Recently, the Beijing International Film Festival seized the tail of April and opened on the shore of Yanqi Lake in Huairou City.
The major stars gathered together, and it was called a hundred flowers blooming, competing for beauty. The breeze on the banks of the Huairou River is blowing, and the end of the red carpet is full of stars, and in this grand gathering of filmmakers, they shine brightly every step on the red carpet.
Since ancient times, every red carpet has been a must for female stars, whether it is relying on beautiful dresses and exquisite outfits to attract attention, or relying on natural beauty to score a big score, all sisters meet at the top of the hot search on Weibo.
At this event, it was full of young faces, adding a little vitality to the microwave on the bank of the Huairou River.
First of all, it is gratifying that Guan Xiaotong finally wore the right dress this time, the white dress with a short front and a long back exposed her two straight and superior legs, and she listened to the sound of wows on Weibo as soon as she appeared.
The three-dimensional flowers on the chest and hem of the dress make her whole person sweet, and with the slightly curly princess shawl hair, she is cute and charming. As soon as the gentle breeze blew, the white veil behind her rose, and everyone seemed to have seen a fairy on the shore of Yanqi Lake.
If there is one of the most common colors on the red carpet, it is pure white. If you want to stand out in the white, beauty is definitely nirvana.
Bao Shangen, who was wearing a white satin bandeau dress, was definitely the best in the red carpet white dress army, holding a windmill, she smiled sweetly, her long hair was pulled aside, revealing pearl earrings and beautiful shoulder and neck lines, and a touch of delicacy emerged in this sweetness.
95 Xiaohua Zhou is also wearing a white shirt and a golden gauze skirt, with her long hair pulled up, the bow at the back of her head raised in the wind, and the sweetness and cuteness of Yezi are so beautiful that people can directly ignore her skirt that resembles a bell roll.
Although the little flowers are infinitely young, they still have to be sisters who ride the wind and waves.
On the red carpet this time, Tan Zhuo, who wore Fendi's haute couture, was crazy, wearing a cinnamon pink bandeau shawl dress highlighting her perfect shoulder and neck lines and beautiful curves, like the goddess of holiness in ancient Greece.
The colorful zircon necklace and bracelet around her neck add a touch of color to the overall holiness, and the smile on her face in the sun exudes a charming glow.
Gao Yuanyuan, who has always lived in a simple place, also walked to us at this film festival with his work "Stop-and-Go", wearing a black bandeau sequin dress swaying in the sun.
The slit design of the skirt exposes the white slender calf, and the diamond necklace around the neck is sparkling, which is even more charming in the light and shadow. The black-haired and red-lipped sister is charming, has an excellent temperament, and is crazy and jealous of Zhao Youting.
There is also a long-lost figure at this film festival, that is, our sister Zhiling.
Wearing a champagne-colored cake skirt with a cross-collar design, her proud curves are covered to death, and Sister Chiling, who has always loved to show off her curves, actually took the route of a good wife and mother after getting married.
Plain dresses, simple jewelry, clean makeup, and the phrase "long time no see, I miss it very much" make the former figure vivid.
After a few years, the beauty is still the same, but I don't know if it's Lin Chiling or Kurosawa Chiling who hasn't been seen for a long time?
If you want to say that the fairy sister who is the killer on the red carpet must be the best, as long as there is Liu Yifei on the red carpet, then the actresses who fry the fairy draft will have to weigh it themselves, and don't blow up the beauty.
Otherwise, compared with the "fairy template", it is really who is ugly and who is embarrassed, and there is no harm if there is no comparison.
On the red carpet this time, Liu Yifei combed her hair, wore a white bandeau gauze skirt, and wore simple jewelry. As soon as the fairy sister raised her eyes, she smiled and won countless people in the world.
Although the actresses crossed the sea with eight immortals and showed their magical powers, the atmosphere of the whole party really reached its peak after Mr. Bao and his uncle appeared.
