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2024-2030 China Online Audio Industry Decision-making Suggestions and Investment Value Analysis Report

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2024-2030 China Online Audio Industry Decision-making Suggestions and Investment Value Analysis Report

2024-2030 China Online Audio Industry Decision-making Suggestions and Investment Value Analysis Report

[Publisher]: Zhongying Xinhe Research Network

[The content part has been deleted, and the details can be found in the full information published by Zhongying Xinhe Research Network!]

Chapter 1 Overview of Online Audio

1.1 Basic Introduction to Online Audio

1.1.1 Online audio connotation

1.1.2 Online audio development

1.1.3 Online audio industry chain

1.2 Ecological analysis of online audio content

1.2.1 Main types of content

1.2.2 Content Production Process

1.2.3 Content Morphological Characteristics

1.2.4 Content cooperation model

1.3 Main features of the online audio industry

1.3.1 Branding of the operating platform

1.3.2 Segmentation of communication content

1.3.3 Professionalization of anchor status

1.3.4 Scenario-based user experience

Chapter 2 Analysis of the development status of the international online audio industry and experience reference

2.1 Analysis of the development of the international online audio industry

2.1.1 Development status of the international online audio market

2.1.2 Traditional media accelerate the development of online business

2.1.3 Development of international online audio platforms

2.2 Analysis of the development of the online audio industry in the United States

2.2.1 Online Audio Consumption

2.2.2 Podcast listener behavior analysis

2.2.3 Audiobook Market Size

2.3 Lessons from the development experience of the international online audio industry

2.3.1 Strengthen copyright protection

2.3.2 Rapid development of new businesses

2.3.3 Build a media ecosystem

Chapter 3 Analysis of the development environment of China's online audio industry from 2021 to 2023

3.1 Economic Environment

3.1.1 Macroeconomic Overview

3.1.2 Investment in fixed assets

3.1.3 Operation of cultural industries

3.1.4 Macroeconomic outlook

3.2 Policy Environment

3.2.1 Summary of relevant policies

3.2.2 Amendments to the Copyright Law

3.2.3 Anti-monopoly Guidelines in the Field of Platform Economy

3.2.4 Standardized management of online live broadcasts

3.3 Social Environment

3.3.1 Scale of social consumption

3.3.2 Income level of residents

3.3.3 Household consumption level

3.3.4 Level of cultural and entertainment consumption

3.3.5 Consumption transformation and upgrading

3.3.6 Changes in consumption concepts

3.4 Technical Environment

3.4.1 5G technology

3.4.2 AI technology

3.4.3 Blockchain technology

3.4.4 Metaverse technology

3.5 Network Environment

3.5.1 The overall size of netizens

3.5.2 Scale of online payment users

3.5.3 Development of Internet applications

3.5.4 Internet access equipment and usage time

3.5.5 Growth rate of electronic information industry

Chapter 4 Comprehensive Analysis of the Development of China's Online Audio Industry from 2021 to 2023

4.1 The operation of China's online audio industry

4.1.1 Industry development characteristics

4.1.2 Industry development focus

4.1.3 Market size analysis

4.1.4 Scale of industry users

4.1.5 Market Competitive Landscape

4.1.6 Industry development hotspots

4.2 Analysis of the development model of China's online audio industry

4.2.1 Industry profit model

4.2.2 Content Production Model

4.2.3 Market Monetization Model

4.3 Analysis of the integration of China's online audio industry

4.3.1 Integration of the publishing industry

4.3.2 Integration of film and television industry

4.3.3 Game Industry Integration

Chapter 5 2021-2023 China Online Audio User Insight Analysis

5.1 Analysis of online audio user portraits in China

5.1.1 User Usage Scenarios

5.1.2 User Usage Duration

5.1.3 Number of monthly active users

5.1.4 User Gender Ratio

5.1.5 User Age Structure

5.1.6 User income level

5.1.7 User Regional Distribution

5.2 Analysis of online audio user behavior in China

5.2.1 User Listening

5.2.2 User Listening Demands

5.2.3 Listening Content Preferences

5.2.4 User satisfaction analysis

5.2.5 Social Willingness Survey

5.2.6 Paid Behavior Survey

5.3 Analysis of online audio users and creators in China

5.3.1 Analysis of the characteristics of user creator content portraits

5.3.2 Survey of Users' Willingness to Create Audio Content

5.3.3 Investigation of the reasons why users create audio content

Chapter 6 Analysis of the Development of China's Knowledge Payment Industry from 2021 to 2023

