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One night in Nanjing, the stage under the brilliant lights became a battlefield, and Xu Meijing's concert seemed to change from a celebration of music to a focus of contradictions in an instant. Fans originally thought that they could indulge in the familiar melody tonight, but unexpectedly took a roller coaster with "sound but no song".
Let's talk about it first, let's talk about Xu Meijing today is not just Xu Meijing, she is just an introduction, and what is very scary is the things behind us that we can't see. The concert was supposed to be a moment of heart-to-heart connection between the singer and the listener, but now it seems that this bridge has long been dismantled by some invisible hand?
Xu Meijing, did you forget something when you went on stage? Did you forget the old songs that held you to the sky in the makeup box backstage? We all know that one minute on stage is ten years of work off stage. But how did this kung fu turn into time to fight with fans on stage?
Also, it is not unreasonable for those viewers to shout "refund tickets". Aren't they digging out of their pockets, grabbing tickets, and queuing up for a long time, just to listen to you sing the songs that you sang on campus with your schoolbag when you were young, or in the streets and alleys when you were in love? Some of the people in the audience may really endure it for several years, just to relive the throbbing of youth this night.
By the way, there is also the discussion of "Wu Bai can, why can't I". Ladies and gentlemen, this cannot be compared. Wu Bai, that's a spontaneous carnival of fans, but what about Xu Meijing? Don't tell me, you also handed over the common sense of "singers should sing" to the band to do it for you?
Of course, we can't blame Xu Meijing entirely. After all, people are not saints and sages, who can be infallible? Maybe she really had something unspeakable hidden that night. But that's not the point, the point is, what does this reveal to us? Does it imply that there is a change in our music industry?
Are the current concerts becoming too utilitarian? Are there more elements of fan meetings? Is it that pure music exchange is being eroded by commercial calculations? Singers, shouldn't you also reflect on your original intention?
This matter is not only Xu Meijing's business, it affects the entire industry. Regardless of whether you are a fan of the post-80s or post-00s, the question is in front of everyone: should we return to the original appearance of music?
Finally, let's talk about the audience who shouted "refund". You're ruthless, but this ruthlessness tells us a truth: consumer power is not a decoration. Perhaps, this turmoil can be a turning point, so that those singers who are still immersed in old fame will wake up and stop taking the patience of fans for granted.
Therefore, Xu Meijing, and all the singers standing on the stage, we have to think carefully: what supports your light, is it the heart of anticipation in the audience, or the little stars on the stage?
The comment area is open, what do you think?