Author: I'm round
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Photographic composition plays a huge role in the aesthetics of a picture. Not only does it make it easy to take a photo, but it's also likely to earn a reputation for that image. Among them, there is a composition method in which the composition can be connected into a triangle either through lines, or through the display and layout (relationship) of the object, and the morphological characteristics of the photographic object itself.
This composition, which can be connected into a triangle in the photo, is also called the "pyramid composition." There are three forms of this composition: regular triangle composition, oblique triangle composition and inverted triangle composition. The Internet says the benefits of this triangular composition:
First, it has strong stability. Triangular compositions create a sense of stability, especially in regular triangles, while inverted triangles accentuate tension and dynamics.
Second, there is a comfortable sense of balance. This kind of composition looks more balanced, especially when the visual center is placed at the apex of the triangle or the center of the beveled edge, which can enhance the sense of balance of the picture.
The third is that the composition also has a relaxed and lively flexibility. The picture elements can be upright, upside down or oblique, which is suitable for different scenes and themes. While increasing visual appeal, it can also enhance the dynamic tension and naturalness of the photo. Therefore, since this composition method has been summarized and implemented, it has been loved by many photographers.
Coincidentally, on April 19, 2024, I also took such a picture when I photographed flowers (cinchona) in the green belt of Luozhou Interchange (under the bridge) in the South Third Ring Road of Fuzhou. However, unlike the above rule, only one chrysanthemum is conspicuous and bright in this photo. The remaining 2 chrysanthemums become a duller accent. Although the structure can be seen at a glance from the overall layout of the picture, due to the different levels of brightness and darkness of the objects (cinchonas), there is a question: is this picture still the triangular composition that everyone agrees on?
The picture is listed below, please ask online and offline experts and friends to solve my doubts and get out of the maze of ignorance. Thank!
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Shooting time: 2024.4.19.Friday.13:31;
Shooting weather: cloudy with rain. The maximum temperature is 23°C and the minimum temperature is 15°C. Southerly wind level 1, relative humidity 1%, ultraviolet medium , air quality 25;
Shooting location: Luozhou Interchange (under the bridge) green belt in the South Third Ring Road, Fuzhou;
所用器材：尼康D7100+++尼康AF-s16-80，DX，1：2.8-4E ED；
Shooting method: handheld, captured;
Purpose of shooting: Practice, play or ask for advice. I hope that online and offline experts and friends will criticize the axe and teach me to fish. to help me try to take better photos in the future, thanks!
Picture arrangement: Shot in order.
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Author: I am round and its introduction:
I am Yuan, and my real name is Chen Feng. Poet, poetry critic. Self-taught in Fujian Province. A native of Chengtou Town, Fuqing City, Fuzhou. He was born in an ordinary family in Tangchi Natural Village, Lisheng Village, Gaishan Town, Cangshan District, Fuzhou City, and grew up with his aunt Liu Lanying (uncle Chen Dapin) in Bailuling, Lianjian Village, Cangshan Town, Cangshan District. He has worked as a farmer, carpenter, plasterer, electrician, shop salesman, purchaser, accountant and editors and reporters of many newspapers, cultural cadres, CPPCC members, vice chairman of Fuzhou Jin'an District Writers Association, vice chairman of Fuzhou Jin'an District Photographers Association, deputy director of Fuzhou City Library, deputy director of Fuzhou Children's Library, member of Fuzhou Federation of Literary and Art Circles, deputy secretary-general of Fuzhou Writers Association, representative of Fuzhou City Management Evaluation, He is a member of the Fuzhou Mass Line Education Supervision Group, a member of the Fuzhou Municipal Committee of the Democratic League, a member of the Social Science Committee of the Fujian Provincial Committee of the Democratic League, a director of the China Essayists Association, a director of the China Native Writers Association, a member of the Chinese Poetry Society, a consultant of the Fuzhou Gulou District Writers Association, a member of the China Senior Photographers Association, and a member of the China Art Photography Society. He published his works in 1989, dropped out of writing in 1996, and returned to writing in December 2008. He has published a collection of poems "Over the Days", "Full Moon and Missing Moon", "I Left the Wind in the Wind", "Touching Myself", "I Am Your Color", "Outside Time", "In Your Jiangnan", "The Happiness of Loneliness", "Fish Like a Fish" and other books; in addition, he also plans to publish "Book Edge (Essay)" and "100 People Read 100 Poems - Chen Feng's Poetry Appreciation", "Poetry Chen Feng", "Contemporary Fuzhou Poetry Guide", "Chen Feng's Commentary on Poetry" and other books.