6.1 Overview of the development of China's knowledge payment industry

6.1.1 Industry Development Background

6.1.2 Industry Life Cycle

6.1.3 Classification of industry entities

6.1.4 Characteristics of industry development

6.1.5 Industry Drivers

6.1.6 Industry development trend

6.2 Analysis of the operation of China's knowledge payment market from 2021 to 2023

6.2.1 Market size

6.2.2 User Scale

6.2.3 User Group Analysis

6.2.4 Number and size of enterprises

6.2.5 Service Function Analysis

6.2.6 Payment Platform System

6.2.7 Content Distribution System

6.2.8 Direction of market transformation

6.3 Analysis of the main modes of China's knowledge payment industry

6.3.1 Content Presentation Mode

6.3.2 Knowledge production model

6.3.3 Knowledge payment model

6.3.4 Marketing and promotion model

6.3.5 Free Model Comparison

6.3.6 Industry profit model

6.4 Investment in China's knowledge payment industry

6.4.1 Scale of industry investment

6.4.2 Industry Investment Events

6.4.3 Corporate Financing Dynamics

6.5 Prospects for the development of China's knowledge payment industry

6.5.1 Industry development space

6.5.2 Industry development opportunities

6.5.3 Consumer Market Prospects

6.5.4 Industry Development Trends

Chapter 7 Analysis of the Development of China's Online Music Industry from 2021 to 2023

7.1 Overview of the development of online music in China

7.1.1 Overview of Online Music Development

7.1.2 The development of online music

7.1.3 Reasons for the rise of online music payment

7.1.4 Composition of the online music industry chain

7.2 Analysis of the operation status of China's online music industry

7.2.1 User Scale Analysis

7.2.2 Market Development Characteristics

7.2.3 Changes in the number of libraries

7.2.4 Market Size Analysis

7.2.5 Car Music Layout

7.2.6 Industry Development Trends

7.2.7 Industry development direction

7.3 Analysis of the main profit models of online music platforms

7.3.1 Membership Fee Model

7.3.2 Content Purchase Model

7.3.3 Advertising Service Model

7.3.4 Copyright Operating Model

7.3.5 Value-added service model

Chapter 8 Analysis of the development of China's radio drama industry from 2021 to 2023

8.1 Overview of the development of the radio drama industry

8.1.1 Basic introduction to radio dramas

8.1.2 Advantages and characteristics of radio dramas

8.1.3 Classification of radio dramas

8.1.4 Classification of radio drama work

8.1.5 广播剧原创剧社

8.2 Development of the radio drama industry

8.2.1 Industry development stage

8.2.2 Industry Development Status

8.2.3 Category of subject matter

8.2.4 Transformation of development model

8.2.5 Characteristics of industry development

8.3 Analysis of the dilemma of the development of radio dramas

8.3.1 Single communication channel

8.3.2 Conservative propaganda

8.3.3 Smaller Audience

8.4 Countermeasures and suggestions for the development of radio dramas

8.4.1 Achieve multi-channel communication

8.4.2 Intensify publicity

8.4.3 Broaden your audience

Chapter 9 2021-2023 China Online Audio Other Product Type Development Analysis

9.1 Audiobooks

9.1.1 Overview of the basic development of audiobooks

9.1.2 Analysis of Audiobook Payment Model

9.1.3 Development status of audiobook industry

9.1.4 Statistics on the number of audiobook users

9.1.5 Audiobook Market Size Analysis

9.1.6 Competitive landscape of audiobook market

9.1.7 Analysis of the development trend of audiobooks

9.2 播客(Podcast)

