Liu Yuning's questioning of the P picture of the beautiful man in the later stage caused controversy
Recently, the popular actor Liu Yuning suddenly put forward a shocking point of view in his personal live broadcast room - he believes that many beautiful men in classic costume dramas, such as Jiao Enjun, Gu Tianle and others, often give people the impression of being out of the world and fairy, but in fact, this feeling comes from the illusory modification of the post-P picture technology.
As soon as this remark came out, it immediately caused an uproar on the Internet. Countless veteran fans have expressed strong dissatisfaction, criticizing Liu Yuning's remarks as disrespectful to the acting achievements of his predecessors.
They believe that the reason why these outstanding actors of the older generation have remained popular and classic is because they have excellent acting skills and extraordinary temperament and charm, and they do not simply rely on post-production special effects.
In order to prove that Liu Yuning's point of view is purely unfounded, a large number of netizens spontaneously took out the original stills of the classic drama of the year, wanting to illustrate the problem with real images. For example, Jiao Enjun's image in "Seven Heroes and Five Righteousness", the crew conditions of that era were very simple, there was no technology such as post-P pictures at all, all the photos were in their original state, and even the hair sets on the actors' faces were clearly visible.
But even so, Jiao Enjun, who was 32 years old at the time, still relied on his strength and temperament to successfully create the image of a legendary knight, which made the audience's eyes shine, and his popularity rose sharply and became famous.
This proves that a real beautiful man does not rely on post-retouching as from the actor's own acting skills and talents. As a new generation of actors, Liu Yuning should face up to the achievements of his predecessors, and should not belittle them for relying on P pictures to get out of position.
This kind of remark may attract more criticism and education from fans.
Jiao Enjun became popular all over the country because of "Seven Heroes and Martial Arts".
In 1994, Jiao Enjun was 32 years old and was on the rise in his acting career, and he played the role of "Nanxia Zhanzhao" in the TV series "Seven Heroes and Martial Arts", which also became his representative work of fame.
In the play, Jiao Enjun is dressed in red, sassy and heroic; or dressed in white, fairy wind bones. Although the crew conditions at that time were simple and there was not much packaging and decoration, Jiao Enjun still relied on his natural conditions of being born with clear eyebrows, good looks, and strong acting passion, and successfully created the image of a legendary knight, which made the audience's eyes shine.
As soon as this drama was broadcast, Jiao Enjun's popularity rose sharply like a rocket. Countless audiences were impressed by his sassy and heroic posture and chic appearance, and they watched this drama one after another, and for a while, Jiao Enjun became popular all over the country and became a household name.
Some comments believe that this reflects that an excellent actor does not need to rely on packaging and special effects, as long as he has excellent acting skills and conditions, he can naturally make the audience shine.
This also refutes Liu Yuning's absurd remarks that "beautiful men are all P pictures" from the side.
Jiao Enjun later played more classic roles in many famous works, such as Li Xunhuan in "Little Li Flying Knife", in which he has entered middle age, he still creates a dignified and colorful chivalrous image.
This fully shows that his acting skills have been perfected and have nothing to do with external packaging. The new generation of actors like Liu Yuning still need to work harder on their acting skills, rather than belittling their predecessors.
Jiao Enjun has proved the true strength of an excellent actor with his brilliant life journey.
Gu Tianle's "God List" Erlang God is out of the world
In 1998, 38-year-old Louis Koo played the role of Erlang God in the classic mythological drama "Fengshen Bang". In the play, he wears armor on his head, his face is cold, and the silhouette standing at the door is resolute and decisive.
When standing side by side with the three virgins who play his half-sister in the play, both of them exude good temperament and superior appearance conditions, and interpret the fairy-like temperament to the fullest.
In fact, it has been more than ten years since Louis Koo played the role of Yang Guo in "The Legend of the Condor Heroes". But even though he is middle-aged, Gu Tianle still maintains an unearthly fairy spirit, and interprets this once suave teenager into a well-informed, mature and stable middle-aged beautiful man.
Even in the scenes where his makeup is withered and his condition is not good, Louis Koo's beauty highlights are not damaged at all. This fully proves that he does not need to rely on packaging and filters to exude an otherworldly beautiful male temperament.
Such acting skills and acting charm are incomparable to the new generation of actor Liu Yuning. Liu Yuning's remarks belittling his predecessors are all P pictures are too irresponsible.
Louis Koo used his acting skills and charm to challenge the roles of beautiful men of different ages, and successfully impressed generations of audiences, which is by no means comparable to the special effects of the later stage. Liu Yuning should face up to the achievements of his predecessors and check whether he also has such outstanding acting skills, instead of easily commenting on his predecessors.
Qiao Zhenyu relied on his acting skills to make up for his appearance
In 1995, 24-year-old Qiao Zhenyu starred in the martial arts drama "Snow Goddess Dragon", playing the role of "Ouyang Mingri" in the play. Although he completed most of the scenes in a wheelchair, Qiao Zhenyu successfully created a dignified and suave chivalrous image, which made the audience unforgettable.
As a young actor, Qiao Zhenyu's appearance conditions are actually not outstanding, and his facial features are even slightly ordinary. But with his keen acting skills and rich inner emotions, through his smart eyes and loud tone, he interpreted a boring "vegetative" role in a three-dimensional, vivid and full way.
This fully demonstrates his strong acting skills, even if the appearance conditions are average, he can make up for the congenital deficiencies through superb performances.
There is a huge difference between such excellent acting skills and Liu Yuning's "only relying on P pictures to get out of position". Post-production packaging is important, but the actor's acting skills are the core. Like Qiao Zhenyu, he can perform seemingly boring roles vividly and enthusiastically, which is enough to prove the super expression ability of powerful actors.
