Summary:
This article explores the uniqueness of figurative watercolor painting in expressing and conveying texture and emotion. By analyzing the mechanism of emotional resonance in artworks, the subjective and objective emotional experience of the viewer, and the influence of picture texture on the viewer's emotion, the study reveals the important role of watercolor painting in emotional expression and texture expression. By deepening emotional expression, personalizing and expanding expression, artists can further enhance the artistic appeal and creativity of figurative watercolor painting.
I. Introduction
As an important expressive language in figurative watercolor painting, texture can not only enhance the visual impact and expressiveness of the work, but also enable the viewer to understand the emotions and connotations conveyed by the work more deeply. However, so far, there has been no systematic and in-depth research and discussion on the expression of texture in figurative watercolor painting and its relationship with emotional transmission. Therefore, it has important theoretical and practical significance for the exploration of texture expression and emotional transmission.
II. Discussion of the factors of texture expression
In figurative watercolor painting, texture expression is one of the keys to the success or failure of the work, which not only affects the viewer's perception of the visual effect of the picture, but also directly relates to the transmission and resonance of emotions. The expression of texture is the result of a combination of factors, including color, texture, light and shadow, and brushstrokes. In this section, we'll take a closer look at how these factors affect the presentation of image texture.
A. Use of color and texture
Color is one of the most basic elements in watercolor painting, and in figurative watercolor painting, the use of color plays a crucial role in the presentation of texture. Color can not only reflect the natural properties of objects, such as reflection and absorption of surfaces, but also create visual texture differences through hue and color temperature.
In figurative watercolor painting, the artist often uses different color combinations to express the material and texture of the object. For example, darker colors are often used to depict shadows and shadows to enhance the three-dimensionality and depth of objects, while lighter colors are used to express lighting and highlights to enhance the vibrancy and vividness of the picture. Through the gradation and transition of color, the artist can create a rich layer of texture, presenting a sense of volume and three-dimensionality of the object.
B. Texture depiction and viewer perception
Texture is the visual feature of the surface of an object, which not only directly affects the perception of the viewer, but is also closely related to the texture expression of the picture. In figurative watercolor, the depiction of textures can be achieved in a variety of ways, such as through different brushes, paper, smudging, and embossing methods to create a variety of textures.
The depiction of texture can not only reflect the material characteristics of the object, but also affect the viewer's perception of the overall texture of the picture. For example, rough textures are often used to represent objects with rough surfaces, such as rocks and tree bark, while smooth textures are used to depict objects with smooth surfaces, such as metal and glass. By changing the texture, the artist can create a rich texture effect that enhances the realism of the picture.
C. Light and shadow effects and picture texture
The effect of light and shadow plays an important role in figurative watercolor painting. The change of light and shadow can not only enhance the sense of depth and three-dimensionality of the picture, but also create rich layers of texture. In figurative watercolor painting, the expression of light and shadow effects usually depends on the use of color and the technique of brushstrokes.
Through the change of light and shadow, the artist can create a sense of volume and space of the object. For example, strong light and shadow contrasts can enhance the three-dimensional sense of an object and make the picture more vivid, while soft light and shadow transitions can create a warm and harmonious atmosphere. The use of light and shadow effects can also help the artist emphasize the focal point in the picture and direct the viewer's gaze.
D. Brush stroke techniques and texture construction
Brushstrokes are one of the most intuitive techniques in watercolor painting, which directly affects the texture of the picture. In figurative watercolor painting, the artist uses different brush strokes to create a variety of textures. For example, bold brushstrokes can enhance the sense of power in the picture, while delicate brushstrokes can express delicate and soft textures.
Different brush strokes can create rich layers of texture. For example, dry brushstrokes can create a rough texture effect that is suitable for expressing the texture of objects such as rocks and tree bark, while wet brushstrokes can create a smooth and smooth effect, which is suitable for expressing the texture of surfaces such as water and glass. Through the flexible use of brushstroke techniques, artists can construct a rich variety of textures in figurative watercolor paintings.
III. The Role of Emotional Factors in Textual Expression
A. The relationship between the artist's personal emotions and the texture of the work
The artist's personal emotional experience and emotional experience play a crucial role in the textural expression of figurative watercolor paintings. Each artist has their own unique emotional experience and emotional expression, which is transmitted and resonated through the textural expression of the work.