9.2.1 Overview of the development of the podcast industry

9.2.2 Stages of development of the podcast industry

9.2.3 Competitive landscape in the podcast industry

9.2.4 Development model of the podcast industry

9.2.5 Podcast Industry Brand Opportunities

9.3 Audio Programs

9.3.1 Copyright Protection and Operation

9.3.2 How Audio Programs Work

9.3.3 Audio program propagation path

9.3.4 Audio program content innovation

9.4 Live Audio

9.4.1 Overview of the Development of Live Audio

9.4.2 Development status of live audio

9.4.3 The dilemma faced by live audio

9.4.4 Suggestions for the development of live audio

9.5 Internet Radio

9.5.1 Basic Overview of Internet Radio

9.5.2 Advantages of Internet radio development

9.5.3 Internet Radio Market Size

9.5.4 Network radio propagation paths

9.5.5 Development Strategies for Internet Radio

Chapter 10 Analysis of the operation status of content resource entities in China's online audio industry from 2020 to 2023

10.1 Audiobook Copyright Owners

10.1.1 Chinese Online

10.1.2 Palm Reading Technology

10.1.3 Reading and Listening

10.2 Content Producers

10.2.1 Wing Voice Chinese Dubbing Club

10.2.2 剪刀广播剧团

10.2.3 Simultaneous dubbing studios

10.2.4 729 Sound Workshop

10.2.5 Beidou Penguin Studios

10.2.6 Sound Bear Lianmeng Studio

10.2.7 iFLYTEK dubbing

10.3 Technology R&D

10.3.1 iFLYTEK

10.3.2 Yunzhisheng

Chapter 11 Analysis of the operation status of China's key online audio platforms from 2021 to 2023

11.1 Overview of the development of online audio platforms

11.2 Integrated Audio Platform

11.2.1 Himalayas

11.2.2 蜻蜓FM

11.2.3 荔枝FM

11.2.4 Cloud Listening APP

11.2.5 Cat Ear FM

11.2.6 Mancast APP

11.3 Social Audio Platforms

11.3.1 Tiya

11.3.2 Gimme Radio

11.4 Vertical Audio Platforms

11.4.1 Lazy listening

11.4.2 Jin Yong listens to books

11.5 Platform-Derived Audio Content

11.5.1 Tencent Music

11.5.2 NetEase Cloud

11.5.3 Bettas

Chapter 12 Analysis of the Development of Online Audio Listening Channels in China from 2021 to 2023

12.1 Smartphones

12.1.1 History of smartphones

12.1.2 Smartphone Shipment Analysis

12.1.3 Smartphone Marketing Strategies

12.1.4 Analysis of the total development of mobile apps

12.2 Smart Speakers

12.2.1 Smart Speaker Product Overview

12.2.2 Smart speaker product functions

12.2.3 Smart speaker market size

12.2.4 Smart Speaker Competitive Landscape

12.3 Smart TV

12.3.1 Smart TV Shipment Analysis

12.3.2 Smart TV penetration analysis

12.3.3 Human-computer interaction technology for smart TVs

12.3.4 Smart TV voice central control scheme

12.3.5 Smart TV Application Development Strategy

12.4 Vehicle Terminals

12.4.1 Functional requirements for vehicle data terminals

12.4.2 Development characteristics of the vehicle-mounted terminal industry

12.4.3 Challenges faced by in-vehicle terminals

12.4.4 Development opportunities for the vehicle terminal industry

12.4.5 Development trend of the vehicle terminal industry

Chapter 13 Investment Analysis and Risk Warning of China's Online Audio Industry

13.1 Online audio investment opportunities in China

13.1.1 Ear economic development outlet

13.1.2 Support for the development of AI technology

13.1.3 Investment opportunities in online audio education and training

13.2 Investment Risks in China's Online Audio Industry

13.2.1 Regulatory Risk

13.2.2 Operational Risks

13.2.3 Competition Risk

13.3 Investment Advice for China's Online Audio Industry

13.3.1 Enhance user presence

13.3.2 Intelligent presentation of audio information

13.3.3 Build a closed loop of audio ecology

13.3.4 Cooperate to improve market rules

Chapter 14 Zhongying Xinhe's forecast for the prospect and trend of China's online audio industry from 2024 to 2030

