The flowers are gone, and the song is over.
The drama that has been filmed for three years has only been lively for less than half a month, and it ended gorgeously in the blink of an eye.
The amount of 30 episodes is no more, no less, colorful light and shadow, nostalgic music, so that the viewer is intoxicated by the bursts of fragrance that belongs to that era every minute: friends are on the side, talking and laughing, and smiling and laughing.
The beginning is vigorous, the end is bland, some people think that the end is sloppy and perfunctory, is it possible that the dish of "Flowers" is in the effort, the taste is in, but at the last moment, it was defeated in the "fire to collect the juice"?
In the eyes of the junior brother, yes.
Wong Kar-wai's shot, regret is a routine, and endless reverie is a surprise.
For example, a ferry ticket in "In the Mood for Love" is a regret, the heartbroken love in the camera is insignificant on the curtain of the world, and the blank space outside the camera dilutes the regret and makes the audience think about it.
Hiding the regrets that will not be said, looking forward to the unexpected surprise at the next intersection, this is the ending of "Flowers", and it is also Wong Kar-wai's usual trick, "Chongqing Forest" is like this, and "The Grandmaster" is also the same.
It's all unfinished, and it's all about it.
At the end of "Flowers", Mr. Bao chose to make a desperate bet, and finally his family wealth was scattered and he turned back into Bao.
However, to be able to retreat from the stock is already full of luck, and it has also left a piece of Sichuan sand land in Pudong, and greeted the next outlet in peace, and it is really the president of Bao who has excellent vision.
Previously, Mr. Bao's backstabbing of his uncle on the Walmart list made the audience complain.
Looking back, I found that it was false to go away, but protection was true, and it was a sin to let the old teacher fall into the danger of a jackal.
Lingzi, Li Li, and Miss Wang were finally passers-by who witnessed Mr. Bao's spring breeze, and none of the three points intersected with him.
Reiko's desire to Mr. Bao stopped talking, it was love that was difficult to open in her heart, and she forgot a tear in the corner of her eye.
The so-called love and righteousness are empty, the sky is white, and Tokyo is open as usual at night, this is what her simple but vigorous heart desires.
Li Li's rejection of Mr. Bao is dangerous and charming.
Her heart is full of stories and emotions, which seem complicated, but in fact she is simple, she travels the Yellow River Road alone, just to clear Mr. A's posthumous affairs, everything is clear, escape into the empty door, the vulgar dust does not touch her body, and she is innocent and innocent to be Chen Zhen.
Miss Wang and Mr. Bao went to the appointment as scheduled across the Huangpu River, which once again proved that the matter of affection comes from the right time and place, and the difference of one cent is an empty door.
Love is blank, career is successful, Xiao Wang is bright and flamboyant, stumbling, standing firm in the tide of the times, earning back face, and then turning around is Mr. Wang who stepped on his dock, the pearl is dusty, and finally shines.
The good thing about "Flowers" is that it is not only the big people on the Yellow River Road who shine, but also the little people in the alleys who shine brightly.
Against the backdrop of the setting sun, Mr. Fan and Miss Wang parted with a smile, goodbye to the rivers and lakes.
In the bustling crowd, the uncle's stumbling back stared indifferently.
Jin Hua held the stamp album sent back by her uncle, stopped and looked, and there was an undercurrent of emotions surging in silence, and she was moved and relieved all in silence.
Tao Tao hesitated between bondage and freedom, the little sister-in-law's "red apricot", the laughter and laughter of Tokyo at night, all became the past, Tao Tao's heart became a pool of death, no life, eager to fly, but was bound by the surging love of Fang Mei, trapped in the cage of marriage, extremely twisted.
Fang Mei's pregnancy made Tao Tao dead wood spring, and the hot kiss in front of the hospital bed was a love and a heart.
Manager Pan, who has experienced the ups and downs of the Golden Phoenix and Zhizhen Garden, has read all the prosperity and understands everything, and left the Yellow River Road lightly.
