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Cao Yunjin has been under Guo Degang's disciple since he was a child, and with his outstanding talent for cross talk, he has gradually risen to become one of Guo Degang's most cherished disciples. With the fame of Deyun Club, Cao Yunjin's acting career is also in full swing and has become the focus of attention.
At that time, he was exceptionally promoted by his master and took the lead, he was young and vigorous, he thought that success was nothing more than that, but he ignored the hard work behind it.
In the development process of Deyun Club, Guo Degang has experienced countless hardships. In order to ensure the livelihood of his disciples, he once retreated for 48 hours in a glass window for the world to see.
However, the bitter past of these masters seemed insignificant in Cao Yunjin's eyes. Until Deyun Club finally ushered in the dawn, and successively received warm invitations from various David TV and the Spring Festival Gala, Cao Yunjin, who was always enthusiastic, finally waited for a precious opportunity to independently contract the stage.
However, it was this once-in-a-lifetime opportunity that completely stimulated Cao Yunjin's deep ambition. He begins to resentful of the people behind the scenes who have pushed him to the altar.
After that, he trumpeted a cult of personality and strictly demanded that all his disciples must obey him absolutely, or else he would be severely punished.
In the end, the contradiction between Cao Yunjin and his mentor Guo Degang intensified to the top. Once, Cao Yunjin was furious at Master's birthday banquet, causing an uproar.
Although the audience at the time mistakenly thought that this was just the effect of the show, Guo Degang never said anything heavy to his disciple, but silently wiped away the tears from the corners of his eyes.
In the end, Cao Yunjin resolutely decided to leave Deyun Club and take away a group of disciples, including Ma Shuang and Li Chunyi. This move not only caused a sensation in the industry, but also made people sigh. For example, Li Chunyi changed his name to Jet Li, while Ma Shuang directly changed his name to Ma Lianliang.
In the cross talk world that respects seniority and rules, this kind of behavior is undoubtedly a great disrespect to the teacher, and can even be regarded as bullying the teacher and destroying the ancestors.
After leaving the hustle and bustle of Deyun Club, Cao Yunjin resolutely decided to create his own team and named it "Tingyunxuan". Behind this name is a deep metaphor for Master Guo Degang.
Ma Lianliang is a famous Peking Opera artist in the mainland, and his seniority far surpasses Guo Degang's in the cross talk world where respect and humility are emphasized and orderly, and the rules are strict.
In the face of all kinds of doubts and accusations, Cao Yunjin did not restrain himself, but tried to regain the public's attention through various means. First of all, he covered Daolang's classic song "Rakshasa Sea City" in a recent live broadcast.
This song has sparked a wide range of heated discussions in society, and even in the entire music industry, few people dare to challenge its authority, and Cao Yunjin chose this song as his comeback when he just made a comeback, which is really remarkable.
Thankfully, Cao Yunjin skillfully rendition the pop song in a unique way of cross talk, even if it seems to have a hint of hype. Many Internet fans left messages in the comment area and sighed, they never expected that the person who was bullied was actually Cao Yunjin.
Looking back at the days when he resolutely withdrew from Deyun Club, the gossip flying in the sky on the Internet shot at him like arrows, accusing him of ruthlessness and unrighteousness. Whether it is in the colorful and lively entertainment industry, or in the cross talk circle full of wisdom, he was once isolated and helpless, his reputation is notorious, and his image cannot be restored to the same as before.
However, at this critical juncture, he composed this touching song for himself, which managed to attract countless fans, showed unwavering determination, and clarified the path forward in the future.
To put it simply, Cao Yunjin is clearly trying to create a new self-image by founding the "Tingyunxuan" group and making a series of sensational moves in the industry, while also challenging his master, Guo Degang.
He seems to hope that through these actions, the world will re-examine him and understand that he is the victim of oppression, however, there is a lot of controversy and doubts about his various actions, and it is still unknown where this grievance between master and apprentice will go.
After setting up the "Tingyunxuan" team, Cao Yunjin once again used a clever plan and announced that he would launch a national tour, but the ticket price was staggeringly low. In the past few years, the commercial performances of cross talk have been mainly divided into two camps: Deyun Club and "Non-Deyun Club".
Ticket prices for the former tend to be high to thousands of yuan, while the latter fluctuates around 500 yuan, however, Cao Yunjin's tour tickets are only 300 yuan at most.
