Copywriting | Easy luck
Edit | Nanfeng
"A City in the City" exploded as soon as it was broadcast, and the ratings on the first day of logging into CCTV almost broke 2.
There is no doubt that Yu Hewei's ability to carry dramas has always been undoubted.
From "The Age of Awakening" to "Ideal City" to "City within a City".
Uncle's stable output also determines his status in the film and television industry, and the "first brother of domestic dramas" is well-deserved.
Of course, to be so popular, the hero must be more than Hewei.
Since "The Three-Body Problem", he has cooperated with Chen Jin again, and at the same time, Wang Jinsong, Tu Songyan and other drama bones have helped, this wonderful performance has already launched an impact on the drama king at the beginning.
It's just that the comment area did not have the expected rave reviews.
Although many netizens still affirmed "A City in the City", most of them still had a lot of doubts, mainly focusing on young actors.
It can only be said that there is no harm if there is no comparison, and there are many old drama bones, which will definitely bring out the immaturity of young actors.
This time, let's pull up a ranking list and see how many of your favorite actors are ranked in -
Eighth place: Yao Yiqi
Maybe everyone is not familiar with Yao Yiqi's name, but this actor really appears in various works.
From Feng Yuan in "Son-in-law", Liu Baoquan in "Qingqing's Daily" to Gu Lei in "Home of the Heart", they can all play husband and wife with Houhai Qing, this resource is really good.
In "A City in the City", there are also a lot of shots of Yao Yiqi in the first few episodes.
Workplace novices with low emotional intelligence and average ability are actually not scolded, but Yao Yiqi does not have the characteristics that a character should have.
The education is not high, the ability is not strong, and everything depends on the male protagonist.
Cheng Jiayuan is just a little reckless and doesn't know how to be flexible, and his age should be about the same as Bai Yufan and others, but this old brother is already 35 years old.
Leave a bangs and deliberately sell cuteness, everything is the same, and the roles are all played into a state of reducing intelligence.
To say that it is not a relational household, it is a bit reluctant.
Seventh place: Bai Yufan
The biggest artillery fire was still concentrated on Bai Yufan.
After all, if you want Yu Hewei to do it twice, it is difficult for anyone not to be complained, and Bai Yufan happens to have a lot of resources in the past two years, and after having a comparison of acting skills, the audience's dissatisfaction has become more and more violent.
If you want to summarize his acting skills in "City within a City", in my opinion, two words are enough-
Not bad.
This kind of newcomer role in the workplace is handed over to any young actor, and it is impossible to play too much of an old actor such as He Wei.
Bai Yufan has no facial features to fly around, and he restricts his emotions throughout the whole process, and at the same time, it is more in line with the character design of a tendon who enters the city from the countryside, and it is really impossible to talk about it.
But, not rotten, no surprises.
In Bai Yufan's body, I can't see the relaxation that an actor should have.
No matter what he plays, he seems to be holding a shelf, and the whole person is nervous and reading his lines, which is not as handy as the performance in "Mountains and Seas".
Sixth place: Wang Xiao
Don't say it, Wang Xiao is really suitable for Miao Che's character.
Wang Xiao and Yu Hewei are classmates, which sounds a little funny at first glance.
However, when I clicked on the feature film and saw the scene of the interaction between the two, I once again got Wang Xiao's ability to shape the characters.
One board and one eye, not smiling.
is also serious, Wang Xiao is more restrained than Yu Hewei in the play, which is the unique sensitivity of people who do audits.
It is absolutely impossible to grin to the maximum.
In the play, Wang Xiao's smile always reminds the audience that this person is definitely very different from other brothers.
The tone of his speech is relaxed, but he can wake up others at the right time, Wang Xiao does not have many shots, and his expression can be retracted freely, so that the audience will be pulled directly into the screen as long as they look at it.
For example, when Xie Zhiyuan (Tu Songyan) mentioned Miao Che, who was doing audit, it was impossible for him to use unclean means.
Wang Xiao didn't even raise his head, he smiled contemptuously, and already expressed his opinion of Xie Zhiyuan.
It's just that the highlight scenes of Miao Che in the first few episodes have not yet arrived, and Wang Xiao doesn't have much room to play, so I'm looking forward to his later performances.
Fifth place: Chen Jin
The old drama bones deserve to be the old drama bones, obviously there is not much change in the image, but she in "City in the City" and "The Three-Body Problem" are completely two people.
In fact, in this play, she is also gilded.
But in just one scene, the tiny details are enough to see Chen Jin's profound skills.
Teacher Ouyang is a decent person, even after learning that her husband is dead, she will pull her hair up and dress cleanly.
But at the door of the morgue, she seemed expressionless, but the emotions in her heart were surging like waves, and without warning, Teacher Ouyang fainted.
Lying in the hospital bed, someone from the bank came to investigate.
Zhao Hui stopped them at the door, while Chen Jin sat up directly from the hospital bed at this time.
As she muttered her thoughts, she unconsciously tucked her slightly messy hair back with her hands.
There are no ups and downs in the whole performance, but a few actions can make Ouyang's image come to life, this is the skill of the old drama bones.
Fourth place: Tu Songyan
Tu Songyan's acting path is too open, I thought he was the most suitable for comedic characters in works such as "Xiaomin's Family" and "Going to a Windy Place".
never expected that this brother could be so treacherous when he played the bad guy.
Xie Zhiyuan, just two words-
虚伪。
And Tu Songyan happened to play the traitor of the role to the fullest.
At the funeral, Wang Hui saw a woman who was very similar to his ex-wife, and he pretended not to care, but Xie Zhiyuan saw the name.
