubines, and these shots are called "female abuse" scenes.

Most viewers who watch movies often have this kind of sensitivity and self-awareness. The camera is focused on the victim rather than the perpetrator, and there are plenty of close-ups, which is more like a kind of creator's bad taste. This is by no means a clever shooting technique, and if you want to reflect the slaughter and cruelty of the feudal court, you can reflect it in a more subtle way.

In "The Legend of Ruyi", the eunuch knelt down to break the tiles, the palace maid was beaten until her mouth was full of blood, and Ah Zhen, who betrayed Ruyi, was plucked out of her nails and tortured by cats (It was originally the torture of the old bustard in the Qinglou to punish the Hualiu woman, put the person in the hemp bag, only the head was exposed, put the wild cat, and tie the sack tightly, and the people outside beat the sack hard, and the cat in the sack would jump up and down in the sack when frightened, and the sharp claws would scratch people all the way, and the flesh and blood were blurred), and the concubine was punished with a board (the punishment used to punish the palace maid in ancient times, the tortured person needed to bend down and reach out to hold his feet, and maintain this posture for a period of time, during which the body could not bend. The victim will feel dizzy), Concubine Jia was punished with a needle to pierce her ear, and when she was dying, she was pry open with a spoon and poured poison. There was once a summary of the editing of station B netizens, and the punishment clips of the whole drama were cut out and put together, and there was even a length of more than an hour.

Besides, if you really want to restore history, most of the concubines and palace maids in the Qing Dynasty court were from banner people, and they could not be abused and tortured at will. According to historical records, Qianlong had a concubine who killed the palace maid and was directly demoted, the chief eunuch was dismissed from his post and fined, and the concubine also had to compensate the family of the deceased with 100 taels of silver.

Behind the scenes: Concubine Ling was drugged, and Li Chun once needed oxygen

Coupled with the lack of a professional screenwriting team, the lines and text have become a disaster.

At the scene of Qianlong's concubine, he was ridiculed by the audience as the most illiterate emperor in history.

"Your words made me feel comfortable, and I was named Concubine Shu. ”

"This princess came at the right time and was named Princess Heyi. ”

"The nobles of the sea made me feel happy and were named concubines. ”

"I named you a nobleman, so that the harem can accommodate you. ”

There is also a large number of Chinese and white mixed, and there is a sense of immediacy that elementary school students hard-write classical Chinese.

"Queen, come and send the children to school. ”

"Is Hongu's foot beautiful?"

"This palace is tired, go and sleep. ”

Director Wang Jun mentioned "Dream of Red Mansions" in interviews many times, but the main creator couldn't understand it if he wanted to.

In the play, "Mei Xiangbai is a slave", "The golden hairpin fell in the well, and the only thing that has you is yours" and "The corner of the mouth is fragrant to the moon", but he only knows that he is copied on the surface, but he does not understand the ideograms and metaphors of these sentences from the text, and only the empty Dong Shi Xiaofeng remains.

This is the level of what is called "art film".

As a spectator, only disappointment remains. The main creator can obviously make the character of Ruyi the first character in the ages.

The original work of "The Biography of Ruyi" is from the hand of online writer Liuyu Zi. Although she is also the original author of "The Legend of Zhen Huan", fortunately, "The Legend of Zhen Huan" has Zheng Xiaolong and his wife in charge, and the script has undergone substantial adjustments and revisions, so that this drama is still remembered by the public today. Even though there are a lot of plots that falsify history, the good thing is that the logic is smooth and fascinating.

The prototype of the character "Ruyi" is Qianlong's successor Huifa Nala, she was imprisoned in Yikun Palace to death because of her broken hair, Qianlong erased all traces of her in the history books, only a sentence in "Fifteen Elder Brothers, Please Ann Fold" Zhu criticized "The queen is crazy". On the way to the south, they had sat down to eat together a few hours earlier, and were forcibly repatriated back to Beijing a few hours later, and no one knows what happened to the dispute between the emperor and the queen.

But as the only woman in the history of the Qing Dynasty who dared to stand up to the emperor, she has too many spiritual highlights worth excavating. Knowing that the loss of the concubine's hair is tantamount to suicide, a woman in a feudal society who chose this path must have been pushed to the precipice by great despair and courage. She reached the age of fifty, and still dared to use her life to block the royal gun's hole.

It's a pity that this show completely wastes the huge and shocking complexity of this successor, reducing her to a stupid woman who "died for the sake of love".

So this burned the fire of the trial "The Legend of Ruyi" to Zhou Xun's body, was it wronged?

After watching the behind-the-scenes documentary, the audience concluded that Ruyi is the Qing Dynasty personality extended by Zhou Xun, and the two share the same set of values.

