"The Three Teams", as a male group drama, has attracted much attention since the start of filming. However, as the series aired, the bed drama in it sparked widespread controversy. Many netizens said that such a plot arrangement is completely disrespectful to women, and even gives people a feeling of "daddy".
"The Three Teams" focuses on male characters, showing their stories in career, family, friendship, etc. There is no problem with such a setting itself, after all, there are rich and diverse themes and forms in film and television dramas. However, the female characters who appear in the play have encountered a lot of doubts and criticism.
Some netizens pointed out that the bed drama in the play is too abrupt and blunt. These scenes seem to be set up only to attract attention or add drama, lacking real plot foreshadowing and character development. This not only makes the audience feel uncomfortable, but also makes people question the attitude and values of the screenwriter and director towards women.
Some viewers think that the image of the female characters in the play is too single and stereotypical. They often only exist as foils or tools for male characters, lacking independent character and thoughts. This kind of image shaping is undoubtedly disrespectful to women, and it also limits the diversity and possibilities of women in film and television works.
Some netizens also pointed out that some of the female characters in the play seem to be set up just to cater to the tastes of male audiences. For example, if a young and powerful actor is placed in a role, he will still be questioned and criticized. This can't help but make people think, how should the female characters in film and television dramas be positioned and presented, is it to satisfy the aesthetics and desires of male audiences, or should they pursue equality and respect?
It is undeniable that "The Three Teams", as a male group drama, has a certain audience and market in itself. However, this does not mean that the female characters in the play can be marginalized or objectified at will. In today's society, the aesthetics and needs of female audiences are also increasing, and they expect to see more images of women with depth and diversity in film and television works.
The problems faced by the Three Brigades are not unique. In many film and television works, female characters often become accessories to male characters or exist to satisfy the aesthetics of male audiences. This practice is not only disrespectful to women, but also an insult to the intelligence of the audience.
For film and television producers, more attention should be paid to the shaping and presentation of female characters. They should not just exist as vases or foils, but should have their own personalities, thoughts and pursuits. At the same time, screenwriters and directors should also respect women from the bottom of their hearts and abandon those superficial ways of image building.
For the audience, we should also improve our own aesthetic level and awareness, and not be limited by those who are too single and stereotypical female images. We must learn to appreciate those images of women who are truly diverse and independent, and provide more feedback and suggestions for the portrayal of women in film and television works.
There are many film and television dramas where female characters are marginalized or objectified, and here are some examples:
"Beijing Women's Illustrated Guide": This drama mainly focuses on women's careers and love lives, but the status of female characters in the play is relatively marginal, regarded as an accessory of men, and the plot mainly revolves around male characters.
"Ode to Joy": Although the five heroines in the play have their own lives and careers, their fates are often intertwined with the male characters, and the personalities and behaviors of some female characters are also controversial, such as Qu Xiaoxuan who is questioned as a gold worshipper.
"The First Half of My Life": This drama mainly focuses on women's marriage and relationship problems, but female characters often exist as foils for men in the play, and the plot mainly revolves around male characters.
"The Legend of Zhen Huan": Although there are many female characters in this drama, the struggle between them is mainly to get the emperor's favor and status, and the fate of female characters is often controlled by male characters.
"Carat Lovers": This drama mainly focuses on women's appearance and love, but the character and behavior of female characters are often questioned and criticized, such as the heroine Mi Duo being questioned as a green tea.
These film and television dramas have some problems in creating female characters, such as overemphasizing women's appearance, treating female characters as men's foils, ignoring women's personalities and thoughts, and so on. These issues reflect stereotypes and prejudices about women in society and deserve more attention and reflection.
The problems faced by "The Big Three" do not exist in isolation, but require the entire film and television industry to work together to solve them. Only when we truly respect women and pay attention to the shaping of women's images can we create more excellent, diverse, and thoughtful film and television works. At the same time, this is also a respect and improvement of the audience's IQ and aesthetics.
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