There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
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Hello Tibetan friends, today we have invited Mr. Tang Fazhou, then the successor of Qi Baishi, the disciple of Qi Liangzhi, the president of the Chinese Qi Baishi Academy of Painting and Calligraphy, the visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited teaching and research director, the contracted painter of Beijing Fine Art Academy and Rong Bao Zhai, the expert of Qi Baishi's calligraphy and painting big data identification, the president of the Shanghai Qi Baishi Art Research Association, and the chief operating officer of Baishi Shantang Culture Media-Mr. Tang Fazhou once heard his master Qi Baishi's little daughter Qi Liangzhi say this: Qi Baishi's written record of being called "Weng" is probably based on his own inscription The poem "Over the Five Crosses of the Year" in "Lao Lai Hong" is the earliest. Despite this, so far I have not seen him write "Weng" in his works at the age of fifty. The reason for this may be that Qi Baishi had not yet settled in Beijing at that time, and most of his works were not seen in Hunan. At present, Qi Baishi's works with "Weng" were made at the age of 55, which means that he wrote the name with "Weng" after the age of 55, such as "Baishi Mountain Weng", "Borrowing Mountain Weng", "Sanbai Shiyin Rich Man" and so on.
Qi Baishi's "White Stone Mountain Weng" work "Mouse Gnawing Book"
So far, although the author has not seen Qi Baishi write "Weng" in his works at the age of 50, there is a record that he was called Weng by his friends when he was 53 years old. In "Imitation of Jin Dong Heart Body Calligraphy", Fu Ge's poem "Borrowing the Mountain" poem: "Yamamoto is born who dares to borrow, no single pen to win the heavens, and the mountain is to borrow from the non-fate, all in a bright smile." "
Qi Baishi's "Three White Stone Prints Rich Man" works "Shrimp" Qi Baishi
In "Stone and Crab", the inscription "Three hundred stone seals of the master, frequent life", no painting year. There is a seal of "three hundred square stone prints of the rich man" in the corner of the town. This seal not only solves the upper limit of the painting time, but also is the earliest example of the seal with the word "Weng" found so far. According to Qi Baishi's later years, it is speculated that the "three hundred stone seal rich" was engraved earlier than the "three hundred stone seal rich" seal. "Hundred Stone Seal Rich Man" was engraved in 1919, when Qi Baishi was fifty-six years old. The time of engraving of the "Three Hundred Square Stone Seal Rich Man" seal should be before the age of fifty-six.
Qi Baishi's "Three White Stone Seal Rich Man" works "Crab"
The above is through the mouth of Qi Baishi's friends and the seal he used to confirm that he was called "Weng" after the age of 90. So what is the earliest example of Qi Baishi using the word "Weng" in the title of his book? He inscribed in "Imitation of Bada Mountain Man and Shrimp": "On the second day of the first month of Gengshen (1920), Ping Weng remembered again. "In 1920, Qi Baishi was fifty-seven years old. When Qi Baishi was about 50 years old, he wrote more about Jin Dong's heart, and the author found many works written in gold style, such as "Ping Weng" and "Three Hundred Stone Seal Rich Man", but because none of them were old, he did not dare to assert that there were works earlier than 57 years old.
Qi Baishi's "Ah Zhi" work "Pear Bee"
It solves the problem of when Qi Baishi began to call "Weng", and provides a basis for identifying the age of Qi Baishi's works. The twenty-eighth issue of the "Art Series" set the fifteen-page "Pear Bee" to be made at the age of forty-seven, and the picture was only inscribed with the words "Three Hundred Stone Prints of the Rich Man" (the rich character is not a little above). "Qi Baishi's Painting and Appreciation" sets Figure 1 "Pear Bee" to be painted after the age of 40. Both of them set "Pear Bee" to be made after the age of forty, I am afraid that it was taken from Qi Baishi's inscription: "This Baishi is a work after forty, Baishi and Xue have the same liver and gallbladder, and they are like not learning. Ninety-one years old, also remembered. "According to Qi Baishi's age of fifty, the drawing time of "Pear Bee" should be no earlier than fifty years old. Qi Baishi is old and old, and his memory is inevitably wrong. If we talk about the law of "Weng", Qi Baishi's "Pear Bee" comes first, and the inscription comes later, it seems that there is no such possibility, because the style of calligraphy, painting, and printing are consistent. (To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, a lineage, only do authentic calligraphy and painting, gather the length of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! perennial sales of high-end calligraphy and painting, looking for cooperation with high-end painting brokers, partners, regional leaders, the main operation of Qi Baishi before his death with the same painting brush, Qi Baishi painting shrimp special rice paper, Qi Bai graphite block, Qi Baishi self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, president of the Chinese Qi Baishi Painting and Calligraphy Academy, pays tribute to the 160th anniversary of Qi Baishi's birth and reproduces Qi Baishi's microcosm of the world calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Shuilian, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Tang Fazhou and other Qi Baishi's heirs' calligraphy, paintings, and seals worth more than 100 million are also acceptable to NFT, digital collections, metaverse and other operations, and powerful network companies are welcome to bid. (Picture and text excerpt from: Qi Baishi's heirloom calligraphy and painting network)
(The picture materials in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Institute, Qi Baishi Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Year of the Rabbit compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Academy)