When the people left, Tu Songyan's little eyes seemed to have seen through everything.
At the dinner table, this brother is the best at observing words and feelings.
They are all old classmates, everyone is bored and happy to eat, and at the same time there is no match to chat, only him, his eyes constantly wandering between the few people who are talking.
The most infiltrating thing is that Tu Songyan's every look is full of calculation, just looking at the static stills, you can feel the insidiousness of this character.
In front of different people, using each other's favorite attitude to say their favorite words, that kind of fanning the flames, and pretending to have a completely ignorant expression, all undoubtedly poked the audience's understanding of Xie Zhiyuan.
And when he returned home, Tu Songyan completely threw away those hypocritical burdens, his face was full of scheming, and even his image seemed to be a different person.
This brother's acting skills are really good.
Third place: Yu Hewei
Needless to say, Yu Hewei's acting skills are no longer necessary, but he has little room to show his strength in the first few episodes.
The only thing that the audience can experience is the unquestionable righteousness.
And the same is positive, and the performance here is completely different from "Ideal City".
Knowing that Dai Xing might operate in violation of regulations, he still pretended not to know in the face of a phone call from his old classmates.
In fact, the other party didn't speak, and Zhao Hui already knew it in his heart.
However, when Miao Che really asked, Zhao Hui was a little panicked.
In fact, there are no highlights in this section, but Yu Hewei can grasp every small point, and just his eyes can show the psychological state of the characters.
When Zhao Hui saw that Tao Wuji (Bai Yufan) was still working so late, he deliberately scared him.
Seeing that this workplace novice didn't dare to speak, Zhao Hui's serious face eased slightly.
Here Yu Hewei even had a momentary change in his expression, he directly lowered his head, and there was a "spoof" expression on his face.
I even think that if I don't lower my head, Yu Hewei is very likely to laugh out loud.
No blackening means no highlights.
And Wei Zhengguang's image is often more difficult to act, here Yu Hewei completely grasps the characteristics of the character, presumably the huge contrast behind will give the audience more surprises.
Second place: Wang Jinsong
If I want to play Yu Hewei's eldest brother in the play, I can't think of how many people can be in internal entertainment with my fingers.
But as soon as Wang Jinsong appeared, this drama came to life directly.
Overwhelming momentum, Wang Jinsong is so steady sitting and making tea, Yu Hewei said "big brother", I can't wait to tidy up my sitting posture.
That is, it is ordinary chatter, and the natural body language directly closes the relationship between the two, without any hypocrisy.
But at the same time, the image that is completely different from the kindness and integrity that is shown seems to be impossible to hide.
1st place: Feng Jiayi
If I want to say the best performance, I must put Feng Jiayi at the top.
His name is not as loud as Yu Hewei and Wang Jinsong, but I dare to say that as long as he is there, the characters portrayed are definitely the most vivid in the whole play.
That's right, in "The Wind Blows in the Summer", he played the bald old fox Qiu Bizheng.
is also a big guy, Su Jianren of "City in the City" can have such a big contrast.
Usually in the main drama, the comedy characters are not likable, and if they are not acted well, they will make people feel noisy and disturbing.
But Feng Jiayi has evolved Su Jianren's humor into her bones.
There are not many scenes but they are very full, and the three clips vividly interpret the three personalities-
One is straight.
He doesn't shy away from speaking, he picks up what he wants to say, and doesn't care about other people's emotions at all.
But after saying that, I regret it and apologize immediately.
At the same time, this old brother doesn't have any heart, he climbs up along the pole, and whoever praises himself is more proud of being with whom.
Don't say it, with such a face, Feng Jiayi's performance is really not disgusting.
Second, he has a hot temper.
It is precisely because of the pampered growth environment that Su Jianren's temper is quite hot.
Especially the son who is not angry with himself, that's right, the "little fat" scene mentioned above in which his acting skills are ranked last is actually Su Jianren's son.
As soon as he saw this uncompetitive son, Su Jianren was furious, and when he turned his head and saw his friend, he shouted directly regardless of it.
In this output, Feng Jiayi's performance is full of tension, and she does not forget to create a comedic effect.
He is not completely "free of himself", but he dances and blends his straight temperament with a fiery temper, and he really watches and laughs a few times.
Third, it is color.
It was the first time I had seen what it was like for a person to "see straight eyes" in such a concrete way.
I couldn't even take care of expression management, so I was stupid in place.
The second time I saw Zhou Lin, the scene was even funnier.
In the last second, he resolutely returned to the absolute square, and when he turned his head and saw Zhou Lin, the muscles of his whole face didn't know how to move.
Before and after the saddle, like a heel worm, don't act too vividly.
epilogue
Of course, the above rankings are only temporary.
Yu Hewei, as the top priority of the whole play, did not rank first, and it was indeed that there was nothing to play in the early stage.
If there are no eye-catching scenes, it will not reflect more acting skills, and it just so happens that the role of Su Jianren is relatively vivid as soon as it comes up, coupled with Feng Jiayi's performance without traces, it will naturally get more attention.
is also blackened, the role of Wang Hui is really not as good as "Gao Qiqiang", how Yu Hewei will interpret it, and wait for the development of the plot later.
So far, although Bai Yufan has received a lot of bad reviews, there is no doubt that his performance is much stronger than a lot of traffic.
Tao Wuji's role in the back is far less important than Wang Hui, and Dai Xing's death may be just an appetizer, which of these people can firm up their principles and who defects halfway, let's wait and see#春日生活打卡季! #
-END-
Nanfeng entertainment circle
Quality entertainment views