The ratings of "Chenghuan Ji" starring Yang Zi and Xu Kai continue to rise.
What is surprising is that the play is a rare down-to-earth urban life drama in recent years. The background of the story has moved from Hong Kong in Yi Shuyuan's novel to Shanghai, in addition to the bustling metropolis, fast-paced workplace life, and the slowly warming relationship between the male and female protagonists, the director also let the audience see the fireworks side of the world.
This kind of pyrotechnics mainly comes from the heroine's family, and more precisely, from the heroine's mother Liu Wanyu played by Teacher He Saifei.
Liu Wanyu was born in a small and poor mountain village, and took root in Shanghai by marrying Mai Laitian, a native of Shanghai, and gave birth to Mai Chenghuan and Mai Chengzao, sisters and brothers.
The small life of a family of four is warm, but the economy has always been stretched, two children have gone to college, four people eat, drink and Lazar, and the only source of income is Mai Laitian, who helps the leader drive.
The family lives in a small house, there are only two rooms in the house, the parents live in the master bedroom, Mai Chenghuan lives in the second bedroom, and the younger brother Mai Chengzao can only support a marching bed in the living room, which has been the same for more than ten years.
The exterior of the house is dilapidated, the interior furnishings are also very old, the old furniture is covered with various lace cloths, and there is a storage box for the secondary use of waste food boxes next to the cabinet.
The TV with a small screen is Dad's only entertainment pastime, and the kitchen that can only be turned around is Mom's world.
Not only is the family very aggrieved to live in a matchbox, but the neighbors are also hurting each other, the house has poor sound insulation, and the upstairs sweeps the floor and downstairs is shouting, "Your family is making trouble in the Dragon Palace again?"
It is said that the old house is going to be demolished, and the slogan has been shouted for more than ten years, but there has been no movement.
Seeing others driving luxury cars and living in big houses, Liu Wanyu was envious, she felt that her daughter who had not been able to reach must taste it, so she looked forward to her daughter marrying a man with superior conditions, she pinned her wishes on her daughter, 24 hours a day, except for sleeping, all her attention was on her daughter.
When her daughter went to work, she chased the phone and asked what time she would get off work, and when she came home, she forced her daughter to ask about the details of her daughter's development with her boyfriend.
The main theme of the play is that the details are in place.
When Mai Chenghuan was with her boyfriend, her boyfriend hit the umbrella on top of her head every time, and it seemed that he held an umbrella for her, but in fact, he could neither cover the sun nor the wind and rain.
The ending of the two has been hinted at.
As an important role in the play, Liu Wanyu is also full of details, such as her dress.
Liu Wanyu's character is a little selfish, a little vain, a powerful mouth, a housewife who wants to be delicate but lives a tight life because her family background is not thick enough, her style should be good-looking, but down-to-earth, He Saifei did it.
Recently, a blogger took a look at He Saifei's outfit in the play and found that most of the prices are very close to the people, within the consumption level of ordinary middle-aged people.
The price of several sets of pajamas with a high appearance rate is 144 yuan, the price of the printed model is 138 yuan, and the price of another set of short-sleeved models is only 53 yuan.
Not only are the pajamas affordable and in line with the personality, but her formal wear is also a price that ordinary people can afford, and the Chinese-style cardigan worn when she went to visit her "stepmother" in a nursing home after carefully dressing up is priced at 200 yuan.
The price of the flower shirt in the south of the Yangtze River is also within 200.
It is not difficult to see that Ms. Liu Wanyu's clothes are good, and her dressing style is relatively stable, most of them are loose versions, soft colors, and well-textured shirts, not tacky, not exaggerated, and have a fresh and elegant feeling when worn on the body.
Including some dresses are also cabbage prices, the average price is about 200 yuan, but it is not the kind of tacky style on the bad street, mainly in the national style, the fabric looks very textured, and it is generous to wear on her, and the sets are amazing.
Many netizens said that their mother fell in love with a lot of Liu Wanyu's clothes when she was chasing dramas, and she asked the link to buy the same style.
Liu Wanyu's most expensive set of clothes is the pink cheongsam she wore when she met her in-laws, when her daughter and goddaughter took her into the store to choose, she liked it at a glance when she tried it on, but when she heard the clerk's offer of 2000+, she immediately began to pick out the problem of clothes.
She said that the fabric was uncomfortable, and the clerk told her that it was 100% mulberry silk, and she was immediately dumbfounded, and changed her words to say that the clothes were too big, and the clerk blocked her with a sentence of "there is a trumpet", and she had to say that it was too fancy and not suitable for her......
In just a few sentences, the image of an old mother who pays for the family and is unwilling to spend money for herself is vividly embodied.
In the end, the two daughters tricked her into using the coupon to discount, and she happily asked for it as long as a few hundred yuan.
The screenwriter didn't lie, the market price of this flag embroidery is really more than 2,000 yuan, and the market price is 2,388 yuan.
I have to say that He Saifei's temperament is really good, clothes of more than 200 yuan have the effect of thousands of yuan on her, and this relatively expensive dress is even more graceful and luxurious on her.
is not inferior to even the wealthy Kuotai's mother-in-law, you must know that Deng Ying, the actor of the mother-in-law, is 15 years younger than her.
She has wrinkles on her face but it is real and natural, relatively speaking, Deng Ying, who has a sense of medical beauty, is not so vivid.
At the meeting between the parents of the two sides, Liu Wanyu wore a 2000+ skirt, but other accessories are still affordable models that fit the personality.
The wheat ear flower plate hair device is 36 yuan, the precious earrings are 359 yuan, and the bag is not Dior or Hermes, just an ordinary bag with a market price of more than 300.
But after her matching, it is both simple and atmospheric, supporting her daughter enough to support the scene, and there is no deviation from the character.
This kind of temperament is brought out from the bones, I still remember that the part of dancing in the square also amazed countless audiences, the ordinary old lady's shirt can't hide her beautiful figure, a dance is graceful and light, and the aunt next door called her out of the tutorial.
According to the personality, Liu Wanyu is actually not likable, she is too controlling, she has lost herself in life, and she presses everything on her children, which is a heavy maternal love that makes people feel oppressed.
Even if she doesn't stand from the perspective of her children, she is also a babbling and mercenary "tigress" in the eyes of others. If this setting is not performed well, it is very annoying, but He Saifei's interpretation makes people see the sense of reality and can make people empathize.
Moreover, even this kind of searching, picking, ignorant and strong character setting, even if there is no gorgeous costume, it can't change the elegance and nobility engraved in He Saifei's bones when he studied opera since he was a child.
As long as the lines are not "crowded", she is a quiet, graceful and luxurious old lady.
can play the pampered and delicate aunt wife, and also play the "poor man" who deals with pots and pans, and the skills of this golden rooster actress can be seen.
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