Guan Zhilin, the former goddess of the screen, appeared in the ancient city of Dali at the age of 61, no longer the beautiful and refined appearance, and the puffiness on her face has become the focus of everyone's discussion.
She was met by chance in a bar in Shuanglang Ancient Town, but when she faced the camera, she blocked her face again and again. The years are urging people to get old, and Guan Zhilin's changes have become a hot topic among netizens.
Time back not long ago, a familiar figure appeared in the alley of Dali. The sun casts dappled light and shadow from the cracks in the tiles of the ancient town, reflecting the face that once made countless people's hearts move.
She is Guan Zhilin, the actress who has left countless classic images on the screen. She didn't come to film, but seemed to be enjoying an ordinary afternoon.
Guan Zhilin is dressed casually, a simple T-shirt with jeans, she has no gorgeousness on the red carpet, and she has no pretentiousness in front of the camera. She just blended into the laid-back of the old town and walked into a bar with her friends.
The bar is unremarkable, but when the music comes on, it comes to life. Guan Zhilin was also infected by the music, sometimes swaying gently, sometimes laughing and talking with friends.
But all this was captured by a pair of casual eyes. It was found that there was something unusual puffiness on the face of the goddess. For a while, this puffiness became the focus, and everyone began to speculate that this may be a trace of excessive medical beauty.
In this era of looking at faces, such a change cannot escape the eyes of everyone.
Interestingly, in this unexpected "chance encounter", someone actually recognized Guan Zhilin as another actress Chen Hong. This vignette not only highlights the changes in Guan Zhilin's appearance, but also shows the public's high sensitivity to the changes in the appearance of celebrities.
Such an admission of mistakes, although a little embarrassing, also caused a burst of laughter.
In the bar, Guan Zhilin was obviously not very comfortable with being filmed. Whenever the camera is pointed at her, she will subconsciously cover it with her hands, as if she wants to protect her privacy.
This kind of small action makes people wonder if she is also aware of her changes and feels a little uneasy about it.
Kwan Zhilin's changes did not affect her happy time with her friends. In that little world that belongs to them, the years seem to stand still. Their laughter and swaying postures made this afternoon special.
Guan Zhilin's acting career began in 1981 with "Sweet Twenty Four Flavors", and she has been brilliant all the way. She used to be a pure jade girl, and she was also a powerful person.
Whether it is the cooperation with Leslie Cheung and Mo Shaocong, or the peerless style of playing Zhao Min in "Heaven and Dragon Slayer", Guan Zhilin has left too many unforgettable moments on the screen. When those glorious years are a thing of the past, can she still maintain that calmness in front of the camera?
Guan Zhilin was met by chance in the ancient city of Dali in Yunnan, but this appearance did not attract admiration and popularity as before. On the contrary, it is a surprisingly puffy face.
Some fans almost didn't recognize this former goddess, while those who were familiar with her sighed secretly in their hearts: years, it turns out that they can't withstand it.
Her appearance has undoubtedly become the focus of heated discussions. Although some netizens' remarks were mean, more chose understanding and sympathy.
People are not sages, and the years urge people to grow old, who has never been a little unbearable in the torrent of years? Guan Zhilin's "transformation" has undoubtedly given us room for deep thought.
The heated discussions of netizens are like a mirror, reflecting the society's standards of beauty and attitudes towards age. Some are denouncing her changes, others are defending her privacy.
But it is undeniable that no matter praise or criticism, the name Guan Zhilin still has an indelible influence.
In this story, there is no absolute right or wrong, only those truths that pass by time. In this era of looking at faces, what we should learn more is how to look at the story behind a person, not just the surface appearance.