The box office of "You from Wang Xing" was only 1.35 million on the first day, which was shocking. Aaron Kwok, as one of the Four Heavenly Kings, his position in the mainland film industry is in jeopardy. The film was originally highly anticipated, but suffered a major setback at the box office, and audience interest doesn't seem to be as high as it used to be.
In addition to Aaron Kwok, the performance of the other three heavenly kings also failed to give people hope. Jacky Cheung has not released a new film in the mainland for a long time, and the recent works of Li Ming and Andy Lau have not made much breakthroughs. It can be said that the era of the Four Heavenly Kings has become a thing of the past, and their position in the mainland film market is facing severe challenges.
The box office fiasco of "You from Wang Xing" this time also triggered deep thinking about the domestic film market. In recent years, the competition for prime time has intensified for domestic blockbusters, resulting in fewer and fewer choices for audiences in the regular weekend market, which is a disadvantage for the entire film market.
How to reverse the unfavorable situation of the domestic film market has become an urgent problem for people in the industry to solve. In addition to improving the quality and creativity of films, it is also necessary to re-examine the schedule and give more excellent domestic films better opportunities to display in order to revitalize the vitality of domestic films.
Although the box office performance of "My Love from Wang Xing" was disappointing, I hope that Aaron Kwok and other four heavenly kings can find new breakthroughs in future works and shine on the screen again.
When faced with the predicament of the domestic film market, we can't help but ask: Do we really support the film market enough? Should we more actively participate in the creation and promotion of films, and contribute to our favorite works? Perhaps, we can let those excellent domestic films get more attention and support through more viewing, sharing, and commentary.
At the same time, it may be time for filmmakers to re-examine market demand and pay more attention to audience preferences and feedback. In the process of creation, can we get closer to the psychological needs of the audience and explore more themes with appeal and resonance? Perhaps, this is also an important direction for improving the competitiveness of the domestic film market.
Finally, let us look forward to the recovery and prosperity of the domestic film market, so that more excellent works can enter the audience's field of vision, and add more color and vitality to our film industry. I believe that with our joint efforts, the future of domestic films will be more brilliant!