First of all, the artist's personal emotional experience affects his understanding and expression of texture. For example, an artist who has experienced hardships and struggles may prefer to use rough brushstrokes and deep colors to express the texture of the work to reflect the inner tenacity and strength, while a gentle and harmonious artist may prefer to express the texture of the work through delicate brushstrokes and soft colors to convey inner warmth and tenderness.
Secondly, the artist's personal emotional experience will affect his pursuit and presentation of the texture of the work. Different emotional experiences may lead the artist to choose different themes, colors, and brushstrokes to express the texture of the work. For example, an artist who has experienced loss and despair may choose to use dark tones and deep brushstrokes to express the texture of the work to convey inner heaviness and sorrow, while an artist full of hope and longing may choose bright colors and light brushstrokes to express the texture of the work to convey inner lightness and joy.
B. Influence of emotional projection and picture perception
Emotional projection is a psychological phenomenon in which the viewer projects his or her own emotions into the work, which directly affects the viewer's perception and emotional experience of the picture. In figurative watercolor painting, emotional projection is closely related to the textural expression of the work, which can enhance the emotional resonance and viewing experience of the work.
First of all, through emotional projection, the viewer connects his own emotional experience with the texture in the work. For example, when the viewer sees rough textures and dull colors in the work, they may associate the struggles and difficulties in life, resulting in resonance and emotional experience, while when the viewer sees soft brushstrokes and bright colors in the work, they may associate the warmth and hope in life, resulting in resonance and emotional experience.
Secondly, emotional projection can affect the viewer's perception and emotional experience of the picture. The viewer's emotional projection will directly affect their interpretation and perception of the texture of the work, and thus affect their preference and evaluation of the picture. For example, when the viewer projects their own positive emotions into the work, they may appreciate the bright colors and light brushstrokes in the work more, resulting in a pleasant and satisfying viewing experience, while when the viewer projects their own negative emotions onto the work, they may pay more attention to the dark colors and rough brushstrokes in the work, resulting in a heavy and oppressive viewing experience.
C. The artist's way of expressing subjective emotions
The artist's subjective emotional expression plays an important role in the texture presentation of figurative watercolor paintings. Each artist has their own unique way of expressing their emotions, using different elements such as colors, brushstrokes and compositions to express their inner emotional experience.
The artist expresses his inner emotions through the use of color. Color plays a crucial role in figurative watercolor painting, not only reflecting the natural properties of the object, but also conveying the artist's emotional experience. For example, warm tones often carry warm and soft emotions, while cool tones may express calmness and seriousness. Through the selection and use of color, the artist expresses the rich connotation of inner emotions.
IV. Textural expression of figurative watercolor
A. The interweaving of objective texture and subjective emotion
As an art form, the texture expression of figurative watercolor painting is not only influenced by the texture of objective things, but also deeply shaped by the artist's personal subjective emotions. In the process of creating works, artists often convey their own emotional experience through the depiction of objective texture, and then give the works a deeper emotional connotation.
When artists depict objective textures, they often present the realism and touch of objects through the texture of the surface, the treatment of light and shadow, and the use of color. This depiction of objective texture is not only a restoration of the appearance of the object, but also a transmission of the emotional information carried by the object. For example, through the use of delicate brushstrokes and color layers, the artist can express different textures such as roughness, smoothness, and wetness on the surface of the object, so as to guide the viewer to produce a tactile experience similar to that of the object.
B. The correspondence between the artist's creative intention and the texture of the picture
When artists create figurative watercolor paintings, they often have their own unique creative intentions and expressive purposes. These creative intentions and expressive purposes often directly affect the presentation and effect of the texture of the work. Through the treatment of texture, the artist realizes the interpretation and expression of the theme and emotional connotation of the creation.
First of all, the artist will choose the appropriate texture expression according to the theme and emotional atmosphere of the work. For example, when the theme of the work is joy and joy, the artist may choose to use bright colors and light brushstrokes to express the texture of the work to create a cheerful and light atmosphere, while when the theme of the work is heavy and melancholy, the artist may use dark tones and heavy brushstrokes to express the texture of the work to highlight the heaviness and sadness of the heart.
Secondly, the artist will enhance the emotional expression of the work through the fine treatment of the texture. Artists can accurately shape the emotion of their works by increasing or decreasing the details of the texture, adjusting the chiaroscuro of the colors, and changing the thickness and strength of the brushstrokes. For example, by enhancing the texture and light and shadow effects of objects, artists can enhance the three-dimensionality and realism of the work, so as to better express the emotional connotation of the work.