14.1 Prospects for the development of China's online audio industry

14.1.1 Industry Development Opportunities

14.1.2 Industry development direction

14.1.3 Industry Development Prospects

14.2 Development Trend of China's Online Audio Industry

14.2.1 The size of the industry has surged further

14.2.2 Strive to build an audio ecosystem

14.2.3 The profit model is becoming more diversified

14.3 Forecast and analysis of China's online audio industry from 2024 to 2030

14.3.1 Analysis of influencing factors of China's online audio industry from 2024 to 2030

14.3.2 China Online Audio Market Size Forecast 2024-2030

14.3.3 China's online audio user size forecast from 2024 to 2030

Table of Contents of Charts

Figure 1 Map of the online audio industry chain in China

Figure 2 The industrial chain structure of the online audio industry in mainland China

Figure 3 Upstream operation process of online audio industry in mainland China

Figure 4 Downstream application scenarios of the online audio industry chain in mainland China

Figure 5 The production process of online audio content

Figure 6 Morphological characteristics of platform content

Figure 7 Methodology of Himalayan Boutique Audio Drama Production

Figure 8 Himalaya's main advantages

Figure 9 Himalayan podcast ecology

Figure 10 Collaboration between online audio platforms and content creators

Figure 11 Percentage of U.S. online audio listeners (12+) from 2000 to 2022

Figure 12 Percentage of U.S. podcast listeners (12+) from 2006 to 2022

Figure 13 Percentage of monthly active listeners of podcasts in the United States, 2008-2022

Figure 14 Percentage of active listeners of U.S. Podcast Week from 2013 to 2022

Figure 15 U.S. primary office space, 2021-2022

Figure 16 Top Places Americans Listen to Podcasts in 2021

Figure 17 Top devices used by Americans to listen to podcasts in 2021

Exhibit 18 Social media usage of monthly active podcast listeners in the U.S. in 2022

Figure 19 Most popular use of social media by monthly active podcast listeners in the U.S. in 2022

Figure 20 Smart speaker ownership in the United States from 2017 to 2022

Figure 21 U.S. audiobook consumption from 2015 to 2022

Figure 22 GDP and its growth rate, 2018-2022

Figure 23 Proportion of added value of the three industries to GDP from 2018 to 2022

Figure 24 Preliminary accounting data of China's GDP in 2023

Figure 25 China's GDP growth rate from 2018 to 2023

Figure 26 China's GDP growth rate from 2018 to 2023

Figure 27 Proportion of investment in the three industries in fixed assets (excluding rural households) in 2022

Figure 28 Growth rate of fixed asset investment by industry (excluding rural households) in 2022

Chart 29 Investment in fixed assets added to major production and operation capacity in 2022

Figure 30 Main indicators of culture and related industries in 2022

Figure 31 Policies regulate and encourage the development of the online audio industry in mainland China

Figure 32 The total retail sales and growth rate of consumer goods in China from 2018 to 2022

Figure 33 The year-on-year growth rate of total retail sales of consumer goods in China from 2022 to 2023

Figure 34 Year-on-year growth rate of retail sales by consumption type from 2022 to 2023

Figure 35 Main data of the total retail sales of consumer goods in China in 2023

Figure 36 National per capita disposable income and growth rate from 2018 to 2022

Figure 37 Per capita disposable income and growth rate of urban and rural residents at the national level and by region, 2022-2023

Figure 38 National per capita consumption expenditure and its composition in 2022

Figure 39 Per capita consumption expenditure and its composition in 2023

Figure 40 Dynamic trend of per capita consumption expenditure on education, culture and entertainment from 2018 to 2022

Figure 41 The scale of Internet users and Internet penetration rate in mainland China from 2018 to 2022

Figure 42 The scale of mobile Internet users in mainland China and its proportion in Internet users from 2018 to 2022

Figure 43 Urban-rural structure of mainland netizens, 2021-2022

Figure 44 Internet penetration rate in urban and rural areas of mainland China, 2018-2022

