Pan Tianshou
（1897-1971）
The style of painting is majestic and dangerous, and the ancient is noble
With Wu Changshuo, Qi Baishi, Huang Binhong
It is also known as the "Four Great Masters of Chinese Painting" in the 20th century
Pan Tianshou wrote the most taboo works of trivial and flat plates in his life, believing that "the text seems to look at the mountains and does not like the flat", and the same should be true for painting; poetry should not be ignored when there is a difference, and the text should be subdued and frustrated, and the painter should also have whimsical ideas and artistic skills.
He said: "We must be humble in learning, we must be 'conceited' in painting, we must be bold, we must hold our breath and grasp the key points, and we must think from a big place, a high place, and a new place. The most valuable is the law, rather than sticking to the rules and bounding oneself. To depict nature, we must also take advantage of the momentum in the movement, and see the strange in the change. Flat as water, in case of danger stone, silver flowers splash everywhere, heavy as a mountain, around the white clouds and the whole body is spiritual. ”
Pan Tianshou advocated that the arrangement of flower and bird paintings should be based on potential, he said: "The atmosphere should be strong, the momentum should be vigorous, and strive to create vigorous and flexible vitality and rhythmic charm on the picture, so as to achieve the unique vividness of Chinese painting." ”
As for the method of arrangement, he believes that it is to "search all the strange peaks to make drafts", and select the strange peaks with the strange peaks, that is, to match the strange peaks and win by surprise.
"Creating danger" can make people frightened, but if the danger is in the end, there is the risk of "sacrifice", only if you can "break the danger", you can survive in a desperate situation, take it by surprise, and take the danger out, which is surprising.
Pan Tianshou "creates risks" and "breaks risks", which can be said to be well versed in this principle. "The mountains and rivers are poor and there is no way out", it seems that there is no way to go here, but "the willows and flowers are bright and another village", there is a world in front of them, which makes people open-minded.
Pan Tianshou celebrates the New Year
Pan Tianshou is a picture of the year
Vertical scroll, ink and color on paper, 1924
Pan Tianshou, Fish Joy Picture Axis, ink and color
Paper, 108cm×57.5cm, 1962, Collection of Pan Tianshou Memorial Museum
Pan Tianshou Double chicken picture
Pan Tianshou Bird Stone Diagram
Pan Tianshou pomegranate
Pan Tianshou pot chrysanthemum diagram
Pan Tianshou orchid
Pan Tianshou The spring flowers have reached the plum branches
Collection of Pan Tianshou Memorial Hall (finger painting)
Pan Tianshou Pen Lan Ink Chicken (Finger Painting)
Pan Tianshou, "Holding Chicks", Chinese painting (finger ink), 151.5×48.5cm, 1961
Pan Tianshou, Flower Raccoon Slave Picture Axis, ink and color
Paper, 168cm×48.2cm, 1960s, Collection of Pan Tianshou Memorial Museum
Pan Tianshou Cat Stone Plantain Diagram
50's ink and color 237.5×120cm (finger painting)
Pan Tianshou, Eagle Stone, 128.5cm×64.5cm, 1958
Pan Tianshou Xiong View (Finger Painting)
Pan Tianshou Eagle Stone Diagram
Vertical scroll, ink and color on paper, 1962
Pan Tianshou Phantom Stone Double Bird
Mirror Heart, ink and color on paper, 1963
Pan Tianshou, Spring Rain Scroll in the South of the Yangtze River, 85.8×77.2cm, 1953
Pan Tianshou, Autumn Night Picture Axis, ink and color
Paper, 221cm×51.5cm, 1962, Collection of Pan Tianshou Memorial Hall
Pan Tianshou Mohetu (finger ink)
Write Li Qinglian sea pomegranate is rare and poetic in the world