#最是一年春好处, you are to the next link ##春日生活打卡季 ##春到人间人似玉, you are to the next link ##上联: The Dream of the Red Mansion through the ages, sincerely invite the next link?##闲聊红楼梦#
There are many poems, riddles, and allusions in Dream of the Red Chamber, which the author is accustomed to using to hint at the fate of the characters in the book.
On Jia Baoyu's birthday, several girls from up and down the Grand View Garden gathered in Yihong Courtyard to celebrate Baoyu's birthday, drinking for fun, drawing fists, and later taking out a bamboo carved lottery holder to draw flower lots. This seems to be just a small game for fun, but in fact, it was given a deep meaning by Cao Gong.
The lotterys drawn by each person, like the verdict, are almost all the foreshadowing of their fate.
1. Baochai: Peony "The Crown of Flowers" "Ren is ruthless and moving"
The first draw is Baochai, on the lot she draws, there is a peony drawn, with the words "Yan Guan Qunfang" on it, and a Tang poem at the bottom is "Ren is ruthless and moving", from Luo Yin's "Peony Flower": "It seems that the east wind has no other reason, and the high volume of Jiangluo is not better than spring." If the teaching and interpretation should be tilted into the country, Ren is ruthless and moving. ”
After everyone saw it, they said, it is a coincidence, you also have peony flowers. We know that the peony flower is also called the rich flower, the color is gorgeous, the flower is big and fragrant, it has the reputation of the king of flowers, and it is called the national color and natural fragrance. Looking at Baochai again, Baoyu once said that she was plump and timid, similar to Concubine Yang. Cao Gong also described Baochai, with smooth muscles and bones, elegant manners, good character, and beautiful appearance.
Why do you say that Baochai is "ruthless and moving"?
The ruthlessness of Baochai's character and her enthusiasm are opposite, but they are also unified.
Baochai's enthusiasm and ability to take care of people are obvious to all: she took the initiative to give advice to Xiangyun and provided her with crabs to return to the table, which solved Xiangyun's shy worries; she saw that Xiuyan was working as a cotton coat in the cold winter, so she proposed to redeem the cotton clothes first, so as to prevent Xiuyan from being cold and cold; Daiyu was not in good health, and Baochai took the initiative to share her worries and send her bird's nest to nourish; the attacker asked Xiangyun to help her do needlework, Baochai thought that Xiangyun had too much work in his hands, so he offered to help the attacker share the needlework...... In her own words, "I'm just worried that everyone will miss the wait", it seems that in her heart, she always pays attention to the needs of others, always wants to help people solve problems, and quietly gains a good reputation from everyone. This is the enthusiasm and thoughtfulness of Baochai's character.
Baochai's joy and anger are never visible, and he is a very calm and calm attitude towards everything. Don't panic when things happen, don't panic when things change, and be able to quietly handle interpersonal relationships and family affairs. She seems to be very kind to everyone around her, but she doesn't take her heart and lungs out easily.
And Baochai's ruthlessness is a kind of reason, but also a kind of ruthlessness. This kind of ruthlessness sometimes makes Baochai able to reject people thousands of miles away, and sometimes makes people feel strange and frightened by Baochai - such a young girl can be more rational and sober than adults, and it is difficult to imagine how deep she is.
In the thirty-second episode, Jin Chuan was angrily reprimanded by Mrs. Wang and jumped into the well to commit suicide, Mrs. Wang felt guilty and sat in the room crying, although Baochai said that it was to comfort Mrs. Wang, but the words he said were extremely cold:
"My aunt is a philanthropist, of course. As far as I can see, he didn't throw himself into the well in a rage, but most likely he went down to live, or he was stubborn in front of the well, and he lost his foot and fell. He is used to being restrained on the top, and when he goes out, he naturally has to go around stubbornly. How can there be such an atmospheric reason? Even if there is such an atmosphere, it is just a foolish person, and it is not a pity. ”
Jin Chuan obviously slapped Mrs. Wang, was scolded, and felt wronged before committing suicide, Mrs. Wang also knew that she was at a loss, and she was worried about how to get rid of the reputation of the scholarly family who abused people.
The dead Jin Chuan, in Baochai's eyes, is just a "confused person", and "it's not a pity". I don't know how the words spoken by Miss Bao, who has won a good reputation and impression up and down the Jia Mansion, will be heard by Jin Chuan's mother and sister Yu Chuan, and will they still like this Bao girl as much as before?