Figure 45 The scale and usage rate of online payment users in mainland China from 2018 to 2022

Figure 46 The scale of Internet application users and the usage rate of netizens from 2021 to 2022

Figure 47 Usage of Internet access equipment from 2021 to 2022

Figure 48 Average weekly online time spent by Internet users from 2018 to 2022

Figure 49 Cumulative growth rate of electronic information manufacturing industry and industrial added value from 2021 to 2022

Figure 50 Cumulative growth rate of export delivery value of electronic information manufacturing and industry from 2021 to 2022

Figure 51 The cumulative growth rate of operating income and total profit of the electronic information manufacturing industry from 2021 to 2022

Figure 52 Cumulative growth rate of investment in electronic information manufacturing and industrial fixed assets from 2021 to 2022

Figure 53 The cumulative growth rate of electronic information manufacturing and industrial added value from 2022 to 2023

Figure 54 Cumulative growth rate of export delivery value of electronic information manufacturing industry and industry from 2022 to 2023

Figure 55 The cumulative growth rate of operating income and total profit of the electronic information manufacturing industry from 2022 to 2023

Figure 56 Cumulative growth rate of investment in electronic information manufacturing and industrial fixed assets from 2022 to 2023

Figure 57 China Online Audio Market Size and Forecast 2017-2022

Figure 58 Development trend of online audio users in mainland China from 2017 to 2022

Figure 59 The number of active online audio users and the penetration rate of the whole network in mainland China in 2022

Figure 60 Competitive Levels of Online Audio Platforms

Figure 61 Online audio platform market share

Figure 62 Upstream and downstream business profit models of China's online audio industry chain

Figure 63 Sources of commercial profit models for online audio products in China

Figure 64 Online audio content production model in China: UGC model

Figure 65 China's online audio content production model: podcast model

Exhibit 66 Monetization model structure of China's online audio market in 2021

Figure 67 Voice+ has revolutionized the publishing market

Figure 68 Layout of film and television institutions in the field of audio

Figure 69 Cases of audio products adapted from games

Figure 70 Survey of online audio user usage scenarios in China in 2021

Figure 71 Duration of online audio users in China in 2021

Figure 72 Percentage of online audio users in China in 2021

Figure 73 The amount of time Chinese netizens spent using online audio each time in 2022

Figure 74 Average monthly active users of China's online audio industry from 2016 to 2021

Figure 75 Gender ratio of online audio users in mainland China in 2022

Figure 76 Age structure of online audio users in mainland China in 2022

Figure 77 Personal monthly income of online audio users in mainland China in 2022

Figure 78 Location distribution of online audio cities in mainland China in 2022

Figure 79 Distribution of online audio cities in mainland China in 2022

Figure 80 Distribution of online audio users' listening patterns in mainland China in 2022

Figure 81 Listening patterns of online audio users in China by age in 2022

Exhibit 82 Purpose of Listening to Audio by Online Audio Users in China in 2022

Figure 83 Distribution of audio segments and top 5 content requirements in 2022

Figure 84 Differences in demand for audio content among online audio users in mainland China in 2022

Figure 85 Demand for audio content by different age groups of online audio users in mainland China in 2022

Figure 86 Satisfaction with the overall quality of content among Chinese online audio users in 2021

Figure 87 Satisfaction of Chinese online audio users with improved content quality in 2021

Figure 88 Survey on the willingness of Chinese online audio users to meet their friends through audio platforms in 2021

Figure 89 Purchase Factors Considered for Paid Products by Online Audio Users in China in 2021

Figure 90 Purchase behavior of online audio users in China in 2021

Exhibit 91 Average monthly payment rate of China's online audio market, 2016-2021

Figure 92 Content portrait of online audio user creators

Figure 93 2021 Survey on the willingness of Chinese online audio users to create their own audio

