She's coming, she's coming, she's coming.
"Sister Lang 5" is on the air, our happiness is back, and we can watch a group of beautiful sisters again.
This time, among the 36 guests, there were-
otaku goddess Zhao Yihuan;
Liu Yan, who can act and sing;
K-pop second-generation group KARA Jung Nicole;
Liu Xin, Shang Wenjie, He Jie, who were born in the mango talent show, and Sa Dingding, who commented on Liu Xin at that time and served as a judge;
Yo he, the program team's ability to do things is increasing unabated~~
However......
For the audience, eating melons and enjoying the stage are completely different things.
There is a person who does not rely on topics to attract attention, but speaks with strength, and as soon as he appeared on the first stage, he received a high number of votes, and the fault line was the first.
That's right, she is Chen Lijun!
This sister used the song "Mandate of Heaven" to ignite the audience.
In the shot, she is dressed in red, combed with a high ponytail, holding a sword, and her movements are clean and neat, silky and elegant.
The words "rigidity and softness" are vividly embodied.
When she wiped the flower on her eyebrows with her hand, the red makeup immediately became armed, and she changed from Mulan to Sun Wukong in seconds, and she was full of heroism in an instant.
That smile, every move, too handsome, too burning, it's crazy.
To tell the truth, looking at her appearance, the female general in the novel will have a brain to make up the picture in the future.
Seeing this, some people may not know, who is Chen Lijun?
Next, let's talk about it.
Chen Lijun is a Yue Opera actor and the top ten young people in Chinese opera.
She worked in the Xiaobaihua Yue Troupe, and her performance was quite popular, and it was once difficult to find a ticket.
She became popular with the Yue opera "New Dragon Gate Inn" performed last year.
partner Hua Dan Li Yunxiao plays Jin Jiyu, and she plays the villain Jia Ting.
One is coquettish, the other is elegant and dignified, and the rivalry between the two is full of CP.
Especially Chen Lijun, dressed in men's clothes, jade-faced Shura, is both good and evil.
Wuyi.
In the showdown on the stage, every look is a play.
There is also a silky and powerful princess hug.
She picked up the gold and jade, full of affection, and spun in a circle.
Who knows, the factory director held his mobile phone and watched it for a long time.
As soon as Chen Lijun made a move, even the fan in her hand became a sharp sword, showing a different kind of rush.
There is one thing to say, there are many people who are addicted to "Jia Ting" and can't extricate themselves, so they follow the network cable and search for Chen Lijun's video works all over the Internet.
Baoyu, the aristocratic son in "Funeral Flower Yin";
"Liang Zhu" exudes a broken Liang Shanbo.
Breaking through the boundaries of gender, Chen Lijun has a hazy sense of beauty that is not defined.
Isn't this much more eye-catching than the so-called "beautiful men in ancient costumes" in domestic entertainment, no wonder the ancient ladies had to elope with the opera artists.
Whoever sees it will not fall.
Of course, this attraction is not only the facial features, but also the charm of Chen Lijun comes from her communication of opera performances.
When watching the performance, in addition to the story, the audience applauded her every move on stage.
As the old saying goes, ten minutes on stage, ten years off the stage.
Everything Chen Lijun shows is the result of her 19 years of accumulation.
In 92, she was born in Shengzhou, Zhejiang, the hometown of Yue Opera.
When she was 13 years old, she decided to study Yue Opera, so she entered an art school, and after graduation, she was admitted to the Xiaobaihua Class and studied under Mao Weitao, the first female student of Yue Opera.
In the words of Mr. Mao -
Chen Lijun is a particularly good and hard-working post-90s generation, all competitions, as long as she participates, she must be a gold medal, she is singing and doing watches, and she can come.
Mao Weitao's partner He Saifei also commented on Chen Lijun as an all-rounder.
To become an all-round player, Chen Lijun is talented, and she can't do without hard training.
In the troupe, she gets up before dawn every day to practice, and in the middle of the night, she will go to the practice room alone and practice all night.
However, as she gets taller and taller, the teacher, combined with her lively personality, suggests that she change from Hua Dan to Xiaosheng.
Don't underestimate this halfway "transfer", the difficulty is similar to starting from scratch.
Because of the differences in shape, singing, performance, etc., Chen Lijun had to accept and learn again, so she didn't agree at first, and she didn't nod until the teacher talked to her for the third time.
If you want to do it, you have to do it well.
She worked the basics.
She practiced flying kneeling, over and over again, at first she would land on her toes to reduce the damage to her knees, and then she would force her knees to land on the ground for the sake of effect.
Many people fall in love with her fans and umbrellas, which are the basic skills of Yue Opera stage students.
She couldn't hold it at first, and practiced until the last breath.
After several years of training, Chen Lijun was covered with injuries, and the teacher allowed her to go to Beijing for treatment during a ten-day vacation, but she came out of the hospital and ran all over Renyi and various theaters.
As she said -
I just don't feel like I'm enough, I don't have enough reserves for this world, this industry, and this art, so I'm empty-hearted.
Indeed, the times are advancing, and artistic creation is also changing and innovating.
Take "New Dragon Gate Inn" as an example, the screenwriter is a post-95 generation, and the actors are all young generation.
In the past, the play was on a high stage, but this play is an immersive performance.
is closer to the audience, and the requirements for actors are naturally higher, and Chen Lijun's requirements for herself have also changed from basic skills and singing to a thorough understanding of roles and stories.
is also a man dressed as a woman, Chen Lijun believes that on the opera stage, men are different from men in life.
is like Lin Qingxia's image in "Sword and Horse", with a heroic spirit.
Then there is a personal reinterpretation of classic roles, like Jia Ting, Chen Lijun is not handsome for the sake of being handsome, but shaping the role.
She performed Jia Ting's dilemma of loyalty and righteousness, the contradiction of how to choose, and his loneliness of being homeless and familyless, like the mountains and rivers.
Although the performance is not long, it brings a rich viewing experience to the audience.
It can be seen that whether it is Chen Lijun's popularity or Chen Lijun's interpretation of the new Yue Opera, it is a combination of tradition and modernity.
Including Chen Lijun's participation in the recording of the show this time, in the face of doubts from the outside world, she has always been firm-
Opera needs to be inherited and disseminated, tradition needs to be guarded and breakthroughs, and life must be both steady and courageous.
She came to the stage to promote the art of opera.
In fact, as the second largest traditional opera in China, Yue Opera is known as the "idol opera" in the opera circle.
The stories are all talented and beautiful, and the audience is mostly female, which makes it more acceptable to the younger generation.
Moreover, the art of opera is an art of inheritance.
In the rehearsal footage, it can be seen that the figure of Mao Weitao, a famous Yue Opera artist, has never left the scene.
She taught Li Yunxiao how to eat melon seeds smartly and naturally;
She personally demonstrated to Chen Lijun how to push the door to better reflect the casualness of the prodigal son.
Obviously, the teacher is more comfortable than Chen Lijun in terms of both relaxation and demeanor, and the latter still has a lot of room for improvement.
But that's not what inheritance is all about.
Fortunately, after the fire, Chen Lijun was still able to stay sober, have a sense of awe for the stage, continue to grow, exert her strength, and continue to influence more young people to fall in love with Yue Opera.
"Maybe you think I'm on fire now, but I really haven't thought so, I think it's just that more people have seen me, but they are only seeing it now, how many people can stay, and those who really like Yue Opera don't know what the future will become, in fact, it will take time, and it still needs a test from the audience"
To tell the truth, in the long run, for the inheritance of opera, it is far from enough to have a single Chen Lijun.