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The four masterpieces depicting pear blossoms are vivid and admirable

author:Yun Shui Xinyu

In spring, there are a hundred flowers in full bloom, thousands of purples and reds, peach blossoms, cherry blossoms, and many unknown wildflowers, all of which are showing their own style. Although the pear blossoms bloom late, they are loved by people, and when the pear blossoms of thousands of trees are in full bloom, people feel like they are in a sea of flowers and snow.

Pear blossom is elegant and vulgar, without pretentiousness, she is like a slim girl, her graceful dancing can be seen in the courtyard of the deep palace, and her graceful figure can also be found in foreign places. When the pear blossoms bloom in the sun, they are as white as snow, and when they fall in the cold wind, they drift in all directions, feeling desolate.

The pale fragrance of pear blossom also made the talents appreciated. Liu Fangping praised the lonely empty courtyard for late spring, the pear blossoms all over the ground and did not open the door, Ye Mengde whispered that the catkins were still snowing in the courtyard, and the pear blossoms were empty as clouds in dreams. Here are four poems that describe pear blossoms, which are vivid and inexhaustible.

The four masterpieces depicting pear blossoms are vivid and admirable

Pear blossom poem on the pond

Nanqi · Wang Rong

There is no fine grass in the stairs, and the water collection is sparse.

The spring shines on the snow, and the stars are reflected in the deep evening.

The gist of the poem is: the slender grass climbs over and covers the steps, and the flowing water rushes away and cuts off the sparse duckweed. In the spring season, the pear blossoms flutter in the air like snowflakes, and under the sunlight, they show a romantic mood, and in the middle of the night, the water ripples, and the reflection of the pear blossoms on the water surface on the branches is like a twinkling star.

The poems before the Tang Dynasty did not pay attention to rhythm, but the first two lines of this poem are very close to the format characteristics of the Five Uniques, indicating that the author has studied the rhyme deeply. The last two sentences use a metaphorical technique, "flowing snow, stars" actually refer to pear blossoms, but they are full of dynamics, vivid images, and extremely imaginative.

The four masterpieces depicting pear blossoms are vivid and admirable

Ewwa

Zhongtang · money up

It is as quiet as the moon, and the cold is not chasing the wind.

The peach blossoms shine on the ground, and they are finally laughed at the demon red.

The poet praises the pear blossom so affectionately: the pear blossom in full bloom is like the bright moon hanging on the branches, and although the fragrance of the flower is slightly chilly, it does not drift away from the wind, like a shy lady, which seems extremely reserved. The proud peach blossom seems to be radiant, but in fact, she has a bewitching appearance, but she is often ridiculed.

In the author's heart, Pear Blossom is demure and elegant, and does not like to be public. And the peach blossom is too charming, arrogant, and like a singer who likes to attract bees and butterflies. Compared with the two, the praise and disapproval are clear, and it more euphemistically conveys the poet's quiet and indifferent feelings.

The four masterpieces depicting pear blossoms are vivid and admirable

East column pear blossoms

Northern Song · Su shi

The pear blossoms are pale white and the willows are dark green, and the catkins are full of flowers when they fly.

惆怅东栏一株雪,人生看得几清明。

In the tenth year of Xining in the Northern Song Dynasty, Su Shi left Mizhou and went to Xuzhou to take up his post, and wrote this poem before leaving, and presented it to Kong Zonghan, the new prefect of Mizhou, expressing his praise for pear blossoms, and also expressing his lament for the shortness of life.

In late spring, the pear blossoms are in full bloom and the catkins are flying, and the author delicately depicts the colors of the pear blossoms and willow leaves with "light white and dark blue", which is colorful and dazzling. The three words "flowers are full of the city" convey the poet's appreciation for the spring color of the city.

In the third sentence, "a snow" uses a metaphor to describe the picture of pear blossoms as white as snow, and the author embellishes the word "melancholy" to not only point out the meaning of sorrow, but also lay the groundwork for the ending. "Life is clear", this sentence is full of sadness, indicating that after experiencing countless ups and downs, Mr. suddenly became a little sad.

Readers must also feel that life is like a wonderful drama, every minute and second seems so precious, and they dare not waste an inch of time.

The four masterpieces depicting pear blossoms are vivid and admirable

Pear blossoms outside the window

Late Ming and early Qing Dynasty · Song Wan

The silk fairy is separated by a blue veil, and the pavilion is lonely and bright.

At first glance, the remnants of the snow are left in Liangyuan, like Huanqingbo to Ruoye.

The mica screen is deep and cold, and the crystal curtain is oblique.

Painting Diaphragm Xiaoli vaguely recognizes, where to fly the calyx green flower.

Song Wan was one of the eight great poets in the early Qing Dynasty, Shunzhi four years into the scholar, the official to Ningshaotai Road, and later fell into prison for being falsely accused, and lived in Wu Yue in his later years. This poem praises the noble character of pear blossoms, and also euphemistically expresses the sorrow in the poet's heart.

The four masterpieces depicting pear blossoms are vivid and admirable

At the beginning, the pear blossom is compared to a "fairy" dressed in white, and people look at it through the blue veil, feeling hazy and ethereal, adding a bit of charm. Under the reflection of the brilliant glow, its slim and elegant shadow also looks very lonely and scattered.

At first glance, the poet looks like the pear blossoms falling to the ground, as if they are the remnants of snow in the abandoned Liang Garden, and like the clear waves of the Huansha girl in the Ruoye River. These two sentences borrow allusions from Liang Yuan and Xi Shi to express the praise of pear blossoms.

The four masterpieces depicting pear blossoms are vivid and admirable

The neck couplets are set off from the side, the dew drops are cold in the screen of the deep courtyard, and the moon marks on the curtain of the distant room are slanted. "Mica, crystal" highlights the owner's rich and elegant temperament. In such a quiet and lonely atmosphere, the poet gazed at the pear blossoms full of trees through the window screen, and his mood was sometimes happy and sad, happy that the spring scenery was gorgeous and pitiful, and he was worried about the spring and the passing of the years.

The ending is intriguing, Calyx Luhua is the legendary fairy of Jiuzhi Mountain, which refers to the beauty in the poet's thoughts. The poet stood on the side of the painting for a moment, and suddenly from the lovely pear blossom, vaguely remembered the graceful appearance of his former lover, and this beauty seemed to be by his side at this time.

As Li Shangyin wrote, when he heard the green flowers of the gate, he looked at each other in the past and arrived at the end of the world. How do you know that one night Qin Lou guest, peeking at the flowers in Wu Wangyuan. It can be seen that the pear blossom is really different, not only elegant and noble, but also inexhaustible!

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