In ancient times, many literati and writers were born in a family of poetry, calligraphy and etiquette, they were diligent and studious, and they were versatile, but because they did not like to be constrained, they were often hindered in their careers and it was difficult to realize their ambitions.
In addition to being disappointed, the talented people had to reposition themselves and choose a more difficult path in life, but they achieved extraordinary achievements. The experience of a literati in the Qing Dynasty was very tortuous, and his deeds were even more legendary. The following introduces Wu Jingzi's two poems and five rhythms, which are allegorical in the scene, superb in technique, and even more lingering at the end.
Chunxing (Part 1)
Qinhuai March water, green grass back to Ting.
Outside the building, the warbler shuttles, and the fishing list stops in front of the window.
The smoke was full everywhere, and the wine never woke up.
I know what the flowers are, and the chaimen is in full swing.
Wu Jingzi, a native of Quanjiao, Anhui Province, is a household name in his famous book "The History of Confucianism". His father served as the governor of Ganyu County during the Kangxi reign, and Wu Jingzi lived there with his father since he was a child. Ganyu County is located in Lianyungang, the poet can not only face the sea, but also look back at Qilu, often full of passion to express his feelings.
After Wu Jingzi's father died, due to the middle of the family, he failed to get the Jinshi examination, and his life seemed to be stretched. In order to make a living and for his future, the poet had to come to Jinling to join relatives and friends, and this poem was written during this period.
By the Qinhuai River, beside the willow trees, the spring water is rippling, the grass is green, there are thousands of purple flowers, carved beams and painted buildings, the spring scene is so gorgeous, it makes people feel comfortable, all kinds of troubles and sorrows, can be forgotten in a moment.
The next two sentences depict a close-up scene, with the yellow warbler showing off her singing skills on the branches, as if she was also calling on the sleeping people to hurry out and go out. The fisherman on the water seems to be attracted by the gorgeous spring scenery on the shore, but forgets that the oars have stopped. This couplet uses a combination of movement and stillness to present a charming picture of spring, which is intoxicating.
The neck couplet is neat, and the sentence describes that the smoke and rain on the Qinhuai River at noon are hazy, like a dream, making people feel as if they have come to a fairyland. The couplet is that the hangover has not yet dissipated, and the poet is half drunk and half awake, and he is not in the mood to go out to enjoy the scenery. These two sentences take a sudden turn, euphemistically conveying the poet's melancholy mood, and also paving the way for the lyricism that follows.
At the end, the poet depicts the misery of the poet's wandering career, the poet says that the chaimen is often closed, and he is too lazy to hide at home, and he does not know what happens to the flowers in spring. The full text is vividly described, allegorical in the scene, and conveys the poet's lingering sorrow.
Chunxing (Part 2)
Miscalculation of the country, essay music friends.
In order to be upright, talk about wood from the rope.
The breeze gathers, and the moon is clear.
Looking back on my youth, wandering is too unfounded.
Wu Jingzi was born in a family of imperial examinations, many of his ancestors were Jinshi, and the Wu family was also a famous family in Quanjiao, and the poet was proud of it on the one hand, but felt guilty on the other hand. When Wu Jingzi was 33 years old, his family property was exhausted, and he didn't want to be regarded as a loser by his fellow villagers, so he moved to Jinling and struggled to survive. This poem is first promoted and then suppressed, expressing the author's difficult sorrow.
The poet could not continue to make a living in Quanjiao, so he had to leave his relatives and friends and leave his homeland. After coming to Jinling, although he was running around and busy with his livelihood, he still kept writing, and would write some poems and essays in his spare time every day, and share them with friends, so that everyone could communicate and have fun together.
Jaw coupling with allusions, "Peng Zizhi" comes from "Xunzi", Peng grass grows in hemp, not self-straight. "Wood from the rope" is quoted from the "Book of Shang", and if the wood is sawn according to the ink line, it can appear straight. The poet uses this to show that he is fortunate to have met some honest and kind friends, and is willing to accept everyone's suggestions and criticism.
The neck couplet depicts the gathering of friends together, "waving the breeze and gathering together, opening the bottle and the moon." "The breeze is gentle, the moonlight is bright, and it coincides with the beautiful scenery of a good day, everyone gathers to drink, chat, feel comfortable, and enjoy themselves. The celebrities of the Jin Dynasty often waved their tails when talking, showing a dashing demeanor, and the poet used this to express the celebratory atmosphere of the banquet.
The last two sentences linger to express the author's emotion, and the poet looks back on the past and thinks that he wandered around when he was young and had nowhere to live, which is really sad. Although his life has improved and his friends have gradually increased, he still does not have a sense of steadiness, and he is always looking for his own paradise.
Maybe life is like this, when you are young, you want to go out, and when you are older, you miss your homeland, but you never have the opportunity to return it, which is really tangled.