About the Artist
Zhao Huanzhi, the word Yajun, the number is clean mountain house, and he is from Datong, Shanxi. He is a member of the Chinese Artists Association, a member of the Chinese Women Painters Association, a member of the China Gongbi Painting Association, a member of the China Hard Pen Calligraphers Association, a national first-class artist, and a director of the China Coal Mine Artists Association. Distinguished Academician of Chinese Artists Painting Academy, Distinguished Painter of Chinese Teachers Painting and Calligraphy Academy, Distinguished Painter of Beijing Hanyi Kyushu Painting and Calligraphy Academy, Calligraphy and Painting Art Instructor of National Celebrity Art Circle, Director of Datong Poetry, Calligraphy, Painting and Printing Research Association, Director of China Ink Painting and Calligraphy Academy, and Full-time Painter of Li Tiesheng Studio. He graduated from the creation class of the Central Academy of Fine Arts, and the graduate class of theoretical research and calligraphy and painting creation of the Academy of Arts and Design of Tsinghua University. Mainly engaged in landscapes, he studied under Mr. Li Tiesheng, Chen Ping, Cui Xiaodong, He Jialin, and Qiu Tingzhu.
Exhibition/Award/Presentation
In 2013, his work "Four Screens of Landscape and Clear Sound" won the third prize in the large-scale calligraphy and painting exhibition to commemorate the 70th anniversary of the victory of the Chinese People's War of Resistance Against Japanese Aggression
In 2014, his work "Seclusion" won the third prize in the National Calligraphy and Painting Exhibition celebrating the 60th anniversary of the "Jinjing Emblem".
In 2016, his work "Mountains and Rivers" won the first prize in the second "Huishi Cup" National Calligraphy and Painting Competition
In 2017, his work "Empty Cui Wet Clothes" was selected for the "Shangyi" 2017 National Chinese Painting (Freehand) Exhibition sponsored by the Chinese Artists Association
In 2017, his work "Huixiang and the Earth" was selected for the "Jingshang Danqing" National Chinese Painting Exhibition sponsored by the Chinese Artists Association
In 2017, his work "Thick Earth" was selected for the "Chinese Dream 2017 Art Grassland" National Chinese Painting and Oil Painting Exhibition sponsored by the Chinese Artists Association
In 2017, his work "Scenic Scene" was selected for the "Hanmo Qingzhou" 2017 National Chinese Painting Exhibition sponsored by the Chinese Artists Association
In 2017, his work "In That Distant Mountain Village" was selected for the "Rural Ink Rhyme" National Chinese Painting Exhibition sponsored by the Chinese Artists Association
In 2017, his work "Pouring Color Ink into the Jungle" was selected for the "Magnificent Inner Mongolia Bright Landscape" - the 10th Chinese Painting and Oil Painting Exhibition of Western China
In 2017, his work "Autumn Rhyme" was selected for the "Freehand China, Beautiful Liaoning" - the 2nd Chinese Painting and Ink Painting Exhibition sponsored by the Chinese Artists Association
In 2017, his work "Dream of Returning Home" was selected for the 3rd Loudong (Taicang) National Landscape Painting Biennale sponsored by the Chinese Artists Association
In 2016, his work "Drunken Flowers with Love in the Depths" was selected for the 2nd National Chinese Painting (Flower and Bird Painting) Exhibition sponsored by the Chinese Artists Association
In 2016, his work "Autumn Flame of Autumn" was shortlisted for the 3rd "Eight Desolations and Spirits" sponsored by the Chinese Artists Association - Harbin Art Biennale (Chinese Painting)
In 2018, his works were shortlisted for the "Ecological Longyan, Red Fujian" Chinese Painting Exhibition
In 2019, his work "New Era" was selected for the 13th Shanxi Art Exhibition
In 2012, Li Tiesheng's Landscape Studio of Tsinghua Academy of Fine Arts published a collection of sketches "Visiting Mountains and Asking Waters"
Create a natural environment and write the charm of mountains and rivers
Zhao Huanzhi's landscape works contain profound cultural heritage, carrying the traditional charm of Chinese ink painting and the artistic pursuit of modern aesthetic innovation, which is not only the reproduction of landscapes, but also a kind of emotional and philosophical precipitation, a kind of reflection of the delicate blend of soul and nature, and conveys a harmonious and tranquil attitude towards life.
《空翠湿人衣》237X175cm
Zhao Huanzhi pursues the beauty of transcendent artistic conception, leading the viewer into a poetic natural space. Just as her title "Pure Mountain House" gives the impression of people, her works often present an artistic conception of elegance and tranquility away from the hustle and bustle, and this choice of theme coincides with the spiritual realm she pursues.
《层林尽染》242X194cm
The work "Dyed in the Forest" shows the harmonious and beautiful mountains and rivers, and the yellow renders the artistic conception of autumn colors that are both virtual and real, quiet and deep. The painter uses rich layers of ink and color to create colorful natural scenes. The houses in the village are scattered and simple, the trees are lush and green, and the colors of the forest show the magic and charm of nature.
《水墨新像》213X157cm
In terms of brush and ink techniques, Zhao Huanzhi's brushstrokes are both delicate and beautiful, but also rough and powerful, and the use of ink color is changeable and layered, which can not only depict subtleties, but also grasp the overall momentum. In the ink rendering, it is a combination of shades and virtual reality, which cleverly creates the vivid charm of the landscape and the profoundness of the space.
"Harmony Holy Land", 230X179cm
Zhao Huanzhi's landscape works are the carrier of dialogue between the soul and nature, through the magnificence of the mountains and rivers, the rhythm of the water, every stroke and ink seems to convey her perception of life and nature. It is this kind of in-depth exploration that makes her works have a strong appeal, which evokes deep admiration and resonance in people's hearts.
Painting appreciation
"The scenery is good here", 241X193cm
《雨过溪山冷含情》207X190cm
Awakening, 188X86cm