Feng Xiaogang: The older generation doesn't have to cater to young people, and they and their younger daughters also have their own preferences and do not interfere with each other!
Hello everyone, I'm the headline editor today. Recently, "If You Are the Truth, Do Not Disturb 3" did not do well at the box office, and director Feng Xiaogang was ridiculed for not keeping up with the laughter of young people, and some people even said that he was no longer the father of Chinese New Year films. However, we can't ignore the classic works that Feng Xiaogang has brought to us over the years and his persistence in filmmaking.
First of all, we have to make it clear that Feng Xiaogang, as an older generation of directors, does not need to cater to the tastes of young people. He has his own style and creative style, and has always focused on telling stories in social reality. His works are deeply loved by the audience, whether it is "Mobile Phone" or "1942", they have left a deep impression on the audience.
As for the reason for the poor box office of "Do Not Disturb 3", it may be related to the changes in market demand and audience tastes. Young audiences' preference for comedy may have changed, and Feng Xiaogang's work still continues his usual style, which may be one of the reasons for the poor box office.
In addition, we cannot ignore Feng Xiaogang's respect and non-interference with his youngest daughter's respective preferences in family life. His youngest daughter is a young artist with a unique creative philosophy and aesthetic point of view. Feng Xiaogang did not try to sway her choices, but gave her plenty of room to develop and was always proud of her achievements.
Although Feng Xiaogang was ridiculed for not keeping up with the laughter of young people, we cannot deny his contribution to the film industry and his status in the industry. Each director has his own style and target audience, and Feng Xiaogang has always adhered to his own creative philosophy. His work profoundly reflects social reality and resonates with the audience.
Finally, we hope that the audience will not be too demanding that Feng Xiaogang must cater to the tastes of young people. His work is still deep and thoughtful, and should not be simply categorized as whether or not it fits the jokes of young audiences. Feng Xiaogang has an irreplaceable position in the film industry, and we look forward to more wonderful works from him in the future.
The above are some views and opinions on Feng Xiaogang. Whether or not he becomes the father of Chinese New Year films again, we should pay tribute to his glorious past performances and look forward to many more outstanding works in the future. #你好, 2024#