2024 China-Europe Calligraphy and Painting Masters International Art Online Exchange Exhibition - Wei Xide

Wei Xide, the word Hongdao, the master of Fengyun Pavilion. Born in June 1962 in Dingxi, Gansu Province, he is an academician of the Chinese Academy of Painting and Calligraphy, a member of the China Bangshu Art Research Association, a director of the Chinese Calligraphers and Painters Association, a member of the Chongqing Calligraphers Association, a researcher of the Chinese Culture Research Institute, and a national first-class artist. Teacher of calligraphy at Chongqing University for the Aged and Chongqing Children's Palace.

He has been learning calligraphy since he was a child, whether he is teaching, he is in the army, and he has worked in state organs for decades. A certain foundation of calligraphy was laid. Especially when he was 50 years old, he studied at the Institute of Calligraphy of Southwest University for three years, during which he studied under Mr. Cao Jian, a doctoral supervisor in calligraphy of Southwest University, and further deepened the theory and skills of calligraphy under the guidance of Zhang Yinong, Cui Shuqiang, Zhang Xingcheng and other teachers. Throughout the famous inscriptions of the past dynasties, the strengths of each family are widely absorbed, and the characteristics of the Han Li and Jin and Tang Kaishu are fused, forming their own writing style. His calligraphy works have been collected by some venues and have been compiled into the "Complete Works of Chinese Modern Art: Calligraphy Volume", "Cultural Heritage", "Chinese Calligraphy and Painting Exhibition Yearbook", "Selected Works of Chinese Calligraphers", "Selected Chinese Calligraphers of the Past Dynasties", "Famous Artists", "Chinese Centennial Quintessence", "Grand View of Chinese Contemporary Practical Calligraphy", "1911-2011 Centennial Lianmo Ceremony" and "Chinese Soul: A Hundred Years of Xinhai", "Calligraphy China", "Chinese Artists Yearbook", "Chinese Calligraphers and Painters Runge Collection", " In the books such as "The Quintessence of China in the Centennial", "The Grand View of Chinese Contemporary Practical Calligraphy", "The Illustrated Collection of Chinese Calligraphy and Painting Market", "Art Investment Reference", "Encyclopedia of Chinese Painting and Calligraphy", "Contemporary Calligraphy History: Models of Famous Classic Works", "Chinese Authoritative Collection Books", "General History of Chinese Art", "Chinese Calligraphy and Painting Appreciation Collection" and other books. Engaged in calligraphy teaching, to achieve teaching and mutual benefit, and the students to make progress, in his spare time with some poets to learn poetry lyrics, some poems were selected into the book "Fuyuan Poetry Essence". Enriching life in old age.

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Wei Xide, also known as Hongdao and Fengyun Pavilion Master. Born in June 1962 in Dingxi, Gansu Province, he is an academician of the Chinese Academy of Calligraphy and Painting, a member of the Chinese Calligraphy and Painting Art Research Association, a director of the Chinese Calligraphers and Painters Association, a member of the Chongqing Calligraphers Association, a researcher at the Chinese Culture Research Institute, and a national first-class artist. Calligraphy teachers at Chongqing Elderly University and Chongqing Youth Palace.

I have been learning calligraphy since I was young, whether from teaching, military service, or working in government agencies, and have been working tirelessly for decades. Established a certain foundation in calligraphy. Especially at the age of fifty, I studied at the Calligraphy Research Institute of Southwest University for three years, during which I studied under Mr. Cao Jian, a doctoral supervisor in calligraphy at Southwest University. Under the guidance of teachers such as Zhang Yinong, Cui Shuqiang, and Zhang Xingcheng, I further deepened my calligraphy theory and skills. Covering the inscriptions of famous calligraphers throughout history, drawing on the strengths of various schools, and casting the characteristics of Han Li and Jin Tang regular script, it has formed its own writing style. Calligraphy works have been collected in some venues and have been included in the "Complete Collection of Modern Chinese Art - Calligraphy Volume", "Inheritance of Culture", "Yearbook of Chinese Calligraphy and Painting Exhibition", "Selected Works of Chinese Calligraphers", "Selected Works of Chinese Calligraphers throughout the Ages", "Famous Artists in the Art World", "Chinese Centenary National Essence", "Grand View of Contemporary Practical Calligraphy in China", "1911-2011 Centenary Lianmo Encyclopedia", "Chinese Soul: Xinhai Centenary", "Calligraphy China", "Yearbook of Chinese Artists", "Collection of Chinese Calligraphers and Painters", "Chinese Centenary National Essence", "Grand View of Contemporary Practical Calligraphy in China". In books such as "Collection Atlas of Chinese Calligraphy and Painting Market", "Investment Reference for Art Products", "Encyclopedia of Chinese Calligraphy and Painting", "Contemporary History of Calligraphy and Painting: Classic Works of Famous Masters", "Authoritative Collection Books of China", "General History of Chinese Art", "Collection of Chinese Calligraphy and Painting Appreciation", etc. Engaged in calligraphy teaching work, achieving mutual learning and progress with students. In my spare time, I studied poetry and lyrics with some poetry friends, and some poems were selected and included in the book "The Essence of Poetry in Fuyuan". Enriched later life.

Baidu and major online media have promotional reports.