Yan Zhenqing's "The Story of Magu Immortal Altar" HD

The full name is "There is a record of the immortal altar of Magu Mountain in Nancheng County, Fuzhou County, Tang Dynasty"

There are large-character books, medium-character books, and small-character books.

The small print is now in the Mitsui Bunko in Japan. The word diameter is about 1 cm, where there are 46 lines, 901 words.

In the Ming Dynasty, Wen Zhengming's father and son engraved the "Stopping Cloud Pavilion Post" began to be earned, and the inheritance was valued by the Nancheng carving.

The earliest rubbings are the collection of Guo Ruoyu in Shanghai, the stone is complete, and the words are clear.

Yan's book has been handed down, there are very few small Kai works, and the small character book "Magu Xiantan Ji" is broad as a whole, and you can still see the strength of the big characters.

Wang Shu of the Qing Dynasty said: "Yan Lu Gongshu, the big one has not passed "Zhongxing Song", and the small one has not passed "Magu Altar". However, although the size is different, the spiritual structure is the same. After playing for a long time, I know that "Zhongxing" is not big, and "Magu" is not small, so I think too much about Yan Shu. ”。

Yan Zhenqing, a native of Jingzhao Wannian, is today's Xi'an, Shaanxi. Tang Dynasty ministers, calligraphers, good at calligraphy, regular script, initially learned Chu Suiliang, and later followed Zhang Xu to learn calligraphy, and finally formed their own pen movement techniques and the essence of experience, into a "face body".

Yan Zhenqing, Zhao Mengfu, Liu Gongquan, and Ouyang Xun are also known as the "Four Masters of Regular Script". It is also called "Yan Liu" and Liu Gongquan, and is called "Yan Muscle Willow Bone".

Characteristics of Yan body pen:

Plump and majestic, majestic atmosphere, with pen fat, containing muscles and bones, free and strong, strong and powerful, there is a Tang atmosphere.

The pen is round and turns to Tibetan front, typical silkworm head shape, some vertical paintings have arcs, square and round, round and comfortable, with centripetal force.

Fair. Yan Zhenqing uses a strong and strong pen, making good use of the center, there are muscles and bones, there are also sharp edges, the general horizontal painting is slightly thinner, the vertical painting, the point, the skimming and the pinch are slightly thick, flat and stable.

Uniform. Left and right structure, balanced size, harmonious and appropriate.

The outside is tight and the inside is loose, mostly encircling, sparse and generous.

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Source: Bing Ri Zhai