In 1952, a doll was born on the Danfeng Danjiang River in the depths of the Qinling Mountains, Jia Pingwa. In 1971, 19-year-old Jia Pingwa had the idea of going to university while building a reservoir, and was able to leave the mountains to study at Northwest University. Thus began his career as a writer as a bookworm.
Shangluo is a place that has achieved many masters since ancient times. Or born here, or live here. They are Cangjie who made the characters here, the deeds and Wei Yings that were conferred on the Shang, the Shangshan Sihao Tang Bing, Cui Guang, Wushi, and Zhou Shu who cultivated here, the Li Zicheng who started here, and the Xu Xiangqian who revolutionized here. After the founding of the People's Republic of China, there were also many people who were engaged in politics and the military, business, literature, and medicine, among them, Jia Ping, who was in his early sixties, was the most ambitious.
Some time ago, I saw an article called "Persuade Jun Mo to Blow Jia Pingwa", and after reading it, I can only say that in the era of contention, if criticism is not free, praise is meaningless. It is normal for Jia Pingwa to be controversial, and to live to this extent, there must be controversy, not to mention literature, which is a matter of opinion from the benevolent and the wise. A thousand people have a thousand Hamlet's understanding, so that great writers must have big controversy, and Jia Pingwa is also a rare high prolific writer, so far he has written 16 novels, more than 1400000 words, if there is no big controversy, it can be seen how mediocre he is!
Among Chinese writers, Jia Pingwa is the first person in the world with high production and high quality, with paste under his feet, standing straight and stubborn on the peak for more than 30 years without taking half a step. In the interval between politics and literature, he also pursued Xing Qingren to study, and made some achievements in calligraphy and painting. Jia Ping's concave painting and writing are like bald brushes, thick ink, red, dry, thick and hard. But it reveals the artistic conception, imagery, interest, and meaning that can not be read and tasted endlessly. Since ancient times, there has been a school of literati painting in China, and Jia Pingwa is in the limelight. After all, the style is distinctive, and it is more valuable, and it is cold and stubborn, regardless of the dignitaries, dignitaries, businessmen, and ordinary people, they all take money and give words, and the word is ten thousand gold. In the case of the cooling of calligraphy and painting and the shrinkage of professional calligraphers and painters' works, the price has increased year by year, and the threshold has become more and more barrierd. This also led to some unsatisfactory remarks from all walks of life. It's just that Jia Pingwa's eyes and heart are staring at Shangluo and Qinling, the source of creation, listening to the wind and thunder of the thousands of years of history of old and new China, ghosts, snakes and gods, isolated from the world, guarding their own standards, their own stubbornness, writing and writing. Write a genius as a genius and a master as a god. Under the background of the times, Jia Pingwa has achieved himself by himself.
Jia Pingwa is obviously a billionaire, and obviously he has more ability to control it, after all, he still works hard and still has a lot of tea. Literature is also one of the 360 lines, and top-notch should have corresponding material rewards. Compared with the material abundance, Jia Pingwa's literary contribution is also bright and starry. Literature is a temple thing, but also a thing of life, how can you get money and say that copper stinks, what kind of vanity and jealousy is that? No matter how much he earns, Jia Pingwa still only loves a mouthful of Baogu paste soup (I will write an article recently: Baogu paste soup, interested friends can pay attention to the official account of the literary magazine "WENXUEJIAZAZHI" to read). To give an inappropriate example, just like some companies ask me to do strategic planning, my quote will always be a million dollars. Whether you have the receptivity and the ability to pay is your problem, but I think the value provided in this matter should be worth that number. So why can't the infinite art of calligraphy and painting be priced by itself, and the market can set its own price?
Among contemporary Chinese writers, few writers have experienced the ups and downs of fortune in the style of Jia Pingwa. A dick in the mountains, starting from writing slogans for the production team, has written himself as a god for decades. The course and waves are magnificent. For example, the verbal criticism, cynicism, insult and abuse brought by the pillow work "Waste Capital", and the domineering spirit exercised by WMZ to suppress and exclude. Jia Pingwa, who did not die in silence, finally broke out in silence, and realized the evolution of the great sage into a carp into a dragon and the self-repair of the tiger licking the claws of the phoenix Nirvana from the ruins of the ruined capital. It's just that later people felt that the work was not as good as "Waste Capital", even if it won the Mao Dun Literature Award for "Qin Dialect". In fact, only by standing on the same level of an era environment and the writer's process can we truly understand the thickness, strength, and temperature of a work. Jia Pingwa is not Jiang Lang's talent, and he can't climb to the peak again, but he just makes the performance of literary works more neutral. But Jia Pingwa's innate and acquired penance is a never-ending and inexhaustible Taibai pool. Above the clouds, among the stones, the size of a projectile, blue without waves, but it is not dry for 10,000 years, unfathomable, called the Great Sea!