Baochai's words may be just to comfort Mrs. Wang, so he will say Jin Chuan's death so lightly and it is a pity.
Mrs. Wang said: "Just now I rewarded his mother with fifty taels of silver, and I was going to bring two sets of new clothes from my sisters to him to wrap them up. Who knew that Feng Yatou said that there were no new clothes to make, only two sets of your sister Lin for her birthday. I think your sister Lin's child Su Ri is a heart-to-heart, and besides, he is also in three calamities, not only said that he would celebrate his birthday, but also wrapped people in makeup, isn't it taboo. Because of this, I will now ask the tailor to give him two sets. If it's another girl, it's over rewarding him with a few taels of silver, but although Jin Chu'er is a girl, she is almost the same as my daughter in front of me. As he spoke, he burst into tears.
Baochai hurriedly said: "Auntie, what's the use of asking the tailor to rush here, I made two sets before, wouldn't it be easy to bring them to him." Besides, he wore my old clothes when he was alive, and he was relatively tall. Mrs. Wang said: "Even so, aren't you taboo?" Baochai smiled: "Auntie, don't worry, I never care about this." As he spoke, he got up and left.
Regarding Mrs. Wang's suggestion that there were no new clothes to wrap, Baochai immediately expressed her willingness to give her new clothes to Jin Chuan, and she was not taboo at all, and by the way, she also stepped on Daiyu - Daiyu is taboo, but I never care about these.
2. Jia Tanchun - Apricot Blossom "Yaochi Immortal" "Sunside Red Apricot Leaning on the Cloud"
This was followed by spring exploration. The flower sticks drawn in the spring are apricot blossoms, and the poem is "the red apricot on the sun side is planted by the clouds", which comes from Gao Toad's poem: the green peach and dew seed in the sky, and the red apricot on the sun side is planted by the clouds. Hibiscus was born on the Autumn River and did not complain to the east wind.
The poem reveals a kind of self-confidence and heroism, and the end of the poem "do not complain to the east wind" hints at the poet's feelings about the untimely birth. There seems to be a bit of contradiction before and after the whole poem, and this contradiction is actually a true display of Tanchun's personality and heart. Although Tanchun is a low-status woman in the boudoir, she has a rare self-confidence, heroism, heartiness, and atmosphere in her character.
Just like her deafening cry: "If I am a man, I can go out, I will leave early, and set up a career, and I will have my own reason at that time; ”
Whether it is opening a poetry club, or managing a family, or dealing with the mother-in-law who copied and inspected the Grand View Garden, Tanchun has a kind of feminine spirit, she dares to try, is not afraid of risk, is not informal, and is not afraid of failure, if it is put now, she should be a good doer.
The remark next to the flower sign reads: "Those who get this sign will get your son-in-law, everyone congratulates you and drinks a cup together." ”
Tanchun saw this, as a boudoir lady, she was naturally shy, she threw it to the ground as soon as she saw it, and everyone coaxed and said, Our family already has a princess, are you also a princess. These words hint at Tanchun's marriage, and according to the verdict, it can be seen that she eventually married away from home. And what can make Tanchun marry away with tears must be related to the court and relatives. In the flower stick, Tanchun is compared to an apricot blossom, and her apricot blossom is a Yaochi immortal product planted by Evian, which means that she will be noble in the future, implying that she may become a princess in a distant state with her relatives in the future.
"Whoever gets this sign will get a noble son-in-law" seems to be an auspicious saying, but Tanchun doesn't want such a "noble son-in-law", she just hopes to achieve a career. She was forced to drink by the crowd.
3. Li Kun - Lao Mei "Frost and Cold" "Bamboo Fence Thatched House Self-willing"
The third draw was Li Kun, who drew "Bamboo Fence Cottage Self-willing", with an old plum painted on it, written "Frost Xiao Hanzi".
Plum blossoms are the first flowers that bloom in spring, and they are also lonely flowers that bloom alone in winter. Li Kun is the first person to encounter misfortune among the daughters of Daguanyuan, and as soon as she appeared, she was a young widow, like the ashes of a tree, living in Daoxiang Village, which was arranged like a farmhouse, isn't it a "bamboo fence hut"?
