When the hit spy war drama "Harbin 1944" became the focus of street discussions, it is not difficult for us to find that behind it is not only the gripping of the plot, but also the competition of actors' acting skills. In this contest of acting skills, Yang Mi's performance has undoubtedly become the focus of heated discussions.
She, as a leader of the post-85 flowers, has always attracted much attention. However, in this drama, her acting skills are frequently on the hot search, not because of her outstanding performance, but because her performance was ridiculed by the audience. This situation is undoubtedly a heavy blow to her, who has always been eager for transformation.
The phenomenon of "involution" in the entertainment industry is no secret, and every actor is trying to find his own path of transformation. And Yang Mi is no exception. She wants to break through herself and transform from an idol to a powerful faction, which is understandable. But is transformation really that simple?
In "Harbin 1944", the role of Guan Xue played by Yang Mi needs to show a ruthlessness and insidiousness that goes deep into the bone marrow. However, judging by the audience's feedback, she doesn't seem to have grasped the essence of the character. Her performance was too deliberate, too forceful, as if to tell the audience: "Look, how hard I want to transform!", but this effort was not recognized by the audience.
In the rivalry with Qin Hao, Yang Mi's acting skills were ruthlessly crushed. Especially in the eating scene, the gap between the two is even more obvious. Song Zhuowen, played by Qin Hao, gulps down scrambled eggs with tomatoes and shredded potatoes, the kind of love and satisfaction for food, as if he can smell the fragrance of food through the screen. And Guan Xue, played by Yang Mi, behaves like chewing wax when eating, and people can't feel the deliciousness of the food at all. This comparison undoubtedly exposed Yang Mi's acting shortcomings.
Eating plays, as part of an actor's performance, is actually the link that can best test an actor's skills. A good actor must not only have excellent line skills and body language, but also have the ability to truly express the emotions and states of the characters. And Yang Mi's performance in this area obviously has a lot of room for improvement.
Not only that, but her performance in other aspects is also difficult to compliment. Whether it is makeup or hairstyle, it seems too deliberate and contrived, and there is no style of a female spy of the era at all. The combination of these factors makes her performance seem awkward and stiff.
In contrast, Zhao Liying and Tang Yan, both post-85s, have been on the road of transformation steadily. They have won the recognition and support of the audience with their strength and acting skills. However, Yang Mi and Liu Shishi seem to be still in the comfort zone of ancient puppet dramas and are reluctant to come out. This situation can't help but make people think: It's time to sober up Yang Mi.
The road to transformation is not smooth sailing, it requires the actor to put in more effort and sweat to ponder the role, to experience life, to truly present the inner world of the character, rather than just staying on the surface imitation and deliberate performance.
The hit broadcast of "Harbin 1944" made Yang Mi the focus of the topic again, but this time she was controversial because of her acting skills. This may be a wake-up call to remind her to take her acting career seriously, to think about her role and improve her acting skills, rather than relying only on appearances and topics to attract attention.
Eating scenes is just the tip of the iceberg, and what really tests an actor is whether she can truly present the emotions and inner world of the characters in every scene. hopes that Yang Mi can learn a lesson from this, take his acting career seriously, and use his strength and acting skills to win the recognition and support of the audience.