C. The practice of textural expression in figurative watercolor
In the creative practice of figurative watercolor painting, artists often enhance the expressiveness and artistic effect of their works through the treatment of texture. Texture expression is not only the restoration of objective things in the outside world, but also the expression and expression of inner emotions. Through the delicate use of elements such as color, line and brushstroke, the artist achieves a rich expression of the texture of the work.
V. Emotional transmission and viewer experience
A. Mechanisms of emotional resonance in works of art
The emotional resonance of a work of art refers to the resonance and resonance that arises between the viewer and the emotion expressed in the work. The mechanism of this resonance involves the interaction of multiple factors, including the emotional expression of the work itself, the viewer's personal experience and emotional state, and the interaction between the viewer and the work.
First of all, the emotional expression of the work itself is one of the key factors affecting the emotional resonance. Figurative watercolor painting expresses emotions through artistic elements such as color, line, and composition, and the artist's emotional experience is transformed into the visual language in the work, thus triggering the viewer's emotional resonance. For example, when a painting expresses emotions of sadness and sorrow, the viewer may feel empathy for that emotion when viewing, especially if the viewer has had a similar experience or emotional experience.
Secondly, the viewer's personal experience and emotional state will also affect the generation of emotional resonance. Each person has unique life experiences and emotional experiences that affect their understanding and feelings about a work of art. Therefore, even for the same work, different viewers may have different degrees of emotional resonance depending on their personal experiences. For example, for a viewer who has experienced the loss of a loved one, a painting that shows loss and grief may elicit a deeper emotional resonance.
B. The subjectivity and objectivity of the viewer's emotional experience
The viewer's emotional experience is both subjective and influenced by objective factors.
From the perspective of subjectivity, the viewer's emotional experience is individualized and influenced by factors such as his or her personal cognition, emotion, and experience. Each person's understanding and feeling of a work of art is unique, so the same work may trigger different emotional experiences for different viewers. For example, for a viewer who loves nature, a figurative watercolor painting showing a natural scenery may bring a pleasurable and relaxing emotional experience, while for a city dweller, the same painting may evoke a yearning and longing for nature.
However, the viewer's emotional experience is also influenced by objective factors. Factors such as the emotional expression of the work itself, the artist's creative intention, and the theme of the work will affect the viewer's emotional experience. For example, a painting that expresses a joyful atmosphere through the light and shade of color and the flow of lines is likely to trigger a pleasant and joyful emotional experience in the viewer, while a painting that expresses a heavy and oppressive atmosphere may trigger a contemplative and melancholic emotional experience in the viewer.
C. The direct and indirect effects of picture texture on the viewer's emotion
The impact of picture texture on the viewer's emotions is both direct and indirect.
In terms of direct impact, the texture of the picture often directly triggers the viewer's senses, triggering the viewer's tactile experience of the objects presented in the picture, thus generating emotional resonance. For example, a painting with a rough texture may cause discomfort or suppressed emotions in the viewer, while a painting with a soft texture may give a feeling of comfort and relaxation.
In terms of indirect influence, the texture of the picture will also trigger an emotional experience through the viewer's imagination and association. When viewing a painting, the viewer often associates and imagines the experiences and emotional experiences related to him according to the texture of the objects presented in the painting. For example, a painting that expresses a soft texture may evoke an emotional experience of family and tenderness by reminiscent of a warm mother's love, while a painting with a rough texture may evoke an emotional experience of resilience and struggle.
VI. Conclusion
In this article, we delve into the representation and transmission of texture and emotion in figurative watercolor. First, we analyze the mechanism of emotional resonance in artworks, emphasizing the emotional expression of the work itself and the influence of the viewer's personal experience and emotional state on emotional resonance. Secondly, we discuss the subjectivity and objectivity of the viewer's emotional experience, and point out that the viewer's emotional experience is not only affected by personal cognition and emotion, but also by the emotional expression and theme of the work itself. Finally, we discuss the direct and indirect effects of texture on viewers' emotions, emphasizing the important role of texture performance on viewers' sensory stimulation and imagination.
Author: Lu Xilin
Bibliography:
Parramon, Jose Maria. "Watercolor Landscapes Step by Step." Parramon, 2013.
Schmid, Richard. "The Watercolorist's Essential Notebook - The Landscapes." Penguin, 2004.
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