Everyone said that she kept etiquette and knew the rules, but who knew the pain of being a young widow? Once Baoyu was beaten, as soon as she heard Mrs. Wang crying Jia Zhu's name, she couldn't help but shed tears. I don't know if she is crying for her husband who died young, or crying for her young life like ashes.
Li Kun, the old plum, looks like she is dead, in fact, when the time is ripe, you will find that she has always survived, and even sent out a young shoot, this young shoot is Jia Lan, who made great achievements later.
"Not invaded by dust, the bamboo fence hut is willing. It was only because of the misunderstanding of Lin Hejing that the poet was provoked to talk about it to the present. "Li Kun should have had a glorious time after his home was raided in Jiafu. Judging from her judgment and songs, Jia Lan "wears a hairpin on her head with her head high, a golden seal on her bright chest, and a golden seal on her chest", and may be the only slightly accomplished descendant of Jiafu's descendants: "The peach and plum spring breeze is finished, and in the end who is like a pot of orchid." As a result, Li Kun has the capital of "I only eat a cup by myself, and I don't ask you whether you are wasted or revived". After she was glorified in Jialan, she was given the title of fate, with a beaded crown and a phoenix jacket, but the good times did not last long, "not worth the impermanence of life...... Miserable and miserable, Huangquan Road is near. The reason for her death may be that she and Jia Lan misunderstood the servant and suffered from jealousy: "Like ice and water, they are jealous of each other, and they joke with others in vain." ”
Fourth, Shi Xiangyun - Begonia "Fragrant Dreams" "I'm only afraid of falling asleep in the middle of the night"
Shi Xiangyun is a girl from Jia's mother's family, and she should be Jia's mother's aunt and granddaughter. She and Jia's mother have a common personality trait: optimistic by nature, love to talk and laugh, and love to play and make trouble.
Shi Xiangyun's lottery is a begonia flower stick, which is inscribed with the words "fragrant dreams are drunk", and the poem is: "I am only afraid of falling asleep in the middle of the night." Since Su Shi's "Begonia": the east wind curls up and is full of sublime, and the fragrant mist is empty and the sun is in the corridor. I was afraid that I would fall asleep in the middle of the night, so I burned a high candle to shine red makeup.
During the day, Xiangyun was drunk and slept with peony medicine, so Daiyu joked to her, the word "late at night" should be changed to "Shiliang". Xiangyun has no father and mother since she was a child, and lives with her uncle's family, but because of the fall of the Shi family, her life is not easy, and only when she comes to Jiafu can Xiangyun let go of herself, get drunk, and have a heavy incense dream.
When Su Shi wrote this poem, he had passed the age of not being confused, and he was demoted to Huangzhou, but Su Shi's optimistic and open-minded mood was not affected at all. The whole poem does not have a decadent and languid atmosphere, but reveals a bit of detachment and self-satisfaction. This is a true portrayal of Xiangyun's lifelong character.
The fate of Xiangyun is the same, "I am worthy of being talented and good-looking, and I have won a long time", "I will be scattered in the Tang Dynasty for a long time, and the water will dry up in the Xiangjiang River". I don't know who burned a high candle for her and made up red? Even if she burned a red candle, the good times would not last long.
Shi Xiangyun's marriage started well, she was talented and beautiful, and her husband and wife had a good time. It's a pity that he can't stay together for a long time, his husband passed away at a young age, and Xiangyun is as lonely as losing his parents when he was a child.
Fifth, the musk moon - Tu Hua "Shaohua Shengji" "Bloom to the Tu Hua Thing"
Then there is the flower stick drawn by Baoyu's maid Musk Yue, "It's time to bloom to the Tumi flower", on which is a Tulip flower, with the words "Shaohua Shengji" written on it. It is a flower that blooms after spring and is considered to be the end of the flowering season. Shaohua Shengji is good-looking, but as the so-called thing pole must be reversed, prosperity must decline, after Shaohua Shengji, what follows is the withering of a hundred flowers, and the fragrance of the group is scattered. It is also clear on this flower stick, drinking three cups at the banquet to send spring, and the tulip flowers of the musk moon are sending spring flowers.
"A bush of plum powder fades the makeup, and the new red begonia is smeared. It's time to bloom the flowers, and the thorns are out of the high wall. The annotation of Fat Yan Zhai revealed that the person who accompanied Baoyu to the end in the Grand View Garden was not an attacker, but a musk moon.