However, before the audience fully understands all this, there are already those who have seen the tour to give the answer. They said that Cao Yunjin's cross talk skills are indeed exquisite, but his performance style is still stagnant, although he can attract everyone's attention, he lacks innovative spirit, and even sees the shadow of his mentor in some aspects.
It seems that Cao Yunjin has not been able to deeply understand the true meaning of "good quality and low price" - only high-quality products can win the favor of the market. However, this move will undoubtedly raise some people's doubts about Deyun's pricing strategy.
At this moment, Cao Yunjin once again took a shocking action. He began to present wonderful cross talk performances to the audience for free on the live broadcast platform. This bold attempt is undoubtedly a subversive challenge to the rules of the cross talk industry.
The main source of income for cross talk actors usually depends on paid performances, and if everyone follows Cao Yunjin's example, the ecological balance of the entire industry will be seriously impacted.
Mr. Guo Degang was obviously quite unhappy about this matter. He publicly stated that if Cao Yunjin decided to provide free performances on the live streaming platform, he also had the right to ask the platform to limit the amount of access to Cao Yunjin's network.
This firm stance undoubtedly demonstrates his unswerving determination to maintain the order of the industry.
Cao Yunjin's series of actions undoubtedly caused an uproar in the industry and even the outside world. On the one hand, he toured the country at a very low price, which triggered a deep reflection on the public's pricing strategy of Deyun Club, and made more people re-examine the true value of cross talk art.
However, on the other hand, his free performances on the live broadcast platform have raised questions about the rules of the cross talk industry. Whether Cao Yunjin hopes to change the pattern of the entire cross talk world, or just out of personal interests, this issue needs to be further observed and analyzed.
On the whole, Cao Yunjin's new measures undoubtedly brought a strong shock wave to the cross talk industry. He seems to be using various means to try to challenge the authority of Master Guo Degang and the entire Deyun Society system.
This not only aroused the audience's thoughtful consideration of cross talk pricing, but also caused a lot of controversy in the industry. In the face of Cao Yunjin's various behaviors, Guo Degang also gave a resolute response, which shows that the contradictions between the two have not been properly resolved.
This confrontation between the master and apprentice in the field of public opinion has undoubtedly attracted widespread attention inside and outside the industry. Some have criticized Mr. Cao's actions as a blatant provocation to the rules of the industry, while others have argued that Mr. Guo Degang's attitude is too tough and fails to fully appreciate Mr. Cao's predicament.
The root cause of this grievance entanglement is difficult to completely trace, and the key lies in whether the two can abandon their old suspicions, rebuild the old friendship, and restore the friendship between master and apprentice.
After all, the inheritance of the art of cross talk cannot be completed by oneself, but also requires mutual trust and support between master and apprentice. If the two can understand each other and jointly defend the dignity of this industry, the cross talk industry will usher in a new dawn.
Regardless of the outcome, we sincerely hope that these two masters will work together to write a new chapter in their artistic careers.
In view of the grievances and disputes between Cao Yunjin and Guo Degang's master and apprentice, it is really difficult for outsiders to understand the deep reasons. This rivalry, which began with the breakdown of the friendship between master and apprentice, has gone through ups and downs and twists and turns, making it impossible to determine who is right and who is wrong.
At first glance, Cao Yunjin always seems to be at the bottom of the controversy. Since he resolutely left Deyun Club, Internet public opinion has almost overwhelmingly criticized him for betraying kindness, causing his image to suffer an unprecedented heavy blow.
Perhaps, at some moments, Cao Yunjin will indeed feel remorse and guilt for his actions. After all, the cultivation and guidance given by Guo Degang in his growth path cannot be repaid through simple revenge.
As an audience member said: "Although Cao Yunjin's cross talk skills are excellent, he still can't get rid of the shadow of his teacher." This may also imply that he has never been able to break free from the shackles of his master's teachings and influence.
The ancients once warned us: "It is not too late for a gentleman to take revenge in ten years!" As for the dispute between Cao Yunjin and Guo Degang, who is right and who is wrong? It is really difficult to reach a conclusion. However, we sincerely hope that the two people who are important in the cross talk industry can resolve their grievances and work together to inject fresh vitality and vitality into this palace of art.
Think about it, how can the inheritance and development of the art of cross talk be without the concerted efforts of many masters and apprentices? Only when they understand and trust each other and jointly defend the dignity of this industry, can the future of the cross talk cause be more brilliant.
We are convinced that as long as the two can abandon their preconceptions and rekindle the relationship between master and apprentice, the future of cross talk art will be more dazzling.