In history, what is the story of Xue Weiyi?

Teacher Xue Weiyi, a flower-faced performance artist, a flower-faced master, and a famous Jin opera.

The highest state of art may be the unity of human drama, just like the flower-faced performance artist Xue Weiyi we are approaching today, he is the iron arhat Dou Erdun who eliminates violence and peace, and the black whirlwind Li Kui who dares to be bold and bold to treat others, Xue Weiyi in the audience dares to speak out, is upright and kind, loves and hates clearly, and respects masters.

I came to Taiyuan at the age of 8, followed my father to Taiyuan, lived in the South School No. 1, there is a singing opera in this courtyard, she is the original provincial second troupe, that is, Wang Yinzhu's troupe, she is a running girl, we have a good relationship, she will lead herself to watch the play, every day to lead herself to watch, at that time the play was "The Story of the West Chamber", "Double Butterfly" These literary dramas, this theater is quiet, and later "The Story of the West Chamber" has a monk is a flower face, is Wang Yinzhu played, It is a famous flower face, he sang a total of four sentences, sang four sentences and the house was full of color, a theater exploded the nest, and he liked it so much, so after he returned home, he found a leather shoe, leather shoes did not have a heel, he cut the heel off, cut it into a crescent moon, and used the wire as a hoop, and put it on his head for a gesture, and then Ji Lan said, do you want to learn drama, I said I watched Wang Yinzhu act, Wang Yinzhu's stage name is "two hundred and five", Hello people, then you go to Wang Yinzhu, you will go to find someone, in the morning people are still asleep, they knock on the door, knock on the door and say, what are you doing, child, I said Master Wang, I want to learn drama with you, he looked at his tiger brain, okay, ask your adult to come, he went back to tell Ji Lan, said that people let find the adults in the family. Ji Lan told her mother, her mother disagreed, and her mother didn't want to sing opera, but Ji Lan said, Ergouzi, her nickname is Ergouzi, and she has already told others, and her mother said, you can tell Ergouzi, just say that people want a load of wheat, and when they hear a load of wheat, they are frightened, and they don't do it.

Later, in 1954, Ding Guoxian held a training class, I signed up for my own name, in the Peace Theater, in the Peace Theater, on the third floor, people tested themselves, who they tested, Ding Guoxian's master, when he saw himself, he said, what are you doing, I said I want to learn opera, can you sing, I said I can't sing, he said that you can't sing, he said that he can sing. You sing a sentence, you will sing Dongfanghong, come on, okay, approved, just like that, you will be admitted. Later, people said that they would get 30 yuan for living expenses and training for three months, and three months were at their own expense, so their father agreed to go by themselves, so they went, and after taking 30 yuan, they went to Dapu Mansion, went there to report and learned opera, and their enlightened teacher after learning drama should be Ding Guoxian's master Sun Zhulin. Ding Guoxian's master Sun Zhulin's stage name is "Taiping Hong", Yuci Shi Tiren, when he was young, his voice was mellow and very popular, he was proficient in Shengdan and ugly, and understood the front and back of the stage of opera, Sun Zhulin devoted himself to the teaching of opera in the second half of his life, and cultivated a large number of excellent opera actors, Xue Weiyi is one of the best.

Sun Zhulin is good, he taught himself to have a face, the first paragraph of the singing is, according to the "lion black" singing method, this "hitting the golden branch", scolded a little Guo Xuan, damn it, this Sun Zhulin is to cultivate his own big flower face, not to let himself turn over, and later in 1955, he gave himself this "Lobby See Huanggu", "Lobby See Huanggu" is taught according to Wang Yinzhu's singing method, so "Lion Black", Wang Yinzhu's own have learned, this is his own teacher, That level is high, his literary and martial arts are good, and at that time, the "Fighting Melon Garden" in our regiment was all lined up by him, and the old man was good. At that time, we had a director named Shen Yi, who was originally from the province, and later came to our Taiyuan, and had a good relationship with himself, his hometown was in Beijing, and his father was one of the three major martial artists of Peking Opera, Yang Xiaolou, Shang Heyu, his name was Shen Sanyu, he inspired himself a lot, for example, he lined up this "Zhiji Zhang Yi", he played the poor man, the poor life, so what is like what he acts, in addition, what he plays is like what, this is recognized by them, and there is a teacher, this is Ding Guoxian, why? Ding Guoxian watched us play this "Killing Palace" at that time, and she played the white face by herself, she said that this child was okay, she thought about something, let herself accompany her to play "Catch and Release Cao", and she went to her house, she said Wei Yi, what was it like when Cao Cao killed someone, and said I don't know, you watch, just compare The play came, when she took a feather duster, she thought she was going to beat herself, and then there was a cat on the kang, she snapped, beat the cat, and the cat was beaten. It's like a tiger, so I've been enlightened from there, this enlightenment is more powerful than any enlightenment, it's what to act like, this is my starting point, and I should be grateful to myself for this Master Ding. Another teacher is Wang Luchun, who is a student of Shang Xiaoyun's class, teaching us to perform, this is a, this is 1954, 1955, this is a three-month report, that is, the reflection is very good, and then He Long came to Shanxi to inspect, and he also reported to others, and he also sang this paragraph, He Long patted his head and said, this little bald head is good.