The twentieth fat criticism reads: "After the attacker got married, there was still one person left by Baoyu's side...... Therefore, after the attacker got married, he said: 'It's good to keep the musk moon'......"
The musk moon is the last remnant of the former grandeur of the Grand View Garden, and it also symbolizes the end of the spring day.
Sixth, Xiangling - and pedicle flower "Lianchun around Rui" and "Lianli branch flowers are blooming"
Xiangling's sign is very interesting, and drew the flower stick, which reads "Lianli branch flowers are blooming", Xiangling, who lives in the Grand View Garden, is experiencing the most comfortable and beautiful time in life. She played with her sisters in the morning, and happened to have an argument with them because of the "husband and wife" who were side by side. At first glance, this flower stick seems to be saying that her flower and Tilian bloom just right, which is a sign that Xiangling's husband and wife are harmonious, auspicious and beautiful, but as the concubine of the "dumb overlord", how can there be a possibility of a harmonious husband and wife and a smooth life?
"The flowers on the branches are blooming, and the jealous flowers are urging each other. I wish to teach the Qingdi to grow as the main one, and Mo Xun has ordered green moss. Xia Jingui's name has the summer and autumn of "promoting flowers", and she is the "wind and rain" of "jealous flowers". Because of jealousy, she destroyed the innocent and delicate Xiangling like a flower. Xiangling could only helplessly pray that the Qingdi, who symbolized spring, would stay and not let the flowers wither. But the change of seasons is as irresistible as fate, and spring will eventually give way to the fierce summer days.
Xiangling's "juxtaposition flower stick" is all foreshadowed in rhetoric Xiangling married a non-human to Xue Pan as a concubine, and was abused by the main mother Xia Jingui, and finally died unfortunately.
Seven, Lin Daiyu - Furong "Wind and Dew Clear Sorrow" "Don't complain about the east wind"
Then there is Daiyu's hibiscus flower stick, which reads "Don't complain about the east wind when you sigh yourself", and the inscription "Wind dew and sorrow".
(63rd) Xiangling then threw another six points, which should be Daiyu. Daiyu thought silently: "I don't know if there are any other good ones that are being held by me." While reaching out and taking one, I saw a hibiscus painted on it, inscribed with the words "wind dew and sorrow", and an old poem on that side, the Tao is: Don't complain about the east wind when you sigh. Zhu Yun: "Drink a cup of yourself, and drink a cup of peony." They laughed and said, "This is wonderful." No one else is worthy of being a Fleur but him. Daiyu also laughed to herself.
Hibiscus refers to the lotus flower, and some say it refers to a type of wood hibiscus. Daiyu's own poems have "the essence is clean and clean", presumably the hibiscus here is more appropriate to refer to the lotus flower that "comes out of the mud but is not stained, and the water is clear and ripples are not demonic".
Hibiscus symbolizes Lin Daiyu's beauty, purity and nobility. And "Wind Dew and Clear Sorrow" reflects her sensitive, melancholy and sentimental character. Daiyu came down to return the grace of the nectar of the previous life of the attendant of Shenying, the grace of irrigation, this wind and dew are sorrowful, which is not only to describe Hibiscus, but also to say herself.
The poem "Don't complain about the east wind when you sigh to yourself" comes from Ouyang Xiu's "Two Songs with Wang Jiefu and Ming Concubine" in the Song Dynasty, which is related to the story of Zhaojun's exit from the plug, hinting at the final ending of Lin Daiyu's thin life. The whole poem is too long, and only a part of it is posted here: "When Concubine Ming went, her tears were sprinkled on the branches." The wind rises at dusk, drifting to someone's house. A red face is better than a person's life, don't complain about the east wind. ”
Just after the "Qunfang Night Banquet", Daiyu's "Five Beauty Yin" is also "complaining about the east wind": "Stunning and amazing out of the Han Palace, the same ancient and modern life." "This is saying that he is as thin as Concubine Ming. "Even if the king lightens the color, he seizes power and paints?" Daiyu knew the origin of the poems on the flower stick, so she made another remark. Baochai also saw that she only chose this one out of the five poems, saying that she intended to be a new policeman. Daiyu doesn't feel self-pity and self-harm, she just wants to reprimand and hurt the woman's external environment.