When Hu Ge pushed You Benchang into the venue and knelt down on one knee to take a photo with him, all the red carpet killers were weak, and he instantly killed all the stars on the red carpet with just such a scene, and became the MVP on the red carpet with his high emotional intelligence and good cultivation.
The 91-year-old grandfather You Benchang could only appear in a wheelchair due to inconvenient legs and feet, and Mr. Bao, as his uncle's cart brother, intimately pushed his wheelchair to enter the media attention.
Both of them have bright smiles on their faces, and Grandpa You Benchang is still making all kinds of comparisons with the media, and he is cute in his clumsiness. Hu Ge, who was wearing a straight suit behind him, waved to everyone in between bending over to push the wheelchair, which showed his vigor in this scene.
The interaction between the two is moving, not only because of the seriousness of the 91-year-old grandfather You Benchang to attend the ceremony even if he is in a wheelchair, but also because of Hu Ge's humility and respect as a junior.
This respect is not only given to a senior who has worked together, but also an old artist who has dedicated his life to the Chinese film industry.
The scene where Hu Ge pushes the wheelchair for Grandpa You Benchang is not only a call back of "Flowers" and a deep emotional memory between Uncle Bao, but also a kind of inheritance of art, and a touching "The back waves of the Yangtze River push the front waves".
At the end of the red carpet, Hu Ge knelt down on one knee and took a photo with You Benchang in a wheelchair, a scene that made many people dream back to "Flowers".
After the two took a group photo, Hu Ge would also inform the old man of his next move in advance, and only after getting permission did he continue to push the old man to the interview area.
During the media interview with his uncle, Hu Ge also squatted beside him all the time, and nodded again and again when he heard his message to young people.
Before the strength of "Flowers" passed, the heart-warming combination of Mr. Bao and Uncle Bao moved countless flower pollen.
In the two of them, we have seen the passing of the torch of two generations of filmmakers, and we have also seen the succession of Chinese film art, some people are gods in the twilight, and some people are chasing a new round of sun.
In the interview, You Benchang said: "Every step under our feet is important. "As the so-called journey of a thousand miles begins with a single step.
This sentence is not only a summary of his life, but also a message to young actors, if you want to enter the utopia of movies, you must first take every step under your feet, seriously precipitate yourself, first lay the foundation, then talk about breakthroughs, first lay the foundation, and then build high-rise buildings.
Every step in life is extremely important, and if you want to go long on the road of acting, you have to focus on the road under your feet first.
Grandpa You Benchang's brief speech is worthy of the encouragement of all idol stars who have fought for traffic and positions, the trophy is very bright, and it depends on whether you can hold it or not.
You Benchang has been with a love for acting for many years, from his well-known image of Jigong to the deep love with Mr. Bao's grandson in "Flowers", he has taken every step of the way very solidly and calmly, and every step reflects his adherence to dramatic art.
Watching him tremble and pick up the microphone to tell his life, I always feel shocked from the inside out after watching "Jigong", in this era when traffic is king and disrespect is prevalent, such a persistence makes many traffic stars ashamed of themselves, and how many viewers are in tears.
Today, when I can't see the future of Chinese films, the love and persistence of the old artists for art have long been lost in the confusing flow, and the new generation of film industry is taking off, but the audience can't see much sincerity from the back waves.
In Hu Ge's body, we see his upbringing and humility, but this courtesy and respect for his predecessors is not universal in today's entertainment industry.
As an audience, we will be deeply moved when we see such a scene, but when is it that this humility and politeness towards our predecessors is also worthy of our repeated praise?
Maybe it was when Dongyu casually read the manuscript with a handcard in the face of his predecessor Ge You at the Golden Rooster Awards ceremony, or maybe it was when Yu Shuxin pouted and twisted his waist at the camera at the press conference despite the embarrassment of Teacher Fan Wei next to him.
With the arrogance and arrogance of more and more traffic artists, they have lost the most basic politeness of being a person.
And it is precisely under such an atmosphere that those humble and educated actors should be set as industry benchmarks, and the grandchildren of Mr. Bao and his uncle are YYDS!