She announced as early as the beginning of filming that "The Legend of Ruyi" will be the "ultimate Qing court drama" she brought to the audience. After the filming, she also admitted that she had collected almost all of Ruyi's costumes, and she walked around the house when she had nothing to do.

From a large number of behind-the-scenes interviews, it can also be found that Zhou Xun led the creation process of Ruyi's virtual character.

First of all, Zhou Xun himself made a lot of changes to the script.

Aside from her nasal voice as an actor, and pronouncing a lot of typos and lines, she changed many long and difficult sentences during the filming process, wanting Ruyi to cherish words like gold. But her personal convenience leads to the character being flat, wooden, and stupid.

For example, in the original work, Qianlong held a family banquet, and everyone brought dumplings, but Ruyi brought a pot of vinegar, and in the original work, Ruyi used a large section of high emotional intelligence to talk to Bai Ziqian without the good skills of other concubines, and under Zhou Xun's changes, it became a sentence "The concubine doesn't know how to make dumplings, so she only brought a pot of vinegar."

Even if it is a few word modifications, the damage to the characters is sharp, not the so-called "precision".

"I found that one day I was reading the lines and I started picking out the extra words. I don't think this word is necessary, but I'm wondering where it came from, where did it come from Uncle (Zhang Shuping), it's accurate. ”

What's more, she fundamentally changed Ruyi's personality.

Netizens who have read the original book stood up to clarify, in fact, Ruyi in the book is not a white lotus who is as light as a chrysanthemum, but a black-minded person with high emotional intelligence and knows how to protect himself in a sinister environment.

But Zhou Xun doesn't think so. She wants the character to be the perfect "good guy" from beginning to end, which inevitably leads to the character being a "dead man" without any emotions.

"I don't think she can enter this thing like Gong Dou. She is the queen, she can't do it, you don't even hate it, she can't kill people, and she can't use indirect borrowing knives (to kill). At least that's one of my standards, unless you let me play a bad guy. ”

A veteran actress who has been in the industry for many years after winning the Three Golden Films, her understanding of acting is still stuck in the latitude of "am I playing a good guy or a bad guy", it can only be said that actors also need general education.

Secondly, Zhou Xun's changes have allowed the role of Ruyi to firmly step on the two biggest G-spots of young people at present.

One is the love brain of the wife who has been judged most violently at the moment.

"The wall immediately looks at each other from afar, and when you see the king, you will break your bowels" - this sentence is like a magic sound in the whole play. has reached the age of being a grandmother, and she still talks every day that she and the emperor watched a play "Horse on the Wall" when he was a teenager. Netizens split this sentence into several stalks, such as "shaking shiitake mushrooms", "sticky lang" and "egg sausages", expressing their impatience with this love sentence.

Ruyi's setting is a harem concubine, but she made the fatal mistake of "breaking true love with the emperor", and Henry VIII was helpless when she saw it. From discussing with the emperor in the early stage why the Qing court could not be monogamous, to cynicism in the later stage, pulling small groups to squeeze out the emperor's favorite concubines.

If you want to talk about independent women's freedom to marry, then you should follow through to the end, and if you are still trapped in the feudal system to tell stories, then you must make it clear that the emperor's concubine is just a job.

Therefore, her death not only does not make young people regret, but even regarded as self-deserved.

The second and most fatal mistake is that the character has stepped on a landmine of class narrative.

Ruyi, as a famous noblewoman, has a noble bloodline, and she has the capital to disdain to participate in the political struggle of the harem. Zhou Xun, as the queen of the Three Golden Shadows, also has the right to bring her own stylist, use her understanding to modify the plot, and even change the drama for other actors.

In the wave of criticism of "The Legend of Ruyi", the most out-of-the-circle stalk is "wearing armor". It can be seen from media reports that Zhou Xun began to wear nails and armor before the start-up, and worked hard to cultivate the atmosphere of the Qing Dynasty concubines.

As a result, when it came to the presentation in the play, it turned into a pair of embarrassing chicken paws, coupled with a somewhat puffy face, which made Zhou Xun experience a mighty appearance humiliation.

In the play, it is clear that she is already going to enter the cold palace to endure hardships, but Ruyi still does not listen to the palace maid's heartfelt advice, and insists on going to the cold palace with armor, because "even if you are in the cold palace, you must live decently".

The phrase "live decently" has become the hottest meme of the moment directly on the Internet.

Some people also took out Sun Li's hand shape in Zhen Huan's biography and Zhou Xun's hand shape to compare it best, and ridiculed Zhou Xun's armor like a blue-ringed octopus that has been exposed to nuclear radiation.

She is decent, all the hard work is done by her heart, her maid fetchs water and chops wood, she plants flowers and basks in the sun in the cold palace, and after being demoted to a concubine, she still maintains the relationship between master and servant.