"Funeral Flower Yin" and Ouyang Xiu's poem have many references. "When can the bright and fresh Yan be, once wandering and difficult to find" to take care of "the wind rises at dusk, who is drifting";" Leaning on the flower hoe alone and sprinkling tears, sprinkling the empty branches to see blood stains" to "take care of" the tears of the Ming Concubine when she went, and sprinkled the flowers on the branches. Daiyu's tears were bloody, staining the branches red.
What's wrong with flowers? What should be hated is the environment of "360 days a year, and the wind and frost and swords are strictly pressing." Daiyu's birthday is the February Twelve Flower Festival, the birthday of a hundred flowers. "Funeral Flower Yin" was written on the day of the god of flowers, "it is the source of the great view of the garden of the flowers, so it is used in the period of the collection of the flowers on the day of the flowers." In a word, Daiyu's funeral flowers are not for herself, but for the suffering and fate of all her daughters, the so-called "things hurt their kind". It is not Daiyu but Tanchun who is "wandering and hard to find", Daiyu is not Daiyu but Miaoyu who is "dirty and stuck in the mud ditch", and it is not Daiyu that "green lights shine on the wall" and "cold rain knocks on the window" but cherishes spring. Daiyu's tears died as soon as possible, not because she "groaned to herself", but because she "complained about the east wind".
The hibiscus flower sign is a metaphor for Lin Daiyu's marriage, but it has basically nothing to do with Jia Baoyu. Although Lin Daiyu was teased by Li Kun, "People can't help your son-in-law to be beaten instead, and I can't bear it." But the name of Concubine Xiaoxiang is still destined for Daiyu to marry the princess.
When Jia Tanchun proposed the Begonia Poetry Society, because of the large number of bamboos in the Xiaoxiang Pavilion, he gave Lin Daiyu the name of "Xiaoxiang Concubine", corresponding to the Xiaoxiang Pavilion and Youfeng Laiyi.
It is generally believed that Daiyu was accused of marrying King Beijing. The evidence is in Chapter 17:
(17th) Baoyu took out the wagtail incense string given by the king of Beijing and transferred it to Daiyu. Daiyu said, "What a stinky man took it! I don't want him." "And he threw it but did not take it. Baoyu had to take it back, and there was nothing to say for the time being.
Lin Daiyu is the third princess of the Jia family after Jia Yuanchun and Jia Tanchun.
It's just that the same result may be happy for Jia Tanchun, but sad for Lin Daiyu.
Therefore, Lin Daiyu is about to marry the princess and go, compared with the previous article Jia Baoyu hugged the Western self-propelled boat model and did not let Lin Daiyu go, what a clear foreshadowing.
Of course, it is impossible for Lin Daiyu to commit to others, and soon died in tears on the night of the Mid-Autumn Festival, which is to "bury the soul of flowers in the cold moon". "The Three Absolute Titles of the Title" also foreshadowed this.
Daiyu's early death, if it was before Jiafu raided her home, was actually a relief for Daiyu. Otherwise, with her weak body, I am afraid it will be difficult to cope with the suffering and torture caused by the raid.
Flower note cloud: "Drink a cup of yourself, and drink a cup of peony." Lin Daiyu drinks a cup by herself, and Xue Baochai of peony flowers accompanies a cup, which is a portrayal of the unity of hairpins and daisies, and the marriage of Dai's dead hairpins.
8. Attacking people - peach blossom "Wuling Farewell" and "Peach is another spring"
The last to draw the flower lot is the attacker, and the attacker draws the peach blossom stick, and the poem written on it is: "Find the peach source to avoid Qin, and the peach is another spring." Hua Fei is not sent to follow the flowing water, for fear that a fisherman will come to ask. ”
"Peach is another year of spring", this is a hint of two times of peach: once when she was designated as Baoyu's quasi-aunt by Mrs. Wang, and once when she married Jiang Yuhan after the defeat of Jiafu.
