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In the rivers and lakes of costume dramas, the wind is surging, and masterpieces are emerging in endlessly. Recently, a costume fairy drama called "See You Again" is like a bright new star, shining on the screen. However, unlike the previous heated discussions about the plot, special effects or acting, this time, people's eyes are more focused on casting. The question of appearance and character design, who should be the king of the screen? is like an unsolved mystery, which has aroused widespread attention and discussion.
In recent years, the casting of costume dramas seems to have fallen into an unspeakable circle. On this seemingly glamorous stage, appearance seems to have become the only criterion for measuring everything. The actors are like being placed on a huge scale of appearance, and only when they meet certain standards can they be selected to play their favorite roles. This trend can't help but make people wonder: Is it possible that in this era of the supremacy of appearance, acting skills and role fit have become so insignificant?
However, the casting of "See You Again" broke this convention. In an almost adventurous way, it pushes the battle between appearance and personality to a climax. Zhao Ling'er in the original "The Legend of Sword and Fairy", the beautiful and fairy fairy sister, is the white moonlight in the hearts of many people. However, in this remake, this classic role is played by Yang Yutong, who is not outstanding in appearance. This casting decision undoubtedly dropped a bombshell on the audience, which was surprising and sparked endless speculation and questioning.
Although Yang Yutong's appearance is not outstanding, her performance has become the focus of attention. In the play, she tried to make up for the lack of appearance through delicate acting skills, but the effect was not ideal. Sometimes she seems to be full of bitterness, and sometimes she seems to be childish, and she can't show Zhao Ling'er's charm at all. This obvious shortcoming of acting skills made the audience disappointed with her performance, and also questioned the casting decision of the director team.
However, just when the audience was disappointed with Yang Yutong's performance, the supporting actresses in the play brought surprises like a spring breeze. Xu Hao, who plays Lin Yueru, although her appearance is not outstanding, she has performed the role of Lin Yueru vividly with her superb acting skills and unique charm. Her eyes reveal a kind of firmness and perseverance, as if it can penetrate people's hearts and make people feel the strength and tenacity of her heart. Her performance not only won the recognition of the audience, but also gave people another possibility of casting costume dramas.
And Hu Yixuan's Anu is even more eye-catching. She has a cute little round face, and a pair of big sparkling eyes that seem to be able to speak, smart and full of energy. Her performance in the play is even more amazing, whether it is pouting and frowning when she is angry, or smiling brightly when she is happy, it makes people feel Anu's playfulness and cuteness. Hu Yixuan's acting skills are also breathtaking, and she shows Anu's inner world vividly and vividly through subtle changes in her expression, which makes people fall in love with it.
This battle between appearance and character design not only aroused heated discussions among the audience, but also made us think deeply about the casting standards of costume dramas. In this era of seemingly appearance, should we re-examine the criteria for casting? Is it true that an actor's appearance determines whether she is qualified for a role?
In my opinion, appearance and personality are not incompatible, but should be integrated and complement each other. An excellent actor should not only have excellent appearance, but also have a temperament and acting skills that match the role. Only in this way can the charm of the character be perfectly presented and leave a deep impression on the audience.
At the same time, we should also see the diversity of casting in costume dramas. As a special type of drama, costume dramas have a rich variety of character types, including fairy sisters and heroic heroines. Therefore, when casting, we should choose the right actor according to the characteristics of the character and the needs of the plot. Instead of blindly pursuing appearance and traffic stars, ignoring the intrinsic characteristics of the characters and the performance ability of the actors.
In addition, I think the audience should also be more rational and objective when evaluating an actor's performance. Don't blindly pursue an actor just because she's beautiful or handsome, but pay more attention to the actor's acting ability and understanding of the role. Only in this way can we see more excellent costume drama works, and can more powerful actors get the recognition they deserve.
Looking back at the casting myth of "See You Again", it is not difficult for us to find the deep meaning contained in it. It is not only a casting issue for a costume drama, but also a reflection and discussion on the casting standards of the entire film and television industry. In this work, we saw the fierce collision between appearance and personality, and also saw the audience's expectations and attention to the casting criteria.
Of course, we can't deny the importance of appearance in costume dramas. After all, costume dramas often pursue beauty and romance, and an outstanding-looking actor can indeed bring a better visual experience to the audience. However, this does not mean that we should ignore the actor's acting ability and understanding of the character. Appearance and personality should complement and enhance each other, rather than exclude and cancel each other.
To sum up, the casting myth of "See You Again" has made us re-examine the criteria for casting in costume dramas. Appearance is important, but what is more important is the actor's acting ability and understanding of the role. We should abandon the practice of putting the cart before the horse, and pay more attention to the inner characteristics and performance ability of actors. At the same time, we should also look forward to the emergence of more excellent costume drama works to bring more wonderful visual feasts to the audience.
In this appearance and character design
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