Jia Pingwa is indeed a person who has achieved great things. Since ancient times, the Chinese have become heavy-mouthed, diligent and inward-looking. The famous writer Wang Meng once commented: "Jia Pingwa is full of Shaanxi flavor when he speaks, his eyes are very bright and very observant, in fact, his peasant appearance conceals his shrewdness and wisdom." He's a smart, humorous writer. ”。 Jia Pingwa said in a letter to his teacher, Mr. Fei Bingxun, that Fei Lao: Nobita is hidden inside, and the softness is obvious. In fact, he himself is exactly that. The five short and burly condensed bodies sat in the dim and sacred study that was piled up, receiving visitors with a faint smile, and releasing a huge and incomparable aura. That's it, he must have moved out from behind the bookcase, between the bottles and cans of strange stone books, sent to the door, and then to the elevator, and waited until the guests entered the elevator and the elevator door closed before turning back.
Turning back and sitting with clean hands is a deep contemplation of life, history, and the universe, and a careful exploration of the past, present, and future. The fountain pen manuscript, with his simple, clumsy, and careless style, sprinkled with thousands of characters, fate, family and country, and the world on the land of China!
A literary critic once said: "Jia Pingwa's "Qin Dialect", in terms of expression, is very familiar in language, but we cannot see the quality and connotation that a masterpiece standing on the peak of Chinese literature should have. What I see is more trivial, sluggish, dark, and even obscene writing fun. ”。 The owner of the village does not dare to agree, Jia Pingwa's works just have a broad pattern perspective and a thick emotional texture, but he borrows the hometown of Shangluo and Qinling, a small place, to place the story, telling the whole world. Jia Pingwa, who was born in Yeshan, is resolutely rebellious, does not respect the chapters and writes, challenging and even provoking the so-called mainstream writing consensus, chapter skills, and subject matter frequency. Between the new and changeable, it really makes the viewer unable to stand in a position and understand and resonate with it. The road is simple, the great ingenuity is not worked, if you want to arrive, you must cultivate all your life to be able to talk to the sage. The flat of the concave is pregnant with the image of big ups and downs, and the concave of the concave hides the realm of cascading peaks and peaks.
Jia Pingwa, who did not cater to him, walked on the lonely and wide road, fluttering his big silk all the way. Even like the cutie, it is also an independent language system of Jia Pingwa. If you are familiar with it, you can know that usually three or five words can make a big deal through the world, and often steal beams and change pillars, and suddenly suddenly point to the topic directly, so that you wake up like a dream, and Jia Pingwa's pen has a door to all wonders. As a result, with Qinling and Shangluo as the representations, the stories of the world's creatures are written with the breath of fireworks, the taste of the gods, and the wonderful interest. Some people feel that the language source is not examined, the source of the phrase is not founded, and it is also mixed with the expression of the local language system of Shangluo, so that the accurate translation of its meaning has become a top problem. In fact, creation is to create and act, writing is to write and make, there is no new, can not be produced, is not the old bottle of new wine, is it all clichés?
Mr. Jia Pingwa and Gao Wei took a group photo
If you are used to walking along the way, you can't jump out of the box, and you feel that it is not as good as the old and new things that are not as good as the old, but in fact, you are stuck in the same place. Jia Pingwa did not take the road of copying and pasting old bottles and new wines, but took the pilgrimage life of beating small differences and being similar, gradually enriching, filling in the gaps, and gaining, and more and more deliberately forcing himself to innovate, trying to write from different perspectives, logics and levels, telling the stories of different eras, classes and characters, which became more and more unintentional. From "Waste Capital", "Impetuous", "Missing the Wolf", "Gao Laozhuang", "With the Light", "Lao Sheng", "Qin Cavity", "Yamamoto", etc., Jia Ping concave out of the new and continuous. Jia Pingwa must be extremely profound, otherwise he would not be superficial and red for forty years, and he would still sit firmly on the fishing platform.
Next year, Mr. Jia's new work will be published again, and we will read Jia Pingwa again.