Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are
Meow Meow Entertainment Group
2024-04-26 16:09Published in Liaoning
Text | An Qing
Edit | 9527 Meow Goo-kun
Zhang Guoli's film "Morning Clouds and Twilight Rain" is definitely the most attractive blockbuster to be exploded in May.
From the perspective of the lineup, "Morning Clouds and Twilight Rain" gathered actors and actresses, the male protagonist Lao Qin played by Fan Wei has experienced twists and turns, and Fan Wei's acting skills have been recognized by the whole people since the explosion of "The Long Season".
Not only that, Zhou Dongyu, who played the heroine Chang Juan, won the same Golden Horse Film with Fan Wei that year, and her acting skills and movie performance are unbeatable among the 90 flowers.
Judging from the coffee positions of the two actors in domestic entertainment and the representative movie configuration, "Morning Clouds and Dusk Rain" is enough for everyone to look forward to.
What's more, in this work with a relatively profound theme and concept, Fan Wei of 60+ and Zhou Dongyu of 30+ are actually a couple.
Although the old and young are not popular in domestic entertainment, in the trailer, a male and female protagonist who comes together for a wife and children, and a male and female protagonist who comes together for money, not only satisfies the audience's curiosity, but also highly adapts to the character setting of the original work.
Obviously, "Morning Clouds and Twilight Rain" is not only a feature film that can win awards, but also a film that can mobilize the box office market.
But then again, the combination of Fan Wei and Zhou Dongyu also has doubts among fans.
Judging from the trailer, there is a difference in acting skills between Fan Wei and Zhou Dongyu.
Fan Wei, who is experienced in acting, has outstanding performance texture, looks and is actually full of a sense of story, in many plots of the trailer, Fan Wei has severely suppressed the highlights of Zhou Dongyu's role, and when the contradiction between the male and female protagonists intensifies, the eyes of the drama are all on Fan Wei.
For example, after Lao Qin and Chang Juan got married, Chang Juan was trapped under Lao Qin's control, and Lao Qin needed Chang Juan to give birth to a child for herself, if she didn't give birth, Chang Juan would lose her right to personal freedom.
Chang Juan, who was devastated, began to go crazy, she yelled at Lao Qin, "Give me back my things", but Lao Qin was unmoved.
In this scene, Zhou Dongyu's expression management is not natural, the broken voice when he roars, and the appearance of his eyes staring, are like a little sister who has broken the defense, and a small face really does not show the despair and pain of a young girl being imprisoned.
But Fan Wei in this scene is in a very terrifying state, before marriage, Fan Wei played Lao Qin Baiyi Baiyi, but Chang Juan, who was unwilling to give birth to Lao Qin after marriage, directly stimulated Lao Qin's terrifying and perverted side, Teacher Fan Wei's eyes widened angrily, trembling, while pinching Zhou Dongyu's expression, he grabbed the image of a middle-aged man who has been in prison for many years and has a twisted and perverted heart.
Through the uneven acting skills of the two, the audience is really afraid that the whole movie will become an exchange meeting between powerful actors and young actors.
Moreover, Fan Wei, whose strength has always been stable, has also been questioned by some netizens.
In the materials released by the filmmaker, it focuses on amplifying Mr. Fan Wei's portrayal of labor prisoners after they are released from prison.
In the picture, Mr. Fan Wei's expression when he walked out of the prison was particularly wooden, his whole body was particularly stiff, his walking posture remained tense, his back was hunched, his neck was leaning forward, his hands were clenched into fists, and his expression was sluggish.
In the plot clips, there are also some clips of Lao Qin starting a normal life after being released from prison.
In these clips, Fan Wei's performance is also obviously too violent, and when Lao Qin is sitting, Fan Wei is like a scalded shrimp, curled up on the seat, and has always maintained a humble posture. When communicating with people, Fan Wei is even more distracted, his expression is dull, and the overall shaping really has a tendency to stereotype such a group of labor reform prisoners.
Although the prisoners were imprisoned for many years, the life of the prisoners was also very fulfilling, they had to study, work, exercise, and communicate. Most of the RTL prisoners will be somewhat detached from society as soon as they are released from prison, but as long as they adapt a little, they are no different from normal people.
And the labor prisoner played by Mr. Fan Wei is a bit like a prisoner who is locked up in a small dark room every day and suffers inhuman torture every day.
In this regard, many netizens couldn't help but complain that "the truth is not like, it's a bit deliberate", and some netizens bluntly said, "This performance is too much, so let's say it, except for the fact that it is not free to come out, it is basically similar to working in the factory, working from nine to five or eight hours, and Saturdays and weekends...... The most annoying thing is that I have to watch the news every day."
Not only that, but some netizens gave examples of the ceiling of similar plots - the clip of Tang Xiaolong being released from prison in "Hurricane".
Tang Xiaolong, played by Lin Jiachuan in "Hurricane", was also arrested for violating the law and discipline, he went in to resist the incident, and after coming out, Gao Qiqiang still regarded Tang Xiaolong as his brother.
When he finally had freedom and breathed the air of freedom, actor Lin Jiachuan's portrayal made the prisoner suddenly come into contact with the discomfort of the outside society, and performed the feeling of being in a different world.
His gaze was full of vigilance and scrutiny, compared to Fan Wei's appearance of not even raising his head, trying to re-examine the world is what a prisoner should look at after being released from prison.
Not only that, Lin Jiachuan also progressively played the process of a prisoner gradually relaxing and gradually integrating into the environment through his acting skills.
At the beginning, Lin Jiachuan's Tang Xiaolong always had his hands in his pockets, and his eyes were restrained wherever he went. When Gao Qiqiang sent a group of people to serve him, he would be dull for a moment, and he would show his uneasiness in his body language with a resistant expression.
It wasn't until the moment Gao Qiqiang appeared that Tang Xiaolong finally relaxed. For Tang Xiaolong, Gao Qiqiang is his spiritual support, at this second, Lin Jiachuan's eyes turned red almost instantly, he hid the grievances that the big man worked hard to suppress in the gradually reddened eyes, and played Tang Xiaolong's process from being uneasy and vigilant to letting down his guard very delicately.
also has some tense feelings, Lin Jiachuan's performance is really more in line with the reality than Fan Wei, and has more rendering power to bring the audience into emotions.
Of course, Mr. Fan Wei has always been a good actor with outstanding acting skills. In "The Long Season" and even the earlier classic "Liu Laogen", Fan Wei has had wonderful portrayals.
But film art itself is the art of refinement, Fan Wei's subconscious performance in streamlined film and television dramas is meticulous and delicate enough, and some of the designs deliberately made in the film field have a problem of too much accuracy.
However, these small details do not mean that the movie "Morning Clouds and Twilight Rain" is not a good work, nor does it mean that Fan Wei's performance in the movie is a mess.
Finally, what do you think of Fan Wei's performance in the film material? Do you prefer Fan Wei's interpretation or Lin Jiachuan's portrayal? Participate in the discussion in the comment section.
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Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are -
Fan Wei's "Prison Scene of Re-education Through Labor Prisoners" let the audience see how fake his acting skills are
Personal opinion, for reference only