"You are blessed to be envious, who knows that the son has no chance. "This excellent girl is Jiang Yuhan. After the defeat of Jiafu, the vast white land was really clean, and the attacker left Jiafu and married someone else. There is a clear hint about this in the book:
On the twenty-eighth occasion at Feng Ziying's table, Jiang Yuhan said that the wine order included the sentence "My daughter is happy, the lanterns and the head is double-ended", and the fat criticism was "Jia Yuye"; This sentence was originally a poem about spring, but Jiang Yuhan said it with autumn osmanthus flowers, and its meaning can be thought about. Under the banquet, he gave Baoyu the big red sweat towel, and Baoyu casually exchanged the pine green sweat towel that the attacker gave him to Jiang Yuhan, and returned to Yihong Courtyard, the attacker was unhappy, so he secretly tied the big red sweat towel to the attacker's waist. So in the end, it was Jiang Yuhan and the sweat towels that attacked the people, and they exchanged them with each other through Baoyu.
In the autumn when the woods are open and the fragrance is withering, the raiders found a peach blossom source that can avoid chaos, and they can "peach red is another spring". In the first half of her life, she worked hard to plan and plan, and used a lot of means behind her back, and tried her best to get the status of Baoyu's quasi-aunt, but she was "gentle and obedient, empty and cloudy like Gui Rulan", diligent all her life, fate is unpredictable, after all, it is a bamboo basket to draw water.
Write at the end
Fate in the east wind
Jiang Xun said: "The Grand View Garden is a symbol of perfect youth, and it is a rare celebration of youth in Chinese culture. ”
The Grand View Garden is like a beautiful paradise, symbolizing the ideal country of youth.
The beauty of youth lies in its innocence and romance, purity and flawlessness, wanton and free, and frankness.
When you think of the Grand View Garden, some dreamy and beautiful classic pictures will surely come to mind. Even people who have not read the whole novel can say such beautiful pictures as "Daiyu Funeral Flowers", "Bao Dai Reading the West Chamber", "Baochai Fluttering Butterflies", "Xiangyun Drunken Sleep" and other beautiful pictures representing poetic youth, and they will definitely be able to blurt out the Begonia Poetry Society, as well as the famous Chrysanthemum Poetry Club.
The girls in the Grand View Garden are all in their teens, just like the bright and bright flowers in spring.
I don't know if you have noticed that the women in the four "Jinling Twelve Hairpins" of Baochai, Tanchun, Xiangyun and Daiyu all have the word "Dongfeng" in the poems on the flower sticks.
In the seventieth round, in the willow words filled in by everyone, "east wind" appeared again:
Xue Baoqin wrote: "The cause of Sanchun pays the east wind, and the bright moon and plum blossoms are a dream";
Daiyu wrote: "It doesn't matter if you marry Dongfeng Chun, go by your own, endure drowning!";
Baochai wrote: "The spring dance in front of Baiyutang is unwinded, and the east wind rolls evenly."
The east wind is the power that governs the plants, trees and flowers in spring, and the growth and decline of all things are related to the east wind.
For these flowery girls, the east wind symbolizes their inevitable fate.
Qingwen, as the head of the twelve hairpins of Jinling, has always been considered "Qing is Daiying". The flower stick drawn by Daiyu is hibiscus, and Qingwen is referred to as the god of hibiscus flowers, Jia Baoyu made "Hibiscus Daughter", and Qingwen actually sacrificed Daiyu. Qingwen's time of death was in the Mid-Autumn Festival of August after being banned, implying that Lin Daiyu also died in the Mid-Autumn Festival of August.
The original text also has a foreshadowing of this, one is the Yuanchun Provincial Relatives ordered "Peony Pavilion Leaving the Soul", and the death of Fulin Daiyu in the criticism of "Peony Pavilion" by Fat Yan Zhai, Du Liniang died in the Mid-Autumn Festival in August.
Later, the text Daiyu and Xiangyun Mid-Autumn Festival night joint poem, Lin Daiyu made "Cold Moon Burial Flower Soul", which also foreshadowed the death of the Mid-Autumn Festival in August.
As for the reason for Daiyu's death, the original book also has a lot of foreshadowing. For example, Jia Yuanchun modified the flower of Tingting to Huayu, and the fragrant jade of "red fragrant green jade" was changed to "Yi red fast green", indicating that Bao Dai's marriage was broken up by the imperial power.
In such a dark and filthy world, the girls in the Grand View Garden are like delicate flowers in spring, or rootless catkins, and can only be passively blown by the wind, going to unknown and dangerous places, and falling into the mud.
In the end, "it's like eating all the birds and throwing them into the forest, and the white land is really clean!"
A copy of "Dream of Red Mansions" is an ode to youth and an elegy for youth.
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