I have a rebellious spirit, and later in 1959 and 1959, I was the five members of this Pu opera, Yan Fengchun, Zhang Qingkui, Wang Xiulan, Yang Hushan, and Xiaoyue came to Taiyuan to perform, and after reporting the performance in Beijing, we reported the performance in Taiyuan. There was no script, and there was no teacher, so I finally watched the play, watched it for a week, remembered it for a while, and finally took down the play, and after taking it down, it became the repertoire of the experimental troupe. Later, Wang Zhengkui of Datong came to us and watched his own play, you are good, it is good not to wear a beard, it is good to have a bare mouth fork, this is your own, you think it is a good place to accept, you think it is not good, you have to change, it is to inherit this traditional thing, but you should also rebel when you should be rebellious, you such as yourself later sang "Empty City Strategy", you sang Sima Yi, yourself and this little fruit Ma Qiuxian played, the little fruit we Shanxi Bangzi is an old red face, wearing a yellow python, Dai Pheasant Ling, he is according to the white face of Peking Opera, white face wearing white python, not wearing Lingzi, at that time some old artists gave themselves opinions, you are not Shanxi Bangzi, you said that you have not seen "Romance of the Three Kingdoms", I said that Sima Yi in "Romance of the Three Kingdoms" is the most powerful, the Three Kingdoms returned to Jin, returned to the Sima family, I said that he is not the king of the mountain, so he does not wear Lingzi, wears a python, he says that he is not the emperor, what kind of yellow python he wears, so he says that he is willing to have his own views on some things. Xue Weiyi bluntly said that he has a rebellious character and spirit, he does not stick to ancient laws and dares to insist on his own opinions, and this insistence comes from his cultural accumulation.

Reading is the fourth grade, often read some amateur books, read a lot, so it is very helpful for my own thinking, I watched "Romance of the Three Kingdoms", this Sima Yi is very powerful, Sima Yi finally killed Zhuge Liang, and then the leader of the group said, the old artist has given you advice, you should change it, I said I don't change, I think mine is right, so I don't change, as long as I act in this play, It's a white face, and it's also a white face when I'm rehearsing outside, this is makeup, it's daring to be rebellious, and I want to inherit good things, which is what I call upright and innovative, and I want to keep it upright, but I want to innovate, and I can't stick to the old ways, this is my own point of view. In addition, let's not say "four skills and five laws", we say no, "four skills" are right, these "five laws" are not right, "five laws" are not hand-eye-body steps, hand-eye-body these are three parts, which part of the law is, it is just a method, I say that it should be the hand-eye-body step, isn't this the "five laws", why is it on the head, the work on the head is very important, throwing hair, hat wings, pheasant feathers, this is not all the work on the head, the three-flower face to the top light, the top light, the flower face, to practice the toad gong, is the "book of soldiers" , playing a toad, this is my own rebellious spirit, I say that if it is suitable, we will inherit it, and if it is not suitable, I will never inherit it.

Now people say that it is "a thousand catties of Daobai singing in four or two", but no one pays attention to Daobai, for example, you have a singing voice design, martial arts has a martial arts design, and music has a music design, but there is no Daobai design, who will take care of Daobai, so the current Daobai is a big problem, so this Daobai is a problem that needs to be solved urgently, then I thought, how will we study this problem in the future, sit down and study, this is a big problem, my own Daobai, I am like this, Daobai himself is the meaning of Peking Opera, The words of the drama and the sound of Taiyuan are the characteristics of their own confession. The meaning of Peking Opera, we learn a lot of things from Peking Opera, so I learned a lot of Peking Opera, the words of the drama, the rhyme of Taiyuan (sound), because of this white, my own white can be said to be, now I think it is, it is not an exaggeration to say, unique, because what, the Taoist of our group is not as good as me, because I have ideas, there are actions, I have learned a three-flower face of Taoism, and I am very good at myself, because it is a fast mouth, you can compare yourself with an example, Sanhua face, a chicken A cup of wine, take a walk, Twist and take a bite, a handful of willows, hug a hug; two chickens, two glasses of wine, walk twice, twist twice, eat two bites, two handfuls of willows, hug two bites, three chickens, three cups of wine, walk three walks, twist three twists, eat three bites, three willows, hug three hugs, one to say ten like this, to ten, this lip to lip work has merit, so when it comes to the face of the face, it is slower than this, is it slow, not this fast, but after you have kung fu on your mouth, you can control it, "Xue Gang Anti-Dynasty" is all Daobai, that " "Road Encounter" is all confessions. So how many years have I been, this play has played a decisive factor in my achievements.

Later, after we rehearsed this "Three Passes and Points", we performed it in Beijing, and the response in Beijing was very good, and then we went to all parts of the country and Tianjin to perform, and met Li Huiliang in Tianjin. After filming the movie, performing in Tianjin, Li Huiliang watched our play, watched our play every day, and watched his own "Xue Gang Against the Dynasty", he said, this little ghost is good. We took that every day, and at that time we took a sedan car, and the sedan car picked him up, and we picked him up every day to watch the play, and then sent him back after watching the play. At that time, the North China Theater was a small theater, so I told myself, this boss Li never came to our heart, since you came every day, and the response to you was very good, I met Li Huiliang. After meeting Li Huiliang, we have a very good relationship, and we took pictures with ourselves, and when we take pictures, we have to spend money, how can we let you spend money, no, you can't let you spend money, and finally people will spend money, and the two of us will take pictures, which is the most precious photo.