Exhibit 94 Reasons why online audio users in China create audio content in 2021

Figure 95 Matrix of China's culture and entertainment industry

Figure 96 AMC model of China's pan-knowledge payment industry

Figure 97 Life cycle of China's knowledge payment industry

Figure 98 Map of China's knowledge payment platform

Figure 99 Classification of knowledge payment industry entities in China

Figure 100 List of well-known enterprises in China's knowledge payment industry

Figure 101 China's comprehensive knowledge payment platform

Figure 102 China's knowledge payment market size from 2015 to 2022

Figure 103 China's knowledge paying users and forecast, 2015-2025

Figure 104 Portrait of "35+" knowledge paying users in 2021

Figure 105 Types of platforms used by "35+" knowledge paying users in 2021

Exhibit 106 Factors considered by the "35+" group in choosing a knowledge payment platform in 2021

Figure 107 Types of knowledge payment platforms for "35+" groups by age group in 2021

Figure 108 Top 5 Considerations for Knowledge Payment Platforms of Different Ages in the "35+" Group in 2021

Figure 109 Number of new enterprises in China's knowledge payment industry from 2013 to 2023

Figure 110 Overview of the service functions of knowledge payment tools

Figure 111 Comparison of the advantages and disadvantages of the main modes of knowledge payment in China

Figure 112 Knowledge production model of China's knowledge payment industry

Figure 113 Overview of knowledge payment model in China's knowledge payment industry

Figure 114 Knowledge payment products and corresponding charging models provided by different platforms

Figure 115 "Content-Traffic-Monetization" Model V1 of Knowledge Payment-related Platforms

Figure 116 "Content-Traffic-Monetization" Model V2 of Knowledge Payment-related Platforms

Figure 117 The number of investments in China's knowledge payment industry from 2015 to 2022

Figure 118 Investment in China's knowledge payment industry from 2015 to 2022

Figure 119 Investment events in China's knowledge payment industry from 2021 to 2022

Exhibit 120 2023-2025 China Knowledge Payment Market Size Forecast

Figure 121 Stages of online music development

Figure 122 Map of China's online music industry chain

Figure 123 The scale and usage rate of online music users in China from 2018 to 2022

Figure 124 Changes in the number of major online music libraries in China from 2016 to 2021

Figure 125 China's online music service market size from 2016 to 2022

Figure 126 China's music-derived social entertainment service market size from 2016 to 2022

Figure 127 China's car music market size and forecast from 2018 to 2025

Figure 128 Layout of the audio software platform and the industry pattern of the vehicle side

Figure 129 Portrait of in-car audio users in China in 2022

Figure 130 2022 Survey on Listening Patterns of Car Audio Users in China

Figure 131 Survey of China's in-vehicle audio users' main listening audio software in 2022

Figure 132 2022 Survey on the Default Sound Quality of Chinese Car Audio Users by Car Zhai Software

Figure 133 2022 Survey on the advanced sound quality of each in-vehicle software by car audio users in China

Figure 134 2022 China Car Audio Software Sound Satisfaction Survey

Figure 135 2022 China Car Audio Platform Usage Satisfaction Survey

Figure 136 2022 China Car Audio Software Search, Recommendation, and Recognition Function Satisfaction Survey

Exhibit 137 The main types of pre-installed in-car audio software selected by Chinese OEMs in 2022

Exhibit 138 Classification of audiobooks

Exhibit 139 Composition of the digital reading market

Figure 140 Several mainstream payment models in the audiobook industry

Figure 141 Ownership structure of major enterprises in mainland China

Figure 142 Audiobook User Scale in China from 2016 to 2022

Figure 143 Market share of China's digital reading by sector from 2018 to 2022

Figure 144 The most influential works of China's audio reading radio and television stations in 2022

Figure 145 The most influential works in the children's category of China's audio reading online platforms in 2022

Exhibit 146 The Most Influential Works of China's Audio Reading Online Platforms in 2022

Figure 147 Top 10 audio and video live streaming apps in the world by monthly revenue in 2022

Figure 148 Major Audio and Video Live Streaming Enterprises: Overseas Key Markets and Products

Figure 149 Total overseas revenue of some audio and video live streaming companies in 2022