The three sisters of Xiaocheng appeared on the stage with a smile and left the stage crying.
One keeps to himself and lives a down-to-earth life, one is true to nature, knows the gains and losses, and the other has a heart higher than the sky and is unwilling to accept fate.
Go to Huanghe Road again, Zhizhenyuan was stripped away by the construction team, Jin Meilin's flashing signboard has long been dimmed, and even Jingxiu's commissary has been "transformed" with the tide of the times.
The Yellow River Road is still the same Yellow River Road, but a group of old people have gone, and a group of new people have come, all of whom are passers-by.
Forcibly happy endings only exist in fairy tales, and the endless red dust rolling forward with countless problems is the reality.
Wong Kar-wai is amazing, "Flowers" is the whole story, there is not a single shot that is not beautiful, not a single music sounds, no character is boring, even CCTV praises: it may become a lonely product for a long time.
Before the finale, I thought that Wong Kar-wai was just a business war against Mai Mang, or a diet man and woman who were pulled to the limit, and when the finale was broadcast, they all sighed that the main theme could still be filmed like this, combining the changes in Shanghai in the 90s of the last century with the major events in the development of the entire country's economy, and in the finale of "Flowers", the 65-year-old Wong Kar-wai gave domestic entertainment a "lesson".
Mr. Bao's story is just an episode, and the changes of the mountains and rivers and the times are the main tone.
Ang Lee's words were finally believed, and they had to admit that Wong Kar-wai was really a genius.
On weekdays, Wong Kar-wai Shenlong does not see the end, but he is famous, such as the title of "King of Sunglasses".
Wearing a pair of black sunglasses anytime and anywhere is mysterious enough, for different reasons, some say that it is cross-eyed, but when he was young, he had clear eyebrows.
Whether it is unconventional or not, or his wife's love token, the more it spreads, the more outrageous it becomes, Wong Kar-wai had to block Youyou's mouth with the sentence "eyes are more sensitive".
Another example is that Wong Kar-wai is notoriously abrasive in filming, it is true that he can win awards for his plays, and it is also true that he is miserable, every time he chats, Andy Lau, Tony Leung and other big names are bitter tears.
Being tortured by lines, endless reshoots, and unexpected cuts are all statements by members of the "Wong Kar Wai Victims Alliance", but even so, the actors are still scrambling to be "abused" by Wong Kar Wai.
Wong Kar-wai, who the public thinks is a simple house, does not associate with the world, and does not listen to things outside the window, this time he let everyone see his true side.
Because "Flowers" is the first TV series, the tsunami-like barrage is unheard of and unseen, so there is a saying that Wong Kar-wai reads the barrage until two or three o'clock at night.
cares about the audience's feedback, always pays attention to the heat, and there is no rest after the filming of the drama, and the material posters and event planning are also done by themselves, and they have no concept of the popularity of the platform 30,000, and they want it higher
At the end of the day, it's good that the audience is satisfied.
Feng Xiaogang's big truth, some people believe it, he once said frankly: The director doesn't read all kinds of feedback on the Internet, he must be talking nonsense, I haven't seen anyone I know and don't care.
Caring about the audience, listening to what the audience says, instead of relying on one's own talent and vision, such a virtuous circle can make a masterpiece with a good reputation.
Wong Kar-wai's "ambitions" don't stop there.
The drama version of "Flowers" ended gorgeously, and the online film version of "Flowers" is gearing up and eager to try, the fire of the drama version is bound to provide natural popularity for the film version, the high box office is easy, Director Wang's game of chess, the way of moving is rare, one fish and two eats, high, really high.
Ang Lee, an international famous director, commented on Wong Kar-wai: "He is really a genius".
Zhang Yimou also praised him to the sky: "Wong Kar-wai's works feel like a petty bourgeois city is really first-class."
In the past, I didn't know much about it, but now I have a deeper understanding after chasing 30 episodes of "Flowers".
END
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