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Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

author:Literary stories say

Wang Chuanjun's breakthrough journey in acting career

In the complicated entertainment industry, Wang Chuanjun has been polished for many years, and has successfully portrayed the brand-like "Guan Gu magical" character in "Love Apartment" with a unique image.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

This foreigner, who speaks pure Mandarin like a "tongue twister", has become the representative role of Wang Chuanjun in the eyes of the audience, however, he did not stop there, he is full of love for performance, and he is eager to prove that he is a well-deserved and powerful actor through more excellent works.

Therefore, Wang Chuanjun bravely accepted the challenge and starred in the film "I Am Not the God of Medicine", in which he played a role that can be called "disfigured". He presented himself with a new image, in stark contrast to the image of "Guan Gu Miraculous", and with his superb acting skills and shocking transformation, he completely subverted the audience's stereotype of him.

Since then, he is no longer just "Guan Gu magic", but a real acting actor - Wang Chuanjun!

Now, Wang Chuanjun once again showed remarkable acting skills in the movie "All or Nothing" starring last year. In this film focusing on anti-fraud crimes, he plays the leader of a fraud gang, and his expressions, tones, and movements are all immersive, as if there is a real criminal standing in front of him.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

Many viewers joked after watching his brilliant performance in the promotional video, "Check him out, his expression looks so realistic".

In order to be able to better interpret the realism of this character, Wang Chuanjun and the crew have made great efforts. According to him, during the filming, the crew deliberately created a tense and oppressive environment, such as the toilet even needs to be shared by hundreds of people.

In such an environment, the actors are naturally immersed in the role, and there is no need to deliberately imitate or exaggerate Wang Chuanjun also said that during the filming process, he and his tacit cooperation with partner actors Zhang Yixing and Jin Chen made the entire crew feel their true state, as if all this was real.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

It is precisely because of such profound acting skills and a deep understanding of the role that Wang Chuanjun successfully created a breathtaking image of a fraud boss in "All or Nothing".

A remarkable actor turnaround

Undoubtedly, Wang Chuanjun's successful transformation has provided a valuable example for the majority of performers in the stage drama or film and television industry! With his firm determination and outstanding talent, he has successfully broken away from the stereotype that has only been regarded by the audience as "the magic of Guan Gu" for a long time, and has shown a new self.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

His transformation and breakthrough once again confirmed to us that as long as the actor can maintain continuous progress and the courage to challenge himself, it is possible to achieve a stunning transformation, return to the audience's field of vision, and win respect and love.

The rise of a new generation of actors

Compared with powerful actors like Wang Chuanjun, in the film "All or Nothing", the outstanding performance of another high-profile new-generation actress Jin Chen is also worthy of praise.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

Although Jin Chen is not from a professional background, her superb acting skills in this film have won warm applause from the audience. In the play, the role she played gradually changed from the initial gentle and shy, to the exhaustion after the wind and rain, and the strong contrast between the character and the external image makes Jin Chen's acting skills more fascinating.

After watching the movie, many viewers even praised her ecstatically for "completely defeating those actors with tens of billions of box office results".

This phenomenon of the new generation of actors surpassing the old actors actually reflects that the pattern of the mainland film industry is quietly changing. With the emergence of a large number of new generation actors and their outstanding performance on the screen, the mainland film industry has successfully ushered in the era of "rising stars".

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

The driving force behind this change may lie in the fact that the new generation of actors can better grasp the aesthetic needs of the audience.

With the development of society and the changes of the times, the audience's expectations and needs for movies are also quietly changing. They are no longer only obsessed with those powerful but slightly outdated actors, but are more inclined to those excellent actors who can truly reproduce the inner world of the characters and arouse the emotional resonance of the audience.

For the new generation of actors, they have richer life experiences and keen observation of real life.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

For example, in the film "All or Nothing", Jin Chen plays the role of an ordinary migrant worker who is in a tragic situation after being defrauded by a fraud gang. This kind of storyline, which is close to real life, makes the audience feel as if they are in it, and it has a deep resonance.

In addition, the new generation of actors are more willing to actively explore and try various different types of roles, and continue to break through themselves in the process, this spirit of innovation undoubtedly makes them occupy a higher position in the hearts of the audience.