Figure 150 Total assets and net assets of Chinese Online Digital Publishing Group Co., Ltd. from 2020 to 2023

Figure 151 Operating income and growth rate of Chinese Online Digital Publishing Group Co., Ltd. from 2020 to 2023

Chart 152 Net profit and growth rate of Chinese Online Digital Publishing Group Co., Ltd. from 2020 to 2023

Exhibit 153 Operating profit and operating profit margin of Chinese Online Digital Publishing Group Co., Ltd. from 2020 to 2023

Exhibit 154 Return on equity of Chinese Online Digital Publishing Group Co., Ltd., 2020-2023

Exhibit 155 Short-term solvency index of Chinese Online Digital Publishing Group Co., Ltd., 2020-2023

Figure 156 Asset-liability ratio of Chinese Online Digital Publishing Group Co., Ltd. from 2020 to 2023

Exhibit 157 Operational capability indicators of Chinese Online Digital Publishing Group Co., Ltd., 2020-2023

Exhibit 158 Total assets and net assets of Zhangyue Technology Co., Ltd. from 2020 to 2023

Figure 159 Operating income and growth rate of Zhangyue Technology Co., Ltd. from 2020 to 2023

Figure 160 Net profit and growth rate of Zhangyue Technology Co., Ltd. from 2020 to 2023

Exhibit 161 Operating profit and operating margin of Zhangyue Technology Co., Ltd. from 2020 to 2023

Exhibit 162 Return on net assets of Zhangyue Technology Co., Ltd. from 2020 to 2023

Exhibit 163 Short-term solvency indicators of Zhangyue Technology Co., Ltd., 2020-2023

Exhibit 164 Asset-liability ratio of Zhangyue Technology Co., Ltd. from 2020 to 2023

Exhibit 165 Indicators of Operational Capability of Palmread Technology Co., Ltd. from 2020 to 2023

Exhibit 166 Comprehensive income statement of China Literature Group from 2019 to 2020

Exhibit 167 China Literature Group Division, 2019-2020

Exhibit 168 China Literature Group's comprehensive income statement from 2020 to 2021

Exhibit 169 China Literature Group Division, 2020-2021

Exhibit 170 2021-2022 China Literature Group Comprehensive Income Statement

Exhibit 171 China Literature Group Divisional Data, 2021-2022

Exhibit 172 Introduction of major radio drama works with different voices

Figure 173 Introduction to comic works with different voices

Exhibit 174 Introduction of the main songs with different voices

Exhibit 175 Total assets and net assets of iFLYTEK Co., Ltd. from 2020 to 2023

Figure 176 2020-2023 iFLYTEK Co., Ltd. operating income and growth rate

Figure 177 Net profit and growth rate of iFLYTEK Co., Ltd. from 2020 to 2023

Figure 178 Operating profit and operating margin of iFLYTEK Co., Ltd., 2020-2023

Exhibit 179 Return on net assets of iFLYTEK Co., Ltd., 2020-2023

Exhibit 180 Short-term solvency indicators of iFLYTEK Co., Ltd., 2020-2023

Figure 181 Asset-liability ratio of iFLYTEK Co., Ltd. from 2020 to 2023

Exhibit 182 Operational capability indicators of iFLYTEK Co., Ltd. from 2020 to 2023

Exhibit 183 Network penetration rate and monthly active users of online audio platforms in mainland China in 2022

Figure 184 Top 20 monthly active users of online audio apps in 2022

Figure 185 Trend of monthly active users of integrated audio platforms in mainland China in 2022

Figure 186 Characteristics of a comprehensive audio platform

Figure 187 History of the Himalayas

Figure 188 Himalaya's main business and content production model

Exhibit 189 Himalaya's main business models

Figure 190 Introduction and development process of Dragonfly FM platform

Figure 191 Main content and content production mode of Dragonfly FM

Exhibit 192 Dragonfly FM's strategy to enhance brand influence

Figure 193 Introduction and development process of LIZHI platform

Figure 194 LIZHI's content ecology and main business

Exhibit 195 Comprehensive income statement of litchi companies from 2020 to 2021

Exhibit 196 Segment information of Litchi companies, 2020-2021

Exhibit 197 Comprehensive income statement of litchi companies from 2021 to 2022

Exhibit 198 Segment information of Litchi companies, 2021-2022

Exhibit 199 Comprehensive Income Statement of Litchi Companies from 2022 to 2023

Exhibit 200 Litchi Company Segment Information, 2022-2023

Exhibit 201 Comparison of interest audio app MAU year-on-year growth

Chart 202 Comparison of the year-on-year growth rate of new monthly new users of interest audio apps

