On the red carpet of the recent Hong Kong Film Awards, there were many discussions about the looks and status of the actresses. Carina Lau's first appearance was elegant, but it also revealed obvious traces of medical beauty; Then she appeared in a "lobster shape", which was considered to be a tribute to Hong Kong's nonsensical style, but some people found it twisted and weird.
Yang Ying's resources are plummeting now, and it is not easy to come to the award ceremony, but her position is very awkward. In contrast, Lin Xilei, who has been away from the entertainment industry for 12 years, returns to the red carpet, and at the age of 48, she exudes the charm of a mature woman, and her state is naturally old but amazing.
It can be seen from the red carpet of the Hong Kong Film Awards that for an actor to gain a firm foothold in this circle, it is not enough to have external conditions, but also to have solid acting skills and masterpieces.
Although Carina Lau has traces of medical beauty, her performance in movies and TV series over the years has made the audience remember her, and her role is impressive, so even when she is older, Carina Lau's worth and popularity have not decreased.
Unlike Carina Lau, Yang Ying has relied more on external conditions over the years, her acting skills have always been controversial, and there are not many masterpieces, since the "Crazy Horse Show" incident, resources have gone crazy.
It is not easy to come to the awards ceremony as a guest, but Yang Ying's position is very embarrassing. Because the really powerful seniors have already secured the position of the award presenters.
is also a post-80s generation, Lin Xilei also relied on her beautiful face to enter the entertainment industry back then, but she also left the audience's memory in many works.
After getting married and having children, Lin Xilei withdrew from the entertainment industry for 12 years, and this time she returned, at the age of 48, she exudes the charm of a mature woman and is in good condition. This shows that with the accumulation of masterpieces, even if they do not rely on medical aesthetic means, actors can retain their stage charm.
From Lin Xilei's point of view, the most important thing for Hong Kong actors to prosper is their works. Carina Lau has played many classic roles over the years and has accumulated rich acting experience, which makes her stand out among the group of actresses.
Lin Xilei has withdrawn from the entertainment industry for so many years, and she can still exude charm when she returns to the stage, also because her previous works have been recognized by the audience.
In contrast, Yang Ying gives people the impression that they pay attention to packaging and ignore the connotation. may be because she caught up with the era of traffic stars in the entertainment industry, relying too much on external conditions and marketing methods, but not focusing on cultivating acting skills.
Growing up in such an environment caused her to be unable to gain a firm foothold in the film and television industry, and once she encountered a storm of public opinion, she would lose her resources.
As post-80s generations, Carina Lau, Lin Xilei and Yang Ying each have different development paths. But judging from the comparison of the red carpet of the Hong Kong Film Awards, good works are the foundation of actors.
Carina Lau's medical aesthetic methods may be criticized, but her acting skills and masterpieces give her an absolute advantage in the film and television industry. Although Lin Xilei has faded out of the entertainment industry for a long time, the impression of her works has made her still bright when she returns to the stage.
On the contrary, Yang Ying, who is overly dependent on packaging, appears to have an unstable foothold after encountering a public opinion crisis. Therefore, if Hong Kong's post-80s actresses want to mix in this circle for a long time, they need to pay attention to the accumulation of acting skills and works.
External conditions alone are far from enough, and the accumulation of internal cultivation is needed in order to gain a foothold in the film and television circle.
From this point of view, Carina Lau and Lin Xilei are Hong Kong post-80s actresses worth learning. They don't rely entirely on the outside, but polish their acting skills in their masterpieces and win the audience's recognition.
Although they also use packaging, what is more important is the quality of the work. This should also be the only way for the post-80s generation to develop in the film and television industry.
Yang Ying's lesson is also worth reflecting on the current post-80s actresses. You can't be carried away by the current traffic and resources, and you must pay attention to the cultivation of acting skills and the creation of masterpieces.
Relying only on appearance and marketing is untenable, and once it encounters a counterattack from public opinion, the consequences will be serious. Therefore, I hope that the current post-80s generation can correctly understand themselves, base themselves on inner cultivation, and open the prelude to their careers with solid acting skills.