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Text: Dayu Begonia
Editor|Dayu Begonia
The hours of immersive performance of "Riding the Wind 2024" are like a fantasy journey, bringing us endless feelings and reverie.
At first, I didn't expect much from my sisters this season. After all, there are very few acquaintances, and unfamiliar faces make me uninterested. However, as the show progressed, my originally indifferent heart gradually ignited the desire to continue watching.
Chen Lijun's performance is like a bright meteor in the night sky, which is impressive. At first, her name flashed frequently in the barrage, which annoyed me.
But when I witnessed her wonderful performance, that boredom instantly turned into deep love. Her stage charm seems to have a kind of magic that can capture the hearts of the audience in an instant.
Chen Haoyu, this familiar woman, her "Wild Son" is like a clear spring, flowing into my heart. Later, I remembered that she was Concubine Shu in "The Legend of Ruyi".
The moment she spoke, her professionalism was revealed, as if she was a musical elf, dancing on the stage. Liu Xin, I didn't have much affection for her at first.
The moment she spoke, I regretted my prejudices. Her singing, like a heavenly sound, penetrates my soul and makes me intoxicated.
Qi Wei's first stage "Seven", although it was an original song for the stage, failed to touch my heartstrings. She was second, which seemed to me to be a little inflated.
The performance of the Russian lady Mary can be called a stunt among stunts. She sang and showed acrobatics, backflips, mid-corner horses, waist and other movements like a smooth flow, which did not affect her beautiful singing in the slightest.
Her skills are simply jaw-dropping, as if she is a goddess of art who has fallen from the sky. Zheng Kai's wife Miao Miao is like a fairy radiating light when dancing, beautiful and moving, which resonates with the heartstrings.
Cai Wenjing's stage is quite funny, she has a lot of shots in the whole show, and she also eats Zhou Yangqing Luo Zhixiang's melon and recognizes her sister. Her first stage was unexpected, but compared to Sister Lang's performance of Shen Mengchen, the effect was slightly inferior.
Li Xirui's "Golden Wind and Jade Dew" is the countdown work in my heart. Her performance is really unsatisfactory, I don't know if it is affected by the performance after Chen Lijun, and she can't even manage her expression freely.
And Guo Shuyao's "Honey" is like a naïve kindergarten graduation performance, but the ranking is quite high, which is really incomprehensible.
The stage of "Riding the Wind 2024" has surprises and disappointments.
Each sister is trying her best to show her style. They are like stars in the night sky, each shining brightly, and together they form this gorgeous and colorful picture.
On this stage, we saw the persistence and hard work of our sisters, who dared to challenge themselves and show their truest selves. It reminds me of the stage of life, on which each of us plays out our own story.
Some people like Chen Lijun instantly attract everyone's attention with their unique charm, some people like Chen Haoyu, who win praise with their professional standards, and some people like Liu Xin, who use their strength to break prejudice.
There are also people like Li Xirui who may not be able to perform at their best at some point. But this does not mean that they are worthless, maybe on the next stage, they will be able to shine brightly.
On this gorgeous and colorful stage, it shows the appearance of all beings in the entertainment industry and the "warmth and coldness of people", looking back at the first meeting of the sisters, it is like a wonderful drama.
Some people are "familiar old friends", familiar and cordial to each other, some are famous and have a high national degree, and have become the focus of attention, some are seniors in the entertainment industry with a strong aura, and some are fledgling "fresh little flowers".
Forty-year-old Guo Biting is undoubtedly a bright pearl on the stage. She rarely set foot in work after marriage, and this time she returned to the stage, like a blooming flower, blooming with charming brilliance.
But her performance was a little "social fear" shyness. Han Xue took the initiative to introduce herself, Yang Jinhua reached out to shake hands, but she stood in the distance like a frightened deer, with no intention of approaching.
Wang Lin seemed to want to give a warm hug, but she couldn't respond. is so reserved, people can't help but wonder about her inner world.
In contrast, the appearances of the other sisters are more ordinary.
They either took the initiative to shake hands and hug the other sisters, or greeted them warmly, showing their affinity. Qi Wei's half-squatting handshake added a touch of style.
Cai Wenjing, Chen Lijun and others are more proactive, cleverly looking for topics to communicate with other sisters, showing their wit and agility.
The first meeting clip released by the program team is like a leopard in a tube, and many sisters' entry clips are not presented, leaving endless space for the audience to reverie.
On this group stage, everyone's performance is crucial. Cai Wenjing is like a vibrant star, her active communication and previous filming experience have successfully established her own unique image.
Liu Xin and Zhu Dan's "face blindness" left a deep impression on everyone, making people full of curiosity about their personalities. In "Sister Lang 5", the sisters shine separately.
Some sisters bring their own "traffic" and become the focus of the stage, some sisters are sociable and become active in the eyes of everyone, and many sisters are like pearls hidden in the flowers, waiting for the moment when they are discovered.
This stage is like a colorful kaleidoscope, and each sister is a unique petal in it, which together form a colorful picture.
On this bustling stage, there are laughter, tears, competition, and cooperation. They use their efforts and talents to interpret the power and charm of women.
Perhaps in the future, we will see more wonderful performances of our sisters and see them shine more brightly on this stage.
"Riding the Wind 2024" is not only an entertainment feast, but also a portrayal of life. It allows us to see success and failure, joy and tears, persistence and abandonment.
In this era of competition and challenges, we need programs like this to motivate us to move forward and chase our dreams.
In closing, I would like to say that no matter how well they perform on stage, every sister deserves our respect and appreciation. Because they dare to stand on this stage, it is a manifestation of courage and self-confidence.
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