Fu Shan (1607-1684), the first name of Dingchen, the word Qingzhu, changed the word Qingzhu, and also has other names such as turbidity Weng and Guanhua, a native of Taiyuan, Shanxi, a thinker, a physician and a calligrapher during the Ming and Qing dynasties. Fu Shan became a monk after the death of the Ming Dynasty and called himself a disciple of Lao Zhuang.
Fu Shan's artistic achievements are multifaceted. His calligraphy beginners Zhao Mengfu and Dong Qichang can almost be real. But then because of the contempt for the two people, especially after the establishment of the Qing Dynasty, he was even more disdainful of Zhao Mengfu, who descended to the Yuan Dynasty, and turned to Yan Zhenqing's character and books to serve the country.
Fu Shan, Four-Body Book, 26.7 cm long, 19.2 cm wide, collection of Tianjin Museum. The "Four-Body Book" contains seal script, official script, line script, and regular script. Each type of calligraphy shows a different appearance, and it also makes us feel the meaning of "Yan Ti" in his calligraphy.
His calligraphy pays special attention to the contrast between strokes, such as thickness, shade, dryness, size, rigidity and softness, and at the same time is ingenious in the chapter, and the oblique, telescopic, pitching, and avoidance between the characters and between the lines are handled just right.
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