In contrast, some veteran actors have fallen into the comfort zone of self-creation, and the lack of innovation awareness is regrettable. In the face of the surging challenges of the new generation of actors, they seem to be flustered and unable to adapt to the diverse and rapidly changing aesthetic tastes of the current audience.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

From an overall point of view, the rise of the new generation of actors is like a clear signal, indicating that the mainland film industry is steadily moving in the direction of closer meeting the needs of the audience.

And these post-90s students, with their superb acting skills and deep understanding of the role, are gradually surpassing those former "actors" and winning the love and popularity of the audience.

Their outstanding performance has undoubtedly injected new vitality and hope into the entire industry.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

The plight of veteran actors

Although the rise of the new generation of actors is eye-catching, we can't ignore the predecessors who have won the "Best Actor" award. While the movie "All or Nothing" set a new box office record, other films released at the same time, such as "Megalodon 2" and "Fengshen Part 1", also brought together many stars at the level of actors and actresses.

However, after the release of these films, they did not receive the enthusiastic response from the audience as expected. Taking "Megalodon 2" as an example, this movie replaces the heroine Li Bingbing of the previous work with the powerful actor Wu Jing.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

With Wu Jing's wonderful performances in masterpieces such as "Wolf Warrior" and "The Wandering Earth", the audience is full of expectations for this sequel However, after the official release, "Megalodon 2" has encountered criticism from many audiences, accusing the plot of being lengthy, and Wu Jing's martial arts scenes are scarce, mainly relying on the "protagonist halo" to attract attention.

Similarly, the movie "Fengshen Part 1" also gathered many senior actors, including Fei Xiang, Li Xuejian, Huang Bo and others. During the promotion period, the film attracted widespread attention, and the audience was full of expectations for such a luxurious "star-studded" lineup.

However, after its release, the film did not stir up much of a wave of discussion.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

The emergence of this phenomenon undoubtedly reveals the dilemma faced by some veteran actors in the current domestic film industry.

On the one hand, although these actors have rich acting experience and profound professional qualities, they are often accustomed to creating in their comfort zone, and the lack of innovation is regrettable.

The famous director Stephen Chow has a unique understanding of film: a "really good movie" must be based on the close emotional connection between the director and the audience! He firmly believes that if the director can have a very passionate attitude towards the film and immerse himself in the charm of the film in advance, he can trigger the never-ending desire to explore from the bottom of his heart, and finally achieve a shocking masterpiece.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

This statement speaks to the director's passion and insight into the needs of the audience, which are essential elements in creating a great work!

From the perspective of the audience's viewing experience, a commendable film should have the following salient characteristics: first, a compelling storyline can lead the audience deep into the characters, giving them a strong sense of substitution, second, the film should be able to arouse deep resonance with the audience, so that their emotions fluctuate with the plot, and finally, the film should allow the audience to get a spiritual baptism in the process of laughter and tears.

Only by meeting the above requirements can it be called a "good movie" in the true sense.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

It is based on such a deep audience demand that has laid the foundation for the box office and word-of-mouth of the film in the market. For example, although the recently launched "Megalodon 2" and "Fengshen Part 1" are luxurious in terms of star casts, they have failed to win wide recognition in the hearts of the majority of audiences.

In contrast, the film "All or Nothing" can more accurately meet the aesthetic needs of the current audience.

The film tells the twists and turns of an ordinary migrant worker who falls into the trap of a fraud gang, which is full of bitter encounters and arduous escape processes. This kind of crime theme close to real life not only aroused strong resonance among the audience, but also made them deeply appreciate the real and heavy social issues.

Three "actors" lost to a post-90s actress, and domestic films have bid farewell to the era of old dramas

In the film, the superb performances of powerful actors such as Wang Chuanjun and Jin Chen made the audience feel the joys, sorrows and sorrows of the characters as if they were there. Their true feelings and in-depth interpretation of the characters make the whole movie show an unprecedented sense of realism.

This is the core element of a "good movie" in the audience's mind: not only must it have a dominant position in terms of star cast and production standards, but more importantly, it must be able to really touch the hearts of the audience.

Only in this way can a movie truly become a classic in the hearts of the audience and win a long-lasting reputation and box office.

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