#精品长文创作季#
Sentence | An-ching-hsien
Edit | 9527 Meow Goo-kun
The big dramas launched in April are more luxurious than the other, "City in the City" focuses on financial themes, and a number of powerful actors such as Yu Hewei and Wang Jinsong have supported the plot highlights.
It's a pity that "The Wind Chaser" and "Flowers", which focus on finance, are of excellent quality, and because the threshold for chasing dramas is too high, it is difficult to break the popularity of the circle.
The drama "Chenghuan Ji", which was launched at the same time, was launched on CCTV, and it won the ratings of breaking 2 on the first day of broadcasting, and it has a more pyrotechnic plot, which is more likely to trigger empathetic gender relations and marriage conflicts, which also makes this drama quickly attract the audience into the pit because of the plot.
In the four-episode plot of "Chenghuan Ji", the heroine encounters a career crisis and family conflicts, on the one hand, the anxiety of unemployment, on the other hand, the urging of her family to marry, and the deception of her scumbag boyfriend again and again.
The plot direction is very bloody, and the heroine's behavior of giving in once also made the audience very aggrieved, but as long as this kind of plot can mobilize the audience's emotions, it can stabilize the discussion and heat.
Now the explosive ratings of "Cheng Huan Ji" have the momentum of Yang Zi when she starred in "Ode to Joy".
But then again, Yang Zi, who is now 31 years old, has secured the top position of 90 flowers and has become a well-known actor, but Yang Zi, who was pleasing because of her neighborhood, is no longer young.
In "Sauvignon Blanc", she has a bloated figure and a rigid appearance, but fortunately, the plot character has given the character filter, and the audience not only did not play because of Yang Zi's absence, but once again got Yang Zi's empathy for crying.
But in modern dramas, out of the sadomasochistic focus of several lifetimes, Yang Zi's ancient puppet acting skills are slightly exaggerated, and the problem of appearance has also been exposed.
In "Love for a Long Time", as long as Yang Zi interprets the youth and agility of the character in the mode of letting go of herself, she will definitely contribute an indescribable emoji.
This state has eased in "Chenghuan Ji", but it is still very abrupt.
In the picture, Yang Zi is obviously in the best state, the whole body is a lot petite, and the demeanor standing there is not as good as the passers-by in "Love for a Long Time".
But even in the retouched pictures of fans, Yang Zi's face has been ground into white porcelain, but it still can't stop the nasolabial folds that are as obvious as brackets.
The way she laughs is too old, and the teenage girl's skin with the grandmother's nasolabial folds and the rigid state of the whole face are even more strange.
In many shots, Yang Zi even has a feeling of not being able to open her mouth, the upper half of her face does not move at all when she speaks, and the lower half of her face only moves her mouth, and there is no natural muscle pulling when making expressions.
Obviously, Yang Zi's beauty is actually done by skin appearance, and it can be seen from Yang Zi's appearance at the earliest stage that she has no advantage in the female stars in the entertainment industry, her facial lines are not smooth enough, her facial features are not delicate enough, and the folding degree is difficult to explain.
As a child star, she can rely on her cuteness to act in "Family with Children", but now Yang Zi's main career direction needs some eye-catching beauty blessings.
Just having good skin can't support the beauty of the heroine, especially the beauty of the heroine in urban emotional dramas.
Not only that, the same frame of Yang Zi and the powerful actor He Saifei in "The Legend of Cheng Huan" can highlight the beauty truth of "beauty is in the bones but not in the skin".
In the play, Liu Wanyu played by He Saifei is the mother of the heroine, and Liu Wanyu is a very strong mother in the plot that starts the broadcast, and she can't allow her daughter to deviate from the life track she designed, and her suffocating control is actually because she regards the heroine as a treasure in the palm of her hand.
From the same frame of He Saifei and Yang Zi, it will be found that although He Saifei is over 60 years old, her state is at most a 40+ middle-aged woman, she is radiant, ruddy, although her face can't hide the traces of time, but the bone is full of edges and corners, and the whole face is very full, even if she faces the camera sideways, you can see the obvious temperament of a bone beauty.
Compared with Yang Zi's fleshy, full and rigid face in front of the camera, He Saifei looks much more natural.
Not only that, but a lot of intimate physical contact between the two magnified the hard injuries of Yang Zi's original condition.
In Dajingbei, Yang Zi is actually very thin, but her proportions are not good, her head is big, her face is small, her neck is long, her eyes are downward, and she has narrow shoulders and fleshy arms.
In ordinary people, Yang Zi's conditions are actually very good, but in the camera, her proportions become especially obvious.
When He Saifei held Yang Zi in his arms, it was obvious that He Saifei's noodle plate was bigger, but Yang Zi's head was heavier than her shoulders. Not only that, He Saifei's face has a sense of facial features, but Yang Zi's face as a whole is like a braised egg, dotted with facial features, and the jaw has a tendency to shrink back, and the whole face is equivalent to relying on the skin to support it, without the support of the bone phase.
If you compare Yang Zi in "Chenghuan Ji" with her in "Love for a Long Time", you will find that losing weight will really make Yang Zi's whole person feel better, but she only has a foundation of thirty points, and her hard work is enough to reach the passing line, which is not as amazing as the foundation of most female stars in their seventies and eighties.
Of course, such Yang Zi also has her own advantages, it is precisely because her beauty value and fashion sense are not enough, so the audience can tolerate Yang Zi to create many ordinary characters, Qiu Yingying in "Ode to Joy", and the ill-intentioned villain in "Hot and Hot" are all well portrayed by Yang Zi.
To put it bluntly, Yang Zi is suitable for the setting of the ordinary girl next door, as long as she is not a hard urban beauty, and the character of the delicate heroine, her acting skills are still outstanding in the 90s.
But it's a pity that the heroine in "Cheng Huan Ji" has a bit of a delicate beauty. Mai Chenghuan played by Yang Zi is a professional with outstanding ability and outstanding performance, she is independent, sober and strong, but at the same time, she has no power to fight back in the face of the family's urging to marry, and she forgives again and again in the face of the scumbag's deception.
Whether it is the charm of the characters or the plot story, the state presented by "Cheng Huan Ji" is a relatively mediocre urban drama.
To put it simply, Yang Zi's Mai Chenghuan's image is not outstanding enough, his appearance is not eye-catching enough, and his character charm is not so surprising. Of course, the bloody daily life of all kinds of chickens and eggs in this drama is the highlight of the discussion of the work. But there are many such dramas, and there is actually no bonus for Yang Zi, who is not short of popularity.
On the contrary, the audience has got He Saifei's acting skills and temperament in "The Story of Cheng Huan", and the gap between the two in the play once again proves that the importance of bones relative to actresses sometimes even exceeds age.
Finally, what do you think of Yang Zi and He Saifei's performance in the play?