The 2024 Spring Festival Gala, a feast destined to be controversial, has aroused strong attention and repercussions from the audience.
This year's Spring Festival Gala seems to carry more expectations, but the audience's mood is not restless joy, but full of loss and doubt.
The laughter and laughter that used to be like a distant dream in Gong Hanlin's prophecy back then have now become the audience's deep reflection on the Spring Festival Gala.
What he said is true, such feelings are not only because of the change in the lineup, but also an irreversible turning point in the Spring Festival Gala culture.
The exposure of the rehearsal lineup caused dissatisfaction among the audience
After the rehearsal lineup for the 2024 Spring Festival Gala was exposed, a storm of public opinion quickly swept in.
The audience did not have the slightest expectation for this traditional feast, but showed full of disappointment and dissatisfaction when the lineup was announced.
The lottery ranking is single, and angry rhetoric is flooding the Internet.
Some viewers said unabashedly: "Is this called the Spring Festival Gala? This is called a celebrity gathering, the Spring Festival Gala is no longer like the Spring Festival Gala, look at how many people watch it." This outspoken attitude directly reflects their distrust of this year's Spring Festival Gala.
Some people even said after seeing the list: "When you see this list, you decisively cover the TV." ”
The audience's expectations for the Spring Festival Gala seem to have fallen to the bottom, and this is not just because of their antipathy to some actors.
What's even more fatal is that they have reached an intolerable state for the quality of the Spring Festival Gala works.
The former "laughter" has become the audience's "sigh", which makes people wonder whether the traditional cultural symbol of the Spring Festival Gala is heading for the abyss.
This kind of audience's resistance is far more than a temporary emotional catharsis, but also a question about the cultural trend of the entire Spring Festival Gala.
Audiences crave a show full of creativity and classic sketches, and the announcement of the rehearsal lineup seems to make that expectation even more elusive.
This is not only a dissatisfaction with the choice of actors, but also a question about the quality of the entire Spring Festival Gala program, as the audience said: "Coupled with the interpretation style of changing the soup every year, the audience no longer wants to watch the Spring Festival Gala." ”
Comedy celebrity quits: Gong Hanlin's prophecy came true
With the exposure of the rehearsal lineup, the absence of comedy celebrities has become the focus of discussion among the audience.
Gong Hanlin, who has gone through the history of the Spring Festival Gala, once said: "Now everyone goes online, search for a joke here, there are two sentences that are very funny, and then it becomes a show."
Just kidding! We pursue originality, and we always believe that we have to do what I have and you don't!" This statement now seems to have found the most direct verification.
The exit of comedy stars is no longer a momentary decision, but a choice to adhere to the artistic quality.
Chen Peisi has appeared on the stage of the Spring Festival Gala 11 times, and the tacit understanding between his sketches and Zhu Shimao makes the audience have endless aftertastes.
However, looking back now, such a comedy has long become a classic in the hearts of the audience.
Chen Peisi's withdrawal, some people say that he is too outspoken, and some people say that it is because he is too demanding of his works.
In fact, he has a very high pursuit of his own works, and his requirements for the creative atmosphere are even more demanding.
He once said bluntly: "It's not the kind of atmosphere of a creation, and every department is holding each other back, so it's very annoying." ”
Chen Peisi's attitude is not only the height of his own works, but also his serious attitude towards comedy creation.
He has always believed that the audience is happy because of the baggage of the sketch, not by deceiving to win laughter. For "childcare" is even more scoffing.
On the stage of the Spring Festival Gala, where his works are either "sensational" or "educational", Chen Peisi's withdrawal means a kind of protection of the true comedy spirit.
In addition to Chen Peisi, there are also comedy superstars such as Gong Hanlin withdrawing, which makes the familiar laughter on the stage of the Spring Festival Gala gradually fade.
The reason for this is not only the pressure of the artists, but also the restrictions on creators caused by the review mechanism of the Spring Festival Gala.
In the past, artists regarded the Spring Festival Gala as an important stage, but now the existence of a review mechanism discourages them.
Guo Degang, a leading figure in the cross talk industry, said bluntly: "For the stage of the Spring Festival Gala, first of all, I was very longing for my youth, if it was on this stage, this is very remarkable and happy, of course, later the reality shattered my dream, I didn't succeed, but I felt a little unacceptable to the unique censorship system back then." ”
The actors faced the scrutiny of the eight experts of Zhang San, Li Si, Wang Wu, and Zhao Liu, and felt as if they were "resigned to fate".
The rise of traffic stars and the change in the relationship between the audience of the Spring Festival Gala
With the passage of time, the stage of the Spring Festival Gala has gradually become a battlefield for traffic stars, which has made the audience's expectations for the Spring Festival Gala fundamentally change.
The Spring Festival Gala, which was once full of comedic creativity and originality, is now becoming more and more dependent on the aura of traffic stars, and audiences are beginning to question whether this change really meets their expectations.
In the past, the Spring Festival Gala was a stage for artists who brought laughter to the audience through innovative sketches and humorous jokes.
However, now with the rise of traffic stars, the Spring Festival Gala seems to be more willing to rely on the aura of stars rather than the pursuit of creativity.
Audiences began to feel the change of the Spring Festival Gala from traditional art to commercialization, which made them doubt the quality and fun of the show.
The influx of traffic stars has also changed the audience's focus on the Spring Festival Gala.
In the past, the audience would look forward to the show because of the sketches and cross talk of the Spring Festival Gala, but now more attention seems to focus on which star will appear and the combination of partners between the stars, rather than the quality of the show itself.
This change in focus makes the Spring Festival Gala no longer a highland of comedy creation in the minds of the audience, but more like a platform for stars to compete to show themselves.
The audience had a strong aversion to this change, and they began to feel that the Spring Festival Gala had lost its charm in the past.
The comments are full of dissatisfaction with the rehearsal lineup, thinking "Is this called the Spring Festival Gala? This is called a celebrity gathering, the Spring Festival Gala is no longer like the Spring Festival Gala, look at how many people watch it." ”
The Spring Festival Gala no longer seems to be a platform focusing on artistic creation and audience entertainment, but more like a feast for commercial stars.
The rise of traffic stars has also raised questions about the censorship mechanism of the Spring Festival Gala.
The traditional censorship mechanism may be more suitable for the works of professional artists, but for the participation of traffic stars, it is difficult to ensure that they can bring high-level performances to the audience.
The audience began to feel that the Spring Festival Gala had lost its insistence on innovation and high-quality art, and focused more on commercial interests.
This series of changes has profoundly changed the relationship between the audience and the Spring Festival Gala.
The Spring Festival Gala used to be a companion for family reunions and a source of laughter for the audience, but now, the audience is beginning to feel that the Spring Festival Gala has lost that sincerity and warmth.
The dependence on traffic stars has made the Spring Festival Gala more commercialized, and the audience's indifference to this commercialization may be nostalgia for the classics of the past.
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