Wind Chaser: "A bitter face" plays a "female agent", whose aesthetic is wrong?

On the stage of spy war dramas, many unforgettable classics have emerged.

The audience was full of praise for the characters portrayed by actors such as Liu Yunlong, and their performances showed the charm of spy war dramas to the fullest.

As time passed, the creation of spy war dramas seemed to be in some kind of predicament. In recent years, although many spy war dramas have come out, there are very few masterpieces that can touch the hearts of the audience.

The word-of-mouth of dramas such as "Hive", "Enemy of Fate", and "Stalker" is not satisfactory.

Just when people are confused about the prospects of spy war dramas, the CCTV drama "Wind Chaser" is like a clear stream, breaking into people's field of vision.

With its unique charm and excellent production, this series quickly caused a heated discussion among the audience.

The compact plot in the play, the excellent performance of the actors, and the excellent production standards all make people see the hope of the revival of spy war dramas.

But even in such a masterpiece, there are inevitably some regrets.

In "The Wind Chaser", the performance of the heroine Li Qin has become the focus of controversy among many audiences.

The underground worker she played should have been a heroic and intelligent female agent, but Li Qin's performance in the play was far from this image.

In appearance, Li Qin's thin image makes it hard to believe that she is up to the daunting task of an underground worker.

In the war-torn era, a female agent not only needs to have extraordinary intelligence, but also needs to have a strong body to deal with various dangers and challenges.

But Li Qin's image gives people a feeling of weakness, which is incompatible with the heroic image of a female agent.

In terms of acting skills, Li Qin's performance is also difficult to compliment.

She seems too exaggerated and contrived in expressing the emotions of her characters, and she is completely unable to resonate with the audience. Especially in some scenes where it is necessary to express inner pain, her crying scene is even more embarrassing.

In the rivalry with the actor and other powerful actors, Li Qin's acting skills were extremely embarrassing, and people couldn't help but sweat for her performance.

Speaking of which, in the history of spy war dramas, there are many excellent actresses who have successfully portrayed the image of female agents. They not only meet the requirements of the role in appearance, but also show the inner world of the character vividly through superb acting skills.

For example, Shen Aojun's performance in "Latent", she brought the role of Zuo Lan to life with her delicate and nuanced acting skills, which moved the audience.

Song Jia's performance in "Cliff" is also commendable, she portrays Gu Qiuyan's inner world through precise performances, so that the audience has a strong resonance with the fate of the character.

These successful examples tell us that in order to create a good role of a female agent, not only the actors need to meet the requirements of the role in appearance, but also need them to present the inner world of the character through superb acting skills.

Only in this way can the audience resonate with the characters, thus making the work more engaging.

Looking back on Li Qin's performance in "The Wind Chaser", we can't help but ask: Why is there such a mismatch between the actor and the role?

Behind this is undoubtedly the problem of casting in the current spy war drama. In order to cater to the preferences of the market and young audiences, producers often prefer to choose actors with traffic and topicality to play important roles.

These actors often lack enough acting skills and strength to support the depth and complexity of the role, which leads to a decline in the overall quality of the work.

Although "Wind Chaser" has awakened the audience's enthusiasm for spy war dramas to a certain extent, the performance of the heroine Li Qin makes people see the problems and shortcomings of current spy war dramas.