Every year, the CCTV Spring Festival Gala is a grand audio-visual feast, which is the common expectation of hundreds of millions of viewers. However, this year's Spring Festival Gala brought us several unexpected programs, which were impressive.
First of all, Liu Qian's magic. Liu Qian, this name is like thunder in the magic world, and his magic skills have long been recognized by the public.
However, this year's magic show brought us a whole new feeling. Needless to say, there is no need to say much about that exquisite skill, but what is even more amazing is that Liu Qian actually "straightened his nose" during the performance, and the cards with Nigmaiti did not seem to be completely matched. This undoubtedly increased the mystery of magic, and also made Liu Qian's performance a hot search topic that night.
Let's talk about Yue Yunpeng's cross talk. Yue Yunpeng, a young actor from Deyun Club, won the love of the audience with his humorous performance. This year's cross talk was originally the expectation of many audiences. However, what is surprising is that his cross talk is not as hilarious as in previous years, but rather a little disappointing. However, the restaurant brother he played in the cross talk made the audience feel the other side of his acting skills, and the simplicity and sincerity touched many people.
Finally, the sketch "Can That Be the Same". This sketch tells the story of a family, but in the handling of the storyline, it feels a little awkward. Especially in one of the episodes, the mother wanted to keep her daughter at home for the New Year, but was blamed by her daughter and son-in-law. With such a plot arrangement, people can't help but ask, what does the director think? Is there a grudge against his mother?
The sketch should face up to social reality, not shoot some mother-in-law and mother-in-law problems, escapism cannot resonate. It's still Zhao Benshan's sketches good-looking. Why are the current sketches always lyrical education? Watching a sketch is nothing more than making people laugh and relax. Now the cross talk sketch is embarrassing. Don't want to see it.
Sketches used to be a beautiful landscape on the Chinese literary stage. In those years, whether it was the CCTV Spring Festival Gala or local stations, sketches were one of the most anticipated programs by the audience. Those classic sketches, such as "Superborn Guerrilla", "Yesterday, Today, Tomorrow", etc., have left a deep impression on us.
However, today's sketches can never go back to the past. Although the current actors are talented, they are difficult to compare with their predecessors in the past when it comes to performing sketches. Why?
Today's sketches are too focused on form and technique, and ignore the depth and meaning of the content. In the past, the sketches were all based on life, reflecting the hot spots and issues of the society at that time. While enjoying the show, the audience can also feel the atmosphere and emotions of that era. However, the current sketches often pursue laughter and novelty, ignoring the communication with the audience's heart.
Today's sketch actors lack life experience and understanding. The predecessors of the actors in the past have all come through in life, and they are well aware of the complexity and multifaceted aspects of human nature. However, some current actors often lack this kind of life experience and understanding, and it is difficult to create a real and three-dimensional character image in the sketch.
Today's sketches lack the courage and courage to innovate. As a form of performing art, sketches need to be constantly innovated in order to maintain their vitality and charm. However, today's sketches often fall into a fixed pattern and framework, lacking the courage and courage to innovate. This makes the audience's interest and expectation of the sketch gradually weaken.
The sketch can never go back to the past, but this does not mean that the sketch has lost its meaning and value. As long as we can re-examine the essence and meaning of the sketch, pay attention to the unity of content and form, perceive the truth of life, and have the courage to innovate, I believe that the sketch can still become a beautiful landscape in the hearts of the audience.
In general, in this year's Spring Festival Gala, sketches and cross talk programs do not seem to be as good as in previous years, while singing and dancing programs are relatively more brilliant. So, which show do you like best?