Liu Yuning should not despise his predecessors, but should bow down and improve himself from the level of acting skills.
Qiao Zhenyu later created more popular characters in many dramas, all relying on his acting talent. Therefore, if an actor wants to stand out in this highly competitive circle, it is far from enough to rely solely on packaging, but also needs solid internal skills.
Liu Yuning should face up to this, instead of simply attributing the success of his predecessors to the P plot.
Huo Jianhua is unkempt and handsome
In 1999, Huo Jianhua played the role of "Xu Changqing" in the classic Xianxia drama "The Legend of Sword and Fairy III". In the play, there is not only his heroic and sassy dress in a sandalwood feather crown dress, but also a realistic depiction of his shabby and raunchy fishing clothes by the lake.
Under the high-definition lens, his slightly rough pores and scum can be seen at a glance, but it does not affect his suave and flying chivalrous image at all, but adds a bit of reality and three-dimensionality to the character.
Many viewers commented that Huo Jianhua's facial features are very outstanding, coupled with his acting skills, even if he is not carefully packaged, he can successfully interpret a handsome and chic chivalrous image.
This is contrary to Liu Yuning's argument that "beautiful men are all P pictures". It shows that a truly talented actor with excellent acting skills can exude charming charm even in a very natural state.
Huo Jianhua later created more classic roles in many other dramas such as "The Condor Heroes", all of which relied on their own strength, rather than simple packaging.
As a new generation of actors, Liu Yuning should face up to the acting skills and charm of his predecessors, rather than simply attributing it to later retouching. As an actor, strength is fundamental, which Huo Jianhua has proven with his own works and achievements.
Liu Yuning should reflect on himself and work his acting skills, rather than commenting on others rashly.
Zhong Hanliang's negative character is also difficult to hide his handsomeness
In the historical drama "Against the Cold" broadcast in 1999, Zhong Hanliang played a negative character "Gu Xichao". Although the character is insidious and cunning, and unscrupulous means to achieve his goals, Zhong Hanliang's appearance conditions are very good, with three-dimensional facial features, white skin and beautiful appearance, successfully creating an image of a beautiful man with outstanding appearance, attracting countless audiences to fall in love with him.
This shows that if an actor's acting skills reach the point of perfection, even if he plays an extremely negative and ugly role, he can exude charming charm in appearance.
This is very different from what Liu Yuning said about "needing the blessing of P map". It proves that a really good actor can use his acting talent to make up for the lack of external conditions, so as to create a character that attracts the audience in all aspects.
Later, Zhong Hanliang also successfully created villain roles in many dramas such as "The Legend of the New White Lady", but they were all unabhorrent because of his handsome appearance and outstanding acting skills.
This is contrary to Liu Yuning's view. As a new generation of actors, Liu Yuning should deeply reflect on how to improve his acting skills, so that he can break through the limitations of external packaging and create three-dimensional and touching characters like Zhong Hanliang.
Chen Xiao stood out in his 85 years
In 2013, Chen Xiao became popular by playing the leading role in the martial arts drama "The Legend of Lu Zhen" and successfully became one of the popular students. As a post-80s generation, Chen Xiao could only use some slight beautification methods such as skin grooming at most, and there were no conditions for large-scale P-map retouching as Liu Yuning said.
But it was in this state that Chen Xiao still succeeded in dazzling the audience with his crooked peach blossom eyes and sunny smile and quickly accumulated popularity.
This proves that the key to the charm of a beautiful man lies in his own conditions and talents, and does not depend on later packaging. Chen Xiao's facial features are not too outstanding, but he uses his rich acting skills to show the multi-faceted three-dimensional sense of the character's personality vividly.
This is exactly what many of the new generation of vase actors lack. Liu Yuning should not despise his predecessors, but should ask himself whether he should also work his acting skills in order to stand out in such a fiercely competitive circle.
Chen Xiao later starred in other roles such as the Hunan Lord in "Langya Bang", all of which relied on his strong acting skills to be competent, rather than simply external packaging.
Liu Yuning should face up to this problem and not simply attribute the success of his predecessors to Meitu. Only by constantly improving their internal skills can they mix in the film and television industry for a long time.
To sum up, there are misunderstandings in Liu Yuning's remarks
To sum up, through the analysis of the representative works of Jiao Enjun, Gu Tianle, Qiao Zhenyu, Huo Jianhua, Zhong Hanliang, Chen Xiao and other senior actors, it can be seen that Liu Yuning's remarks that "classic beautiful men are all from P pictures" in the live broadcast have certain misunderstandings.
The reason why these seniors were able to stand out and become household names in that year was not simply based on post-production packaging and Meitu technology, but because of their own strong acting skills and good appearance.
Just as Jiao Enjun also successfully created the image of a chivalrous man under the conditions of a minimalist crew, and Qiao Zhenyu proved by examples such as making up for the lack of appearance through rich emotions, the real strength of the actor is the decisive factor that melts the hearts of the audience.
Therefore, Liu Yuning, as a new generation of actors, should not despise the achievements of his predecessors with sweat and hard work, but should deeply reflect on how to improve his internal skills and performance skills, which is the fundamental way to stand in the entertainment industry for a long time.
The times are evolving, and Meitu's technology is also improving, but if actors want to stand out in this change, they still need solid basic skills and acting skills to support them. I hope Liu Yuning can realize this, not be confused by the superficial changes, but pay more attention to the inside of improving acting skills, so that he can go further.