Figure 203 Urban distribution of interest audio app users

Figure 204 Operational value of manipulation

Figure 205 Lazy people listen to the "Anniversary User Welfare Giveaway" activity

Exhibit 206 2020-2021 Tencent Music Comprehensive Income Statement

Exhibit 207 Tencent Music Comprehensive Income Statement from 2021 to 2022

Exhibit 208 2022-2023 Tencent Music Comprehensive Income Statement

Exhibit 209 2019-2020 Cloud Music Comprehensive Income Statement

Exhibit 210 Cloud Music Segment Data, 2019-2020

Exhibit 211 2020-2021 Cloud Music Comprehensive Income Statement

Exhibits212 Cloud Music Segment Data, 2020-2021

Exhibit 213 2021-2022 Cloud Music Comprehensive Income Statement

Exhibits214 Cloud Music Segment Data, 2021-2022

Exhibit 215 2020-2021 Douyu Live Comprehensive Income Statement

Chart 216 2021-2022 Douyu Live Comprehensive Income Statement

Exhibit 217 2022-2023 Douyu Live Comprehensive Income Statement

Figure 218 Betta product architecture diagram

Exhibit 219 Global smartphone shipments in 2021

Exhibit 220 China's smartphone shipments and growth rate from 2021 to 2022

Exhibits221 China's Top 5 Smartphone Manufacturers, 2021-2022 - Shipments, Market Share, and YoY Growth (QoQ)

Exhibits222 China's Top 5 Smartphone Manufacturers, 2021-2022 - Shipments, Market Share, and YoY Growth (Full Year)

Exhibits: 223 Smartphone shipments, 2018-2023

Figure 224 The number of apps in China and their year-on-year growth rate from 2017 to 2022

Figure 225 Sales volume of smart speaker market in mainland China from 2017 to 2022

Figure 226 Sales of smart speakers in mainland China from 2017 to 2022

Figure 227 China's smart speaker market share

Figure 228 Summary of listed companies related to smart speakers in China

Exhibit 229 2023 global TV brand shipment data

Figure 230 Global Smart TV Penetration Rate, 2017-2022

Figure 231 The number of patent applications filed in China in the field of human-computer interaction for smart TVs by countries around the world

Figure 232 Trend of patent applications for human-computer interaction technology for smart TV

Figure 233 Trend of patent applications for remote control technology

Figure 234 Trend of patent applications for speech recognition technology

Figure 235 Analysis of Posture and Gesture Recognition Technology Classification Numbers

Figure 236 Trend of patent applications for facial recognition technology

Figure 237 Full-link intelligent voice

Figure 238 Relationship between internal and external modules of the enterprise central control platform

Figure 239 Basic architecture of voice central control

Figure 240 Voice central control core module

Figure 241 Basic software architecture

Figure 242 Schematic diagram of the functional architecture of remote monitoring and Internet of Vehicles

Figure 243 Block diagram of the hardware of the vehicle-mounted data terminal

Figure 244 Key regulations and standards for in-vehicle data terminals

Figure 245 GB/T 32960.2 Key functional requirements for vehicle data terminals

Figure 246 Analysis of information security requirements of vehicle data terminals

Figure 247 Requirements for key business functions of the Internet of Vehicles

Figure 248 Attitudes of Chinese online audio users towards the development prospects of AI clusters in the field of online audio in 2021

Figure 249 Voice talent gap in mainland China

Exhibit 250 China's online audio market size forecast for 2024-2030

Figure 251 China's forecast for online audio users from 2024 to 2030

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