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On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment
On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Sentence | An-ching-hsien

Edit | 9527 Meow Goo-kun

After 8 years, the former Twins of the Heavenly Group have returned to the Red Hall.

举办了14场《TWINS SPIRIT SINCE 2001 LIVE IN HONG KONG》演唱会。

At the concert, the Twins danced and sang together, each song was quite classic, and every stage presentation was full of memories.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Although today's Twins are not as starlight as they used to be.

But I have to say that only these classic songs left in the memory, the first generation of heavenly troupes, can make the concert present a lively atmosphere of full chorus.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Besides, after so many years, Gillian and Ah Sa are no longer the energetic girls they used to be, but now their state on the stage is not inferior to that year, and their full-fledged singing and dancing often make people forget the fact that both of them are 40+ years old.

On the stage, the two changed several sets of looks, and the design styles of the costumes were different, but in fact, Gillian and Ah Sa's figures were not too good.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

For example, in the "Sexy fighting" link, Ah Sa wore a sheer lace miniskirt, and the design of pinching the waist tried to show Ah Sa's waist and hip curves, but although the petite Ah Sa was quite charming, she still couldn't hide the shortcomings of her body proportions.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

At 165, she is not short, but her body proportion is only four or six points at most, and once Asa in boots and high heels sits on a chair or does knee-bending dance moves, her upper body is as long as her lower body.

The most terrifying thing is that Asa, who obviously looks thin, has a lot of sacs on her body because of her age, such as when she clamps her arm, the curve of her arm is not smooth, and the loose and squeezed butterfly sleeves become more obvious under the bells and whistles lace see-through outfit.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Compared with Ah Sa, Gillian's state is not much better, Gillian's body management has not been very stable in recent years, and she has lost weight after participating in "Sister Lang", but this time there is a significant trend of regaining weight at the concert.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Originally, Gillian was only 160 and was not as tall as Asa, when wearing the same style, Asa stood there and looked tall, thin and thin, but Gillian looked horizontally developed, and the fat pants dragged down her aura.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

On the stage, although Gillian's clothes have no see-through design, they are more exposed than Asa's set, and in the same camera angle, Gillian, who completely exposes her arms, has one less layer of "contouring" than Asa, and the whole person is more rounded and thick, and her figure is bloated.

The two are in the same frame, and the difference in body and weight can be clearly compared.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

And when Gillian stepped on the chair with one foot and showed her sexy curves, Gillian's thick elephant legs became the center of sight of the picture, making the audience wonder what this pair of meat legs had to do with Gillian's cold royal sister face.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Not only that, Gillian will also squeeze out a lot of fat because of the squeezing of fat, when she and Asa sit back to back on the chair, Asa on the side is still slender from the side, but Gillian's back is squeezed out of a layer of fat, which makes people can't bear to look at it directly.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Gillian who held a concert in this state is really not perfect, but even so, it does not affect her to release her charm on the stage.

Her royal sister is good-looking, and she can still catch the audience's attention for the first time, and her smooth and powerful body movements can still show the charm in the song to the fullest.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Compared with the state of Gillian and Asa, they are extremely bright and confident on the stage, but they are more beautiful and vivid.

Besides, some chubby Gillian and Ah Sa, who are not very well proportioned, can find clothes that modify their figures.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

For example, this set of orange looks at the concert not only hid the fat on the two of them, but also lengthened the proportions of the two of them, especially Ah Sa, who was wearing black pants, was a lot taller, and the simple off-the-shoulder design showed her thinnest and sexiest part in front of the camera.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

To put it bluntly, Gillian and Asa can find some conservative clothes and play the safety card, but the two of them confidently and generously show their imperfections.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

In domestic entertainment, the development of deformed aesthetics is almost pathological, most female stars are pursuing curvy beauty, but there are still many people who are thin like a horse pole, live on meal replacement shakes every day, like a paper man on the red carpet, wearing a dress with only ribs and breasts, and even when creating a character, they will look like a crumbling skeleton man, all of them are broken and beautiful.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Of course, internal entertainment has such an aesthetic pursuit, also because of some objective reasons. The public opinion environment is more critical of the state of female stars, Gillian and Ah Sa, who held concerts in Hong Kong, are generous and confident, but if they want to be placed in domestic entertainment, there will definitely be many people who judge Ah Sa's body proportions and Gillian's big thick legs.

In addition, both idols and actors in domestic entertainment take acting as their main career. And not every domestic drama is like "Prosperous", which can shoot a big round face like Xin Zhilei into a bright beauty with a higher body.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

In order to withstand such a streamlined production, the actors can only be thin again and again to avoid the situation of gaining three pounds on camera.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Obviously, the reason why deformed aesthetics have become the trend of female celebrities is because the creative environment and public opinion environment in the entertainment industry are putting pressure on them, and if they want to get rid of this shackle, in addition to the mainstream media to make changes and guide the diversification of aesthetics, it is also necessary for artists to have a strong heart.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Ah Sa and Gillian have debuted for so many years, they are both female artists who have been through the sea of swords and fires, and they have long been accustomed to the criticism of the two, and they have already established a fortress of self-protection for themselves.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Of course, there are also such people in internal entertainment. Liu Yifei is a typical example, others pursue white and thin, but Liu Yifei has always been slightly fat on the screen over the years, she also works out, but never pursues skinny beauty.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Others say that her trapezius muscles are not good-looking, but she is still so beautiful in ancient costumes that people can't take their eyes off, others say that she is deeply overwhelmed and shows her gums when she laughs, but she didn't go to her teeth to adjust, but laughed heartily and happily.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

When Gillian and Asa counterattacked the deformed aesthetics of internal entertainment with a calm attitude, a group of awakened female stars have actually appeared in internal entertainment, exuding confident charm all the time.

On this night in Hong Kong, Gillian's "fat and elephant legs" is a counterattack to the deformed aesthetics of domestic entertainment

Finally, what do you think of Gillian and Asa's performance at the concert? Can you name a few female stars of domestic entertainment who are just as imperfect as them, but are still full of charm? Share the nomination in the comment section.