After leaving the cold palace, Xin Xin served her to bathe with her frostbite-covered hands, and the picture was very much like the landlord's wife and her poor maid. The most humorous thing is that in the footage of the behind-the-scenes documentary, Ruyi wears armor and works pretentiously pinching her clothes, and at the same time, the voiceover is the praise of Ruyi by other supporting characters: she is an independent and strong person.

The show blatantly acknowledges the moral superiority of the aristocratic class.

Ruyi and her bullying group are both noble-born concubines. They are proud of the strength of their mother's family, and when they open their mouths and close their mouths, they say "the emperor respects Mongolia" and "behind me is the 49th Mongolian department".

As for Wei Yanwan, a low-level concubine who has no background, they got together in private, discussing and ridiculing her for trying to squeeze her head in order to compete for favor: "We will ride horses and shoot arrows, what will Concubine Ling do, and she will sing Kunqu Opera." ”

In the extreme field of cannibalism in the harem, lying flat, indifferent, and indisputable also requires the accumulation of primitive capital.

This scene of "the second generation of officials laughing at the cold window" is very dazzling in the eyes of young people today.

Ruyi herself has already ignited public anger, and Zhou Xun's operation outside the play has forced the crowd to load the guns.

Zhou Xun brought Zhang Shuping as his personal stylist, so her costumes and makeup were incompatible with other actors. On the heads of the other supporting concubines, they wore plastic hairpins of Yiwu wholesale nine pieces and nine, and even the queen mother's earrings were pulled out to be cheap Mickey Mouse shapes. On her head, she is wearing a real antique dot cui and a private custom flag uniform.

Every time there is a group activity in the harem, Ruyi is like a zombie lady who has just crawled out of the grave.

Netizens complained that the fiercest two dragon-whisker-like thin eyebrows were also created by Zhou Xun's disaster aesthetics. This fanfare is special, so that Ruyi's style has been complained about from the beginning of the broadcast to the present, and even her demeanor has been ridiculed like "my grandmother sits on the sofa and watches TV". Netizens commented that she "dressed like an old lady".

The management spent 300 million yuan and brought in dozens of actors to accompany Zhou Xun to play a game of the Qing Dynasty.

Now when you watch the documentary of "The Legend of Ruyi", you will find that this grass stage team is like installing a camera in the real workplace. You can see the scene of large-scale people's sophistication and high emotional intelligence holding stinky feet, and live a "Officialdom Appearance" in the film and television industry.

The qualifications and awards are there, and Zhou Xun's coffee position is obvious to all.

Director, screenwriter, producer, actor, no one dares to say a word about Zhou Xun. Everyone praised her for her amazing performance, "I didn't dare to look directly into her eyes", "my eyes were very lethal", "I was taken away by her acting skills", the director said that she invisibly raised the character of this play, and even an actress praised her excitement and shed a few tears.

But we also need to be sober. If you knock down Zhou Xun with one shot, it will be to the other extreme.

Zhou Xun is a good actor, an aura actor, and an actor who relies heavily on talent - her only mistake is that she should not appear in a Qing court drama with realism as the core.

It's about the "realism and freehand" of art.

Gongdou dramas and fast-paced domestic dramas are all "realistic" and require specific and exaggerated emotions, while literary films and several films in which Zhou Xun became famous are precisely freehand voices, and the expression is restrained and subtle.

Using the freehand experiential method to perform a realistic work is ultimately the opposite. In other words, the media said a few years ago that "The Legend of Ruyi" wasted Zhou Xun's acting skills, but further, she would not be able to perform realistic roles.

For example, Ruyi heard the clip of her father's accident in the cold palace, and was ridiculed by netizens for acting like a bear rubbing a tree. But if you imagine that the person in front of you is Li Mi and not Ruyi, everything is much more reasonable: she is expressing a mixture of sadness and anxiety, and this is the real reaction she would make in such a situation.

Zhou Xun has been called an elf for many years because her characters are mostly young princesses and ignorant goblins. These are her smooth expressions, characters made for her. These characters are all after fierce and fiery love, and they are innocent girls who moths to the fire.

She can only act out what she believes in, and love is the truth she believes in.

Once in Ma Dong's "Summer of the Band", she was coaxed. Ma Dong asked her about her relationship with Pu Shu, whether all the people who engage in rock and roll are silly boys.

But she answered very sincerely, "I'm a silly girl."

A very interesting archaeology.

Before this overturn, "The Legend of Ruyi" had always been regarded as an elegant art, and the discourse of the mainstream media monopolized the entire circle, and the audience who couldn't understand it was a boar who couldn't eat fine chaff. When I opened Douban's comments, almost all of them were overflowing praise for art.

Dai Jinhua once said that the production of high-quality TV dramas is a process of "elite culture descending to popular culture". Chinese TV series have established the core essence since "Desire" in the 90s: to shoot what ordinary people like to watch.

The malice poured into the supporting role Wei Yanwan in "The Legend of Ruyi" ignited a nameless fire in the hearts of the grassroots public to a certain extent.

When the author hates a character and wants her to do all kinds of bad things, and does not give her any help, but humiliates her over and over again, the vitality of this character is endless. ”

Wei Yanwan in the play was just an ordinary palace maid when she appeared on the stage, and when she was taking care of the eldest brother, she was rumored to be made when she said a word to the emperor, and after being assigned to the flower room, she offended the queen again, and was taken back to the palace by Concubine Jia and tortured for five years.

They poured hot foot-washing water on her, made her a human candlestick, slapped her, punched and kicked, and could only eat spoiled meals.

When she was bullied and was about to survive, she got the help of the eunuch Jinzhong and became the emperor's concubine and successfully saved herself.

But Ruyi and her sisters looked down on her palace maid background and did not accept her into the small group, saying that she was born as a slave but had to turn over, "I saw her hook up with the emperor with my own eyes, and she is really not a peaceful person", and finally forced her to become the first villain in the whole play.

The metaphor behind "Anfen" is that you must stay honestly in your original class circle, and any class jump made by your own efforts will be a "restless" move of the bottom people in the eyes of the superiors.

Even outside the play, actor Li Chun confessed that "I believe that I was indeed bullied", and her mother couldn't help crying when she saw the picture of her daughter being abused.

The official Weibo publicly used "slave face and charming bones" to summarize this role. Li Chun himself has also been subjected to vicious online violence by netizens for many years because of this malicious role.

When the audience regarded Wei Yanwan and Li Chun as ordinary workers, this anger reached its peak.

You are the lowest level of the whole company, you work just to pay the rent to make a living, just because you said a word to the boss of the group, you were made a yellow rumor by your colleagues, they transferred you to the worst department, and collectively bullied you for five years.

Looking at it now, the pros and cons are reversed.

The protagonist has become a landlord's mother-in-law who bullies the working people, holding the tone of the wife of the big house, while the villain has become an inspirational low-level woman, who has become the most favored concubine in the harem by relying on her own hard work.

"They all look down on you, but you are the most competitive. ”

Compared with the lifeless life of Ruyi standing and becoming a Buddha, Wei Yanwan is vivid and vivid. A low-level palace maid from a clothed background, she did not understand the knowledge of the aristocratic class, so she worked hard to learn poetry and Kunqu opera;

In stark contrast, the protagonist's values of "being a slave for one day and being a lowly for life" are full of malice and discrimination against the people at the bottom.

Wei Yanwan relied on her own ability to save herself, and finally escaped, but why didn't the heroine eat minced meat and asked her: "What are your hardships all these years?" After five years of physical bullying and bullying, the superior could not empathize at all.

When chewing the root of the tongue behind the back of the heroine and the small group, it is also necessary to emphasize that "we disdain to be like her".

The most uncomfortable episode in the play is that Qianlong and Ruyi sat together and watched Wei Yanwan make a fool of themselves indifferently.

When she brought a bowl of prepared bird's nest, the emperor disliked her for not knowing how to cook bird's nest, Ruyi looked at her proudly and told her about the practice of "this kind of precious food", implying that she had never eaten bird's nest since she was born poor.

She turned around and knocked down the white porcelain vase, but Qianlong sneered and corrected her: "This is not white porcelain, this is sweet white glaze." In fact, white porcelain and sweet white glaze are just the difference between a mobile phone and an iPhone.

When Concubine Ling performed to the emperor with singing and dancing, she specially gave Ruyi her favorite plum blossoms in order to ease the relationship. As a result, Ruyi asked her angrily: Concubine Ling doesn't like plum blossoms too, right?

And Concubine Ling replied generously: The concubine likes Ling Xiaohua, she loved it when she was young, and she has never changed it now.

Naturally, lowly people cannot share the same preferences as their noble selves.

The aristocratic class carried out an embarrassing "intellectual bullying" against the bottom group, which once again confirmed what Mao Jian once said: "Film and television dramas are the most feudal places in China, distributing appearance according to status and property, and distributing morality and future according to appearance." ”

The poor are treacherous, and the rich have a conscience. The privileged class has knowledge and all good qualities, and the "cognitive poverty" of the lower class is their predestined defect.

In the final analysis, this trial of "The Legend of Ruyi" is still an outrage of class narratives. This is not the first time, nor will it be the last.

What the audience is not accustomed to is not only the high-minded Ruyi and Zhou Xun who uses the privileges of big names, but also the bullying and bullying of the low-level Wei Yanwan by the superiors. They have never suffered hardship, but they use your suffering as a joke after dinner.

To tell the truth, what kind of marriage siege of the emperor and queen husband and wife is my?

In this system, we are just palace maids and eunuchs who are about to be dragged out and beaten